Why is the hardest track I’ve ever heard

The Experimental & Warped 9

Riteskeeper I

Please Stop Killing me

Invincible Girl

EP DL

MIEN

SHIFT

We're pleased to share with you our third compilation , and we hope you'll enjoy it. 
Dedicated to the beautiful magical moments of the departing summer.

big thanx to @maidenn @m0rimori @107_18 @kal1one @wa-ste222 @hp925mp463 @yancitygurl @igor-maximilian @thecryingnudes @user-251557634 @tumy06 @arte001 @rab_neba @bewareilive @fmsao

mastered by @fmsao

Wa?ste - No Break

original track by https://soundcloud.com/kristalmiau
mastered by https://soundcloud.com/satiralacastrada

Kristal Miau - … y el malibú ….. frozen …. 🤪🤪 !!

Experimental techno producer normally based in Berlin, Ziúr drops by for a guest hour live from the studio. 
https://www.nts.live/shows/guests/episodes/ziur-7th-february-2024

ZIÚR 070224

For our latest Cashmere Radio show we’re happy to present @10r3n, who pieced together an auditory trip that simultaneously builds up and breaks down club music structures.

Thank you to 10_r3n for the killer mix and artwork.

Tracklist:
10_r3n - ???
bela - Noise and Cries
Emptyset - flame
Async Figure - Gen
Anh Phi - ()
✧ :- shuriken bebe -: ✧ - 巴嘎NONO反毒大使_ FLIP
Sineraw - Very Angry Typing
逆流 - Kagura
slikback - Armada
ljj555998 - Boiling
Fetus & Itti & Indus Bonze - Kyara (Indus Bonze Remix)
Osheyack & Nahash - Temperance
Ice_Eyes - SHIBORI
hanali - Yomigaeri
T5UMUT5UMU - Marginal Era
ubu boi & r hunter - Proxy, Lover
Exploited Body - Contortion
Rat Section - Rat Lifestyle
Evian Christ - On Embers
Tadleeh - White Flames On Black Embers (Slikback Remix)
Eden Aurelius - Broken Fangs(ft Millia Rage)
SD Laika - Reckless
Yotah - Landing Sequence

xenial on Cashmere Radio w/ 10_r3n

The Nostro Hood System summons forth it’s second full-length album from Berlin-based Eduardo Pesole, titled ‘Botanical Garden’. Taking influence from a beloved flower species, Eduardo takes the name ‘Hypocyrta Glabra’. Bringing a wealth of knowledge from an instrumental background, morphing further into sound engineering and composition for both short film, fashion and interactive media & video games, the sparse influences and practices result in a oblique approach to electronic music that takes form as fluid, organismal growths of xeno origin to that of earth.

We see the vision for the album germinate: ‘After 2 years of wandering through videogame sound design, abstract ambient live performances and improvisations, and the Berlin club scene I decided to synthesize my journey into music with this record, the botanical garden in berlin has been my peaceful oasis in which I could escape from the mess of the city and with the years passing this became a ritual, tripping at the botanical garden to reconnect myself with nature and escape the city. In a way composing this album has been the same thing, escaping from the boredom of the daily routine after being impacted by a lay off from the gaming industry. The composition process became a playful and peaceful ritual to escape from bad places of my mind and reconnect to my true self, finally I had time to nourish to my true essence.’

Our artist realizes a world that wholly occupies the NHS galaxy: ‘Each year, the inhabitants of planet BLIN journey to a place forbidden to all others: The botanical garden. this is the sole location on the planet where life still springs forth from seeds, water, sunlight and the lunar cycle. Yet, for this to occur, those who still posses knowledge of the ancient botanical techniques (a small group passing down these generational skills) must initiate a ritual wherein the old world and the new are able to coexist. The soil, no longer soil becomes fertile, the water, no longer water, becomes nourishment. it is the most primordial ritual in existence. None are permitted to observe the act of generation, yet all who have survived the new world shall, for the remainder of the year, partake of its fruits.’

