DJ resident @ Mixaradio
One of the organizers of the Deep Summer Sensation Private Pool Party
Dj resident on the web radio  Retroisnotdead.com  
Dj resident @ Le blackpool
Join my official page on FB... https://www.facebook.com/Deejay-Koma
Booking : jeanthib@hotmail.com

An Indo-Spanish cross-pollinized record label! 
Home to Arjun Vagale @arjun-jalebee 
& Ramiro Lopez @ramirolopez

hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


- info and bookings
 mail at :  bjorn@groovytunes.be

--facebook page :
 https://www.facebook.com/bjorndeejay?




DJ Bjorn Migdalski is a seasoned Polish-Belgian DJ and the driving force behind GroovyTunes Belgium, where he also holds a residency. Based in the vibrant town of Maasmechelen in Limburg, Belgium, Bjorn has been rocking dance floors for over 25 years, becoming a true veteran in the scene.

Throughout his career, he has performed across Belgium, the Netherlands, Spain, Greece, Malta, and Turkey, leaving a lasting impression with his energetic and crowd-pleasing sets. Known for his genre-blending style that combines Tech House, Melodic House, Deep House, Afro House, and timeless classics, Bjorn knows exactly how to connect with a wide and diverse audience — especially with his female-friendly, groove-driven energy.

His impressive résumé includes performances at major festivals such as Extrema Outdoor, Genk on Stage, GroovyTunes Festival, 12 Inch Outdoor, Replay Festival, Summerfestival, Once Upon a Beach, and Groove Garden, among many others.

Bjorn has shared the stage with some of the industry’s biggest names, including Franky Rizardo, Armand Van Helden, Solomun, Ferreck Dawn, and many more. He has also played in some of the most iconic clubs and venues across Europe, including Versuz, La Rocca, Illusion, Real Club, Diverso, Bozzini, Club Karma (Turkey), Moef Gaga (Spain), and countless others.

Beyond his solo career, Bjorn is also one half of the powerhouse duo GroovyTunes Soundsystem, alongside partner Youri De Coninck. Together, they continue to push boundaries with high-energy performances and upcoming releases set to make waves in the scene — both as a duo and under his solo name, Bjorn Migdalski.

Whether he’s behind the decks solo or as part of GroovyTunes, one thing is certain: Bjorn brings the groove, the energy, and the passion every time he plays.

<a href='http://gigs.gigatools.com/u/frankdw' target='_new'>Frank De Wulf's Upcoming Gigs </a>Saturday 27 July, 2013 <a href='http://www.tomorrowland.be' target='_new'>Tomorrowland 2013, Tomorrowland, Boom, Belgium</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Hey everyone,

When releasing new material, and especially when it has been so long as it was with Frank De Wulf …. you are kind of expected to tell a little bit about yourself. So, here you’ll find a quick overview of his career. You’ll discover how one thing led to another, without getting into too much detail.

You won’t find a list of his work here, if you are more interested in that please check out : http://www.discogs.com/artist/Frank+De+Wulf or soon the discography page on his web-site. If you are more into the insider info and personal anecdotes, you will soon find regularly updates with (sometimes) juicy stories from his days as a DJ/producer on the ‘by the way I just remembered’ page.

So here we go! Frank was born in 1968 as the youngest of three boys. Of course with 2 older brothers hanging around, he was introduced to all kinds of music, not just the mainstream tracks you heard on the radio.
He must have been about 10 when he started experimenting with tape decks, later he used his father’s 2-track recorder to make longer versions of hit records.
In high school, he got invited by one of his classmates to visit the local radio station. Impressed with their set-up, he asked if he could try mixing on their 2 ‘Technics SL1200 MK2’ turntables. It felt great! From there he got his own radio show called “Seventh Heaven Radio”. With Frank on the turntables and another guy doing the talking, they brought a whole new flavor to the dance hits of that time. By re-editing, remixing and manipulating the tracks, he wanted to create a particular atmosphere for the listeners and give them the idea that they were experiencing a live set from home.

Frank De Wulf was always into music with a strong, original sound & rhythm no matter the genre: from new wave, dance, electro European and American experimental post-punk with Kraftwerk and the Art of Noise as two of his major influences or dare he say “muses”. That fresh, energetic layered electro sound was something he aspired to bring himself, by creating his own music as well as through his work as a DJ.
After a while people started noticing his ‘work’ and around 1985, he was asked to do a show by a more ‘dance oriented’ radio station called ‘SIS’.

