Demos of vocal jazz arrangements - visit anchormusic.com for ordering!

Joel Thompson (b.1988) is an Atlanta-based composer, conductor, pianist, and educator, best known for the choral work, Seven Last Words of the Unarmed, which was premiered November 2015 by the University of Michigan Men’s Glee Club and Dr. Eugene Rogers and won the 2018 American Prize for Choral Composition. His pieces have been performed by the Atlanta Symphony Orchestra, Tallahassee Symphony Orchestra, Atlanta Master Chorale, Los Angeles Master Chorale, EXIGENCE, and the San Francisco Gay Men’s Chorus. Currently a student at the Yale School of Music, Thompson was also a 2017 post-graduate fellow in Arizona State University’s Ensemble Lab/Projecting All Voices Initiative and a composition fellow at the 2017 Aspen Music Festival and School, where he studied with composers Stephen Hartke and Christopher Theofanidis and won the 2017 Hermitage Prize. Thompson taught at Holy Innocents’ Episcopal School in Atlanta 2015-2017, and also served as Director of Choral Studies and Assistant Professor of Music at Andrew College 2013-2015. Thompson is a proud Emory alum, graduating with a B.A. in Music in 2010, and an M.M. in Choral Conducting in 2013.

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

Jeremy Fox earned a Bachelors of Music degree in Piano and Jazz Studies from Western Michigan University. He later received his Masters of Music degree in Studio Jazz Writing and his Doctorate in Jazz Composition from the University of Miami.  For 14 years, Jeremy was a Full-time professor at The School for Music Vocations in Iowa, conducting both instrumental and choral ensembles.  Jeremy is now the Director of the Vocal Jazz program at Mt. San Antonio College outside of Los Angeles. There he is ushering in a program that offers singers hands-on skills that are rarely taught at other music colleges. 

For 20 summers, Jeremy led vocal jazz camps around the United States and Canada (www.VocalJazzCamp.com). He also co-conducts workshops designed for choral directors each summer called the Jazz Harmony Retreat (www.JazzHarmonyRetreat.com).

He is active as a clinician, and has presented clinics and served as guest conductor of All-State ensembles throughout the United States.  Vocal festivals that Jeremy has co-ordinated brought in such artists as The Real Group, NY Voices, Rajaton, Mark Murphy, Nancy King, m-pact, and säje.

Jeremy has received 11 SMA awards from Downbeat magazine, including ones for: Best Written Song, Best Arrangement, Studio Engineering, and for his vocal ensembles.  Jeremy’s charts are published with Anchor Music Publications, Sheet Music Plus/Direct, and on his own www.JeremyFox.net website.  He has written for artists like NY Voices, The Real Group, Kevin Mahogany, Terence Blanchard, Rose Max, Lauren Kinhan, Peter Eldridge, Kate McGarry, m-pact, John Secada, and Metropolitan Opera singers Eric Owens and Denyce Graves.  He has twice been invited to act as the guest conductor for the famed Henry Mancini Institute Jazz Orchestra, based in Miami.

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