A song written for one of my first year assignments, let me know what you think!

Lost Time

What The Fuck Am I Supposed To Do

I can’t remember just when it happened, all I know is it did.
Next thing you know, I am deep in love, but I didn’t fall, I slid.
Nobody pushed me, I didn’t struggle, no magic potion to drink
I can’t remember just when it happened, call it a nod and wink.

There was no rational explanation, there was no scheme or plan.
Once I got moving in your direction I didn’t walk, I ran.
And suddenly my whole world is changing. I still don’t know what I did.
It all happened before I knew it. I didn't fall, I slid, and I’m sliding now.

Some say love is a roller coaster, taking you both for a ride.
But I say love is no roller coaster, I say it’s a slip and slide.
Some will tell you that love is easy. Some have never tried.
When that path gets nice and greasy, you know you’re gonna slide.
You know you’re gonna slide.

One day you’re gonna tell your story; how love conquered you.
Then comes the obligatory passionate overview.
In all of your recollection that you never hid.
I know if you’re being honest, you never fell, you slid. And you’re sliding now.

Some say love is a roller coaster, taking you both for a ride.
But I say love is no roller coaster, I say it’s a slip and slide.
Some will tell you that love is easy. Some have never tried.
When that path gets nice and greasy, you know you’re gonna slide.
You know you’re gonna slide.

I Didn't Fall (I Slid)

September

With a skillet of brooding, deep & melodic releases in his wake for the Lobster main label, Moomin's Closer imprint and an exceptionally beautiful self-released tape, Royer returns to the Lobster family with a clutch of super deep, dusty, planes-of-light-through-the-curtain house music that channel a nostalgic optimism into it's brooding & humming elemental core.

From the fading melancholy memories of clqsse22 (simple version) and it's more bubbling & swaggering 'sunday lit reffaaax' counterpart, to the sunlight rays cutting and refracting from the facets of d'orr22. Each track finds it's own slot on the spectrum of deep, warm house music.

Closer healyrslfw_lee nods to the more beat-oriented Royer works, heavy sampling a playful short piano loop and cutting in spoken word segments. As a rare Lobster digi extra we also get 'day of'. All stripped back grooves and stodgy MPC percussion lounging around a cloud of early morning haze.

>> @royeeeer

BUY RELEASE

MÖRK012 // Royer - Documented

https://www.youtube.com/watch?v=-ktRJHAH32g via EELF

27 is to old too be picky

https://soundcloud.com/Centre-Source-Records presents debut content from Hank Youngman for their fifth release, Wabi-Sabi [CSR05.] Taking a side-step from his shared WARREN RAWW project, Adelaide’s https://soundcloud.com/YoungmanHank is further exploring the outer-edges of house through this new project. 

'Wabi Sabi' is actually a phrase derived from Buddhist teachings, roughly meaning 'the art of imperfection'. True to it's title and like Hanks other works, this A1 cut is rough around the edges but emanates heat and beauty from within - kinda like those lovely little handleless cups they give you for free green tea in Wagamama's. Glitching LoFi percussion is met with distorted keys and glimmering oriental synths - resulting in one hot n' tasty ramen bowl of a jam.

Cop here > https://centresource.bandcamp.com/album/csr05-hank-youngman-wabi-sabi

Follow us on Facebook for news on upcoming music, mixes and other goings on :) www.facebook.com/fourheadsmusic

PREMIERE: Hank Youngman - Wabi-Sabi [Centre Source]

Hany & 514 - The Upside Down

Facebook: www.facebook.com/zonefocused
Bandcamp: www.zonefocus.bandcamp.com
Youtube: www.youtube.com/zonefocus
Spotify: sptfy.com/2s1L

Read about ADAM here: https://bit.ly/2S1cc7C

One man that needs little introduction in the alternative dance music world is Adam. His music channel on youtube is known for its gem uploads, curated by the crate digger himself. Over the past 12 months, he has started to release his own music and feature regularly on Vandelay radio. As part of a two-part new year release, he has gifted the bouncy, 'Everyday' to the ZF channel. 

Follow Adam on...
FB: https://www.facebook.com/AdamOnYouTube
SC: https://soundcloud.com/adam_bfd
YT: www.youtube.com/c/AdamTheChannel

<a href='https://theartistunion.com/tracks/79626b'>Download for free on The Artist Union</a>

Free Download

Adam - Everyday [Free Download]

Blue

Blo - Mana Pool

Download - https://fanlink.to/SINQMIN
Follow SINQMIN - https://soundcloud.com/sinqmin

Previously dedicated to his pop-leaning trap collaborations (including renowned Korean rapper Jvcki Wa and others), Seoul based artist SINQMIN has been active creating a connection between house/techno and hip-hop music inside South Korea. Already known in the underground scene of Seoul via playing with artists such as Derrick May, Brodinski, Para One and Boston Bun, his new EP titled “Nonfiction” now brings a refined aesthetic to his musings of various idm and electronica tropes, albeit with a slant of re-birth. 

All three originals here shake with the kind of deep aquatic vibes better known in Detroit electro circles, or micro-minimal stylings to emerge in Europe during the mid 2000’s, but its lead track “Yeonji Gonji (Rouge on The Cheeks)” which finds SINQMIN truly breaking new ground. The artist combines what sounds on the surface like a Yellow Orchestra feeling with a house/techno/lofi vibe while ruminating in his native language on the mournful history of Korea. We’re not entirely sure if this trajectory has been travelled thus far by a non-female Korean artist but it’s definitely an exciting twist and feels all the more fresh for the exploration.‘Yeonji-Gonji’ means a red dot women put on each side of their cheeks during traditional Korean weddings in order to exorcise evil spirits and wish for a fresh start. With the current awful situation unfolding around the world right now we couldn’t ask for anything more.

[Korean]
흘릴 수 없는 눈물 만큼
아픔이 많았기에
흘릴 수 없는 눈물 만큼
슬픔이 많았기에

우리들의 슬픈 기억을
잊을만큼 세상이 빠르기에
우리들의 슬픈 기억을
잊을만큼 가볍게 여겨지기에

잊고 지냈던 소중함을
다시 한 번 일깨워야해
잊고 지냈던 순수함을
다시 한 번 일깨워야해

[English]
as much as the tears that cannot be shed
because of the pain
as much as the tears that cannot be shed
because of the sadness

Our sad memories.
The world is fast enough to forget.
Our sad memories.
To be taken lightly to the remembrance of

The value I've forgotten.
We need to remind him again.
The innocence that I've forgotten.
We need to remind him again.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Join the clipp.art fanclub - https://clipp-art.bandcamp.com/fan-club
Follow clipp.art channels - https://biglink.to/clippart
Send your Music Demos - https://clipp.art/inbox

About clipp.art: Founded in 2017, clipp.art delivers an ongoing series of semi-regular digital cuts focused firmly on the inner outer edge of raw electronica & dancing music. Complemented by artist management & label services alongside the occasional limited-edition 12 inch and really really good dance party. 

clipp.art events and tours feature headlines from Gerd Janson, FYI Chris, Breakbot, Ross From Friends, Bloody Mary, DJ Seinfeld, DJ Boring, Black Loops, Coeo, Seb Wildblood, Auntie Flo and Demuja, while supporters for clipp.art original music include: Andrew Weatheral (RIP), The Black Madonna, Optimo, Dusky, Laurent Garnier, Vin Sol, Skream, Tensnake, Phil Kieran, Pete Tong, Shaun J. Wright, Little Helpers, Honey Soundsystem, Monki, Horse Meat Disco, Larry Tee, Dixon Avenue Basement Jams, Jacques Renault, Nightmares on Wax, and many more. 

General Enquiries ☞ clippart001@gmail.com
000-919999-KETTY

Bandcamp Exclusive

SINQMIN - Yeonji Gonji (Rouge On The Cheeks) [CLIPP140]

Musician/ producer based in Liverpool & Brighton
Vocals in Things Happen Fast

Lost Time

Fred Greaves