Tom and jerry

Tom n jerry

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Songs that Angry German Kid Likes

tom i jerry

Clean Bandit - Rather Be (Slowed + Reverb)

Tom and Jerry & Tex Avery: Volume 1: The 1950's

Tot Watchers (1958, Tom And Jerry)

Tom And Chérie  (1955, Tom And Jerry)

Billy Boy (1954, Tex Avery)

Happy Go Ducky (1958)

Give And Tyke (1957)

Mouse For Sale (1955)

Busy Buddies (1956)

T.V. Of Tomorrow (1953)

Blue Cat Blues (1956)

Deputy Droopy (1955)

That's My Mommy (1955)

Touche', Pussy Cat! (1954 Tom & Jerry)

ig: @lilmabu

Lyrics:

[Intro:]
Uh free the guys 
Grrrrrttt
Boom! 

[Chorus:]
(Grrrttt)
I feel like the king of the world 
The way I got off in the mix (Bah bah bah)
Gotta keep makin’ these hits
Gotta get groupies all of of my — (Skkkt Boom) Treeshaaa
Put a blue face on a Plain Jane 
But I ain’t no crip
Peep the fit, 
And you want the smoke, 
Then pull up on the fifth 
Tinted the windows they blacked out 
Said I was broke, so I’m whipping the racks out
Lil boy tryna fight, but he tapped out
Hang with the drillers, they spinnin’ it back ‘round
He want a feature, I taxed
Say you got money, you stuck in a trap 
I had to drop a bag on a timepiece
Can I put my watch on demon time? 

[Verse1:]
Outside it’s a movie, but no I ain’t strapped wit a toolie (Bah)
I-I walk around with a limp,
Stuffin’ the racks, (Bah, Grrrtttt) 
They up in my blue jeans (Dior, Dior)
Yeah
When I’m rockin’ my fit 
And shawty she be on, be on 
Me 
She wanted a flick (Bah, Bah, Bah)
We posted up in some flyers 
Chasin’ these bands like we running from tigers
Little boy said I ain’t fire (Grrett)
But I got the game in a grip like some pliers 

[Chorus:]
(Grrrttt)
I feel like the king of the world 
The way I got off in the mix (Bah bah bah)
Gotta keep makin’ these hits
Gotta get groupies all of of my — (Skkkt Boom) Treeshaaa
Put a blue face on a Plain Jane 
But I ain’t no crip
Peep the fit, 
And you want the smoke, 
Then pull up on the fifth 
Tinted the windows they blacked out 
Said I was broke, so I’m whipping the racks out
Lil boy tryna fight, but he tapped out
Hang with the drillers, they spinnin’ it back ‘round
He want a feature, I taxed
Say you got money, you stuck in a trap 
I had to drop a bag on a time piece
(I had to drop a bag on a time piece)

[Post Chorus:]
(Grrrttt)
I feel like the king of the world 
The way I got off in the mix (Bah bah bah)
Gotta keep makin’ these hits
Gotta get groupies all of of my — (Skkkt Boom) Treeshaaa
Put a blue face on a Plain Jane 
But I ain’t no crip
Peep the fit, 
And you want the smoke, 
Then pull up on the fifth 
(Grrrtttt, Boom!)

King Of The World

KING OF THE WORLD

my love mine all mine - mitski (slowed)

Follow me on Instagram https://www.instagram.com/lewcci/

Download the full album here - http://quoteunquoterecords.com/qur044.htm

All songs written and performed by Owen Evans 

Additional musicians: 
Dave Gironda: trumpet
Nick Krill: group vocals
Robin Vining:  group vocals, slide guitar, glock, cello, trumpet

Recorded and mixed by Nick Krill
Additional recording by: Preston Bryant and Mike Hissong

Art by: Owen Evans

I Can't Handle Change

Dive

Video^-^ https://www.youtube.com/watch?v=meNHUZdqq78

Tom And Jerry Theme

this is the Original instrumental remix That I made without Biggie Smalls acapella. Enjoy!

Tom And Jerry Theme Song  (Hip - Hop Westcoast Instrumental) SovereignBeatz

Tom and Jerry MGM Theme

لفترة طويلة جدًا، كان أكثر الأصوات بهجًة وفرحًة لقلوبنا.. ثيم توم وجيري، مكنش بيفصلنا غير أما يتقطع فـ نصه عشان وقت برنامج الأطفال - الفقيع - خلص ولا عشان أهم الأنباء ولا عشان موجز البتنجان المقلي ده!

Tom and Jerry theme

I make animated cartoons now, and I'm compiling soundtrack demos here. But I used to produce blues and jazz albums first for my own label, Oblivion Records, and then as a freelancer around New York.

Oblivion Records: 
In late 1971 my new friend Tom Pomposello and I decided to start a record company to record his music, and so I could become a record producer. He was 21, married with a small child, and owned a local hippie record store in Huntington, New York. I was 19, single, a college student in New York City. 

Tom loved the blues. I loved jazz, especially the avant garde variety. We both wanted to do more to promote artists we believed in. 

And it was the early 70s, the height of don’t trust anyone over 30 and the man can’t bust our music, and indie record culture was starting to flourish again. 

It seemed like a smart move not to start with the unknown Tom’s record —especially since we hadn’t figured out exactly what it would be yet— but we had a viable commercial tape we’d recorded of college concert star Mississippi Fred McDowell (with Tom on bass guitar) at the Village Gaslight in Greenwich Village. With the sales of this sure fire hit, we’d be on our way to the big time of indie labels. Our agreement was to make blues records for Tom and jazz records for me. We had a passion for underexposed American music and we were certain we’d be the two to bring unknown artists to prominence. 

The only question that lingered was where we would get the outrageous sum of $1800 to press the first 2000 copies? Tom came to rescue by bringing in our third partner Richard (Dick) Pennington, a friend of his from, uh, somewhere (I never actually found out). Dick stepped right up with enthusiasm and verve and stayed until our fourth album when he and Tom fell explosively out over something neither of them ever revealed. 

Tom chose the name “Oblivion” off of the back of a Leo Kottke LP and we released Obivion OD-1 —Mississippi Fred McDowell: Live in New York— in 1972; altogether we put out six records in four years (it still feels like 100 records in 1000 years) before we flamed out with musical dignity intact. Tom’s album was our last, so we had fulfilled our mission. 

You can read a lot more stories about Oblivion Records and its releases at our tumblr here: http://oblivionrecords.tumblr.com.

-Fred Seibert  
http://bit.ly/ieSWNC