Across the entire collection, an effervescent spirit of youth and life springs out, bubbling through the feverish palette of sounds, primarily propagated via granular synthesis and resampling techniques. The overarching intention takes form as a ‘digital forest’, channelling the chaos of nature through computerised, alien-like aesthetics and structures that are constantly evolving and re-forming, like sped up evolution occurring before your ears. 
credits

Artwork by Medu
Steel animals by CO
Mastered by Fausto Mercier

Botanical Garden

Buy NHS029

Hypocyrta Glabra - Bouncing Baum [NHS029]

Yasmine Des Astres - La Forêt Des Amates 
Cat. Nr: DN029
Format: Digital
Release Date: October 11, 2024
Buy / stream: dansenoire.ffm.to/YasmineDesAstres 

La Forêt des Amantes was born in a daydream. “At night, under the shining moon of silver, I ran in a forest with the one I love,” describes experimental artist Yasmine des Astres. Arriving at music by necessity, rather than by intention, Yasmine des Astres arranges her voice, live instrumentation and synthesis into cinematic assemblage, drawing as much from filmmaker Philippe Grandrieux, philosopher Georges Bataille and Sufi mystics like Ibn Arabi, Jalal al-Din Muhammad Rumi and Mansour al-Hallaj, as she does any particular sound. 

Despite this, the artist remains fiercely opposed to overly academic approaches to her art. Entirely self-taught, her DIY practice emerges as the consolidation of years of personal discovery. Dropping out of school at 15, suffering severe social anxiety, the artist took solace in her mother’s rap cassettes, instilling in her a love for hip hop instrumentals. Before long she was digging for samples online to make her own beats. At the age of 16 she discovered the transcendent Gnosticism of Sun Ra, which shifted her entire worldview forever. However it was the artist’s love of cinema, in particular the films of Robert Bresson, that truly taught her what it means to be an artist. Bresson’s legendary text ‘Notes On The Cinematograph’ helped Yasmine des Astres construct a vision of art with which she could connect her sensations to her emotions. 

Specifically, the image of running through a forest at night kept returning to her, a vision she initially understood as a need for freedom, but which gradually developed into a deeper, more intense understanding. Chasing “desire as a liberating and enlightening force,” her dream of liberation became one of sexual exploration and self destruction, while La Forêt des Amantes grew into The Forest of Lesbian Lovers. “It is a dream made out of my lesbian devotion,” the artist asserts. “A desire to annihilate myself through the lesbian I would love.” Citing kindred spirit Obsequeen and Japanese experimental noise rock oddities Les Rallizes Dénudés as sonic influences, with La Forêt des Amantes Yasmine des Astres picks her way through an expansive sonic terrain of effects-laden vocals and off-kilter electronics. 
 “The album is about yearning,” she explains. “The forest doesn’t exist, it is not a forest we know. It is an absence. An absence of civilization, an absence of politics, just two lesbians and the universe around them.” 

Read more via Bandcamp 

Mastering by Rashad Becker 
Extase mixed by Julien Racine 
Artwork by Niels Wehrspann and Yasmine Des Astres

La Forêt Des Amantes

buy / stream

Yasmine Des Astres - Chapitre Premier De L'Errance - IV) Lune D'argent

welcome to the house of whorrors
where your biggest dreams manifest into your worst nightmares
@acidtigerX
sorry in advance to all blown subwoofers

lesser crown of evil

Moaning Part 9 (feat. Mikelowrey057)

first degree homicide
blood curdling innocent cries


PROPOSITION 001 002.3

Album art by tissue-hunter.tumblr.com
˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥ ˃̣̣̥

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READ > inverted-audio.com/premiere-ma-sha-ru-pcccc-lechuga-zafiro-remix

NAAFI affiliate Lechuga Zafiro brings a brazen, frenetic energy to 'PCCCC', something that will demonstrably slay on the dancefloor. @masharu

Near The Equinoxes

Ma Sha Ru - PCCCC (Lechuga Zafiro Remix) [Sorry Records]

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