At the time he was regularly, DJ-ing in 2 of Ghent’s dance café’s. It was an excellent way to practice his skills and since he was still at school, these DJ gigs brought some extra money into his piggy bank … because he was also saving up to buy the Yamaha S7000 sampler and an ATARI 1024 Computer. The new beat movement had just started and he started to feel the need to create music rather than just mix other people’s work more and more. So he started to produce his own tracks and make remixes of existing tracks.
One of his first releases as musician/producer was the 12-inch Acid Rock track with his alter ego band Rhythm Device on Music Man Records. Thanks to Olivier Pieters, resident DJ at the famous night club Boccacio (one of the Belgian clubs where New Beat really took off), he could test run the track. To Frank’s surprise and great relief, the crowd loved it. The track became a big hit, and is now seen as a bit of a classic, or so he’s told.

His work as a DJ gave him the idea to make a record just for DJ’s. He wanted to create a kind of tool for mixing tracks while still keeping the familiar theme going. He started to work on several tracks, but due to a lack of time never really got to finish them. He had a series of beats, mixes and samples from international dance hits and newly created sounds that were not really fit to be released as a-side records. So still eager to release them, he decided to call them The B-Sides. The record went through the roof and he ended up releasing 4 volumes (on Music Man Records) plus remixes of them.
Due to the success of the B-sides, Frank was asked to give live performances as well as do DJ sets all over the world. He traveled around Europe, the States and Australia. It was a remarkable period, he met up with other performers and DJ’s, who where all starting their musical careers, people like Joey Beltram, Moby, Derrick May, Sven Väth. They all shared this great appreciation for each other’s work and Frank really felt that people understood his work. With each new sample or musical idea there was this immense reaction on the dance floor. He really felt that the crowd was on his side, the whole time pushing him on and inspiring him to break new boundaries. During his career, there was also Renaat, the owner of R&S records, who kept him inspired and focused. Renaats energy, drive and strong believe in the success of quality dance music had a major influence on Frank’s career.

He decided to start up his own record labels which gave him more creative freedom to release his tracks and do production work for other artists; like remixes for all kinds of artists in and outside the new beat scene like The Shamen & Erasure but also The Orb, Jam & Spoon, Orbital, Biosphere,…

At the end of the nineties Frank felt, he had reached the limits of what he could do with music at that period in time and decided to concentrate on another great love of his: the world of film and post-production.

He founded “GRID” a post-production company specialized in visual effects and motion design for commercials, video clips and films. He kept his musical career going at the back burner doing the odd remix or DJ set. 

So there you are… even though Franks work kept him quite busy and was creatively challenging, music is a part of who he is. Somewhere in the back of his mind, he always knew that this time would come. And now, he can no longer ignore this need to make music, this need to create and let the magic flow again. He hopes you will all enjoy the ride!

‘Just the Night’, that was the title of an interview with Cristian Varela by the British outlet 15 Questions. There are very good reasons, of course, the history of electronic and techno music holds a special place for this  pivotal ‘Madrileño’ artist who has played a crucial role in building the Spanish industry as we know it today. One where the new generations have entered too. 
	
Master and servant for the cause. Cristian Varela has a very busy schedule that takes him all over the world. For those who are patient, you should be able to catch this awarded artist in your home city or country. For those who need a more regular dose of his music selections, you can catch his weekly radio show at Bloop London Radio and all his shows that’s syndicated in Europe, USA, South America and Asia via more than 100 specialised techno stations in more than 50 countries.

Pioneering techno producer with his own weapons. Cristian Varela has run since 2003 one of his most esteemed projects: Black Codes Experiments imprint. As it could not be otherwise, the label forged itself a firm reputation as one of the most prestigious, forward-thinking brands on the international electronic music circuit. Futuristic, enthusiastic and with a constant target of forming a strong alliance by keeping people dancing in unity to the electronic sounds and beats.

Well as an entrenched and highly respected producer, or as an immensely reliable DJ (his 6-Six Vinyl shows are just stunning as unique and the best way to join wires between past-present-future), Cristian Varela continues bouncily his expansion.

Frederic Deleval is following