Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

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The French Beloved aka Dj Tom B, Producer & Remixer, began in 1998 in southern France as a DJ. In 1999, he left his hometown of Aix en Provence - Marseille to Paris or you could find on the decks of Purpl'ace, Mixer Bar, Hell, Boat Concorde Atlantique, La Villa, Wagram with artists from radio FG, or more recognized labels and DJs in the capital and abroad. These residences and his evenings in Paris will allow it to mix in Guest in his hometown and in the big clubs in the South of France Aix en Provence, Marseille, Nice, Montpellier, Cannes, Toulon etc .. In 2005, he returned in the South and up the collective "The FrenchBeloved" in 2006 with his sidekick Dj Dj Bucci and Lazz. It will co-host on Radio Star, listened to the radio House of Monaco to Marseille, an emission Nightclubber Show with Dj Bucci with whom he made several evenings Electrolove , Sweet House and in various clubs in France. The Frenchbeloved come out several EPs including U and Me feat Said signed on the label Hype traxxe that Dj Lazz defend at the Miami Winter Music Conference USA in 2006 and no stress on Next Ep on Next dimension label. The Frenchbeloved continues his passion for music from Deep to minimale music and turns more into production. Various clubs in France or abroad, ( Spain, New Caledonia )or you may find Frenchbeloved The Mistral, Divino, Hell, the Red House, Pacha, Daytona, Metal coffee, Joia, Tnc complex, Mai Tai Bar Mix, Purpl Ace, Peniche Concorde Atlantic, Bazaar, Marronaise, Season, Sports Beach, Pop Light etc… 

In French :

The French beloved aka Dj Tom B, Producteur & Remixeur, débute en 1998 dans le sud de la France en tant que Dj. En 1999, Il quitte sa ville natale d'Aix en Provence-Marseille pour Paris ou vous avez pu le retrouver aux platines du Purpl'ace, Mixer Bar, l'Enfer, Peniche Concorde Atlantique, La Villa, Wagram avec des artistes de radio FG, plusieurs labels et Djs renommés dans la capitale et à l'étranger. Ses residences et ses soirées sur Paris lui permettront de mixer en Guest dans sa ville dont il est originaire ainsi que dans les gros clubs du Sud de la France sur Aix en Provence, Marseille, Nice, Montpellier, Cannes, Toulon, Les Alpes etc... En 2005, il revient définitivement dans le Sud de la France et monte le collectif " The Frenchbeloved " en 2006 avec son accolyte Dj Bucci et Dj Lazz.. Il co-animera sur Radio Star l'émmission House Nightclubber Show avec Dj Bucci avec qui il fera plusieurs soirées Sweet House, Electrolove, Wonderland dans divers clubs de France. The French beloved sortiront plusieurs maxis dont U and Me feat Said sur le label Hype traxxe que Dj Lazz défendra à la winter music conférence de Miami USA en 2006 et No stress Ep sur Next dimension. The Frenchbeloved continue sa passion pour la musique allant de la Deep House à la minimale , ses soiéres Wonderland et se tourne encore plus vers la production. Quelques Clubs ou vous avez pu retrouver The Frenchbeloved en France et à l'étranger ( Spain - New Caledonia ) ; Mistral, Divino, Enfer, la Villa Rouge, Pacha, Daytona, Metal cafe, Joia, Tnc complex, Mai Tai, Mixer Bar, Purpl Ace, Peniche Concorde Atlantique, Bazar, Marronaise, Season, Sport Beach, Pop Light etc... 

http://www.myspace.com/dj_tomb

http://www.facebook.com/wonderland.party.aix 

http://www.wonderlandparty.fr 

http://www.residentadvisor.net/profile/frenchbeloved

Miguel Garji is characterized by a decidedly open to mergers and unconventional, which runs from the Deep more Soul, to the American Deep House Tech-House with a touch stronger vocal or electronic, according to the climate of the particular session. 




As a teenager Terence :Terry: spent much of his time doing some skateboard and hanging out in the first raves to be held in Paris, in a warehouse on the outskirts of the city. There, he discovered a menagerie of dance genres and he quickly developed a passion for diverse sounds that would inspire him to take to the decks, and influence him throughout the rest of his music career.  Feeding his desire for original, rare cuts, Terence became a fixture at Paris’ famous flea-market Puces of Clignancourt, dealing in second-hand warehouse vinyl he found on trips to London. But, always on the hunt something new to excite him, he would often sneak away from his shop in search of jazz, soul, hip-hop and funk records to expand his ever-growing music collection. 

Steadily building his name as a DJ/producer on the underground scene in Paris, Terence secured a number of residencies including ‘Afterparty Is Not A Crime’ at Nouveau Casino, one of the most hyped after parties around in 2003/4, and later in 2009, ‘Oui Now’ at Djoon where he hosted alongside the likes of Tania Vulcano, Seth Troxler and Clive Henry. His close alliance with the famous Freak n’Chic label saw him spinning at the Batofar and Rex Club whilst, further afield, his DJing took him from DC10 Ibiza, to Panoramabar and Watergate in Berlin, Goa Madrid and Fabric London.  

Branching out and wanting to immerse himself in a new scene, Terence moved away from Paris for a few wild years in London, where he was embraced by the city’s underground and regularly appeared at seminal parties such as T-bar, Kubicle and Mulletover. This was not only a crucial time for Terence himself but also for the London scene, giving rise to a new generation of artists who have helped shape the progression of the city’s electronic music scene since the mid-2000s up to now. Being involved in such a fertile movement had a huge influence on Terence’s outlook, inspiring him to return to Paris with a fresh new take on his career.  

So, in 2012, Terence felt it was time to launch his own label La Vie En Rose, quite simply to have a platform to develop and release a sound that could encompass a whole range of genres, taking influence from his very first experiences in the Paris rave scene. Since its inception La Vie En Rose has been responsible for several ubiquitous releases, including the killer ‘Living Lies’ by John Dimