Production - Mixing - Vocal editing - Remixes - Instrumentals

361 Musix ist eine Produktionsfirma mit Sitz in Berlin. Gegründet 1999 von Jom und offiziell seit 2006 spezialisieren wir uns auf die Arbeit mit und für Künstler im Bereich Rap, Hip Hop & RnB . Durch einen großen Kreis an Kollegen kommt es aber auch zu Projekten in anderen Genres. 

Obwohl unser Fokus auf Eigenproduktionen liegt, sind wir immer offen und interessiert an der Zusammenarbeit mit externen Künstlern bzw. Firmen.

Außerdem planen wir zu Zeit den Aufbau unseres eigen Indipendent - Labels.

Mehr Infos demnächst ...........

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361 Musix is a production company from Berlin. Foundet in 1999 by Jom and official since 2006 we're developing our abilities in the genres Rap, Hip Hop & RnB . Because of a large amount of associates it happens from time to time, that we are working on projects in other genres.

Even our main focus is on producing our own Music, we are allways open minded and interrested in cooperations with other artists or companies.

Besides we are planing the establishment of our own indipendent labes.

More infos coming soon ...........

Email: invadrxim@gmail.com

Email or DM for collabs, writing services, promotions, etc.

Welcome to the next era of music

Submit all beats for Dame Grease and his artist to thedamegrease@gmail.com

Grease has produced several artists throughout his career. He has worked extensively with East Coast hip hop group, The LOX. Their use of Grease's sounds helped them acquire the street buzz that landed them their deal on Puff Daddy's Bad Boy Records in 1996. Grease produced several songs on LOX's debut album, Money, Power & Respect, including the hit We'll Always Love Big Poppa.[3][4] He was a producer on fellow Bad Boy artist Mase's quadruple platinum album Harlem World (1997). This led to Grease's work as the primary producer on DMX's debut It's Dark and Hell Is Hot (1998),[1][5] producing thirteen of its nineteen tracks.[3] With this project Grease helped Ruff Ryders Entertainment build its image. During this time, Grease mentored Bronx-bred disc jockey Swizz Beatz, who soon became another sample-free producer.

Dame Grease then landed a deal with Priority Records to release music through his own label, Vacant Lot,[1] despite offers to be one of Puff Daddy's legendary Hitmen[1] or an in-house producer on Ruff Ryders.

In 2001 Dame Grease began composing music, providing the score for the Steven Seagal/DMX blockbuster Exit Wounds, as well as for the 2003 box-office hit, Cradle 2 the Grave, starring Jet Li, DMX, Gabrielle Union, and Anthony Anderson, and for Never Die Alone (2004).[3][6]

Dame Grease also teamed up with DMX on the "Ain't No Sunshine" soundtrack, a remake of Bill Withers 1972 classic of the same name.

Grease put in work on several music projects throughout 2004 and 2005, including albums from LL Cool J, Kelis, DJ Kay Slay, DJ Envy, Slick Rick, Ol' Dirty Bastard, and an artist on Dr. Dre's Aftermath label named Aimee Terrin. Grease also kept the underground bubbling with "Crown Me", a collaboration between T.I., Cam’ron, and Juelz Santana. In 2006, Dame Grease produced "Life Be My Song", a track on DMX’s sixth studio album Year of the Dog... Again.[7]

$u§p€ckt (aka) der FreundlicheFremde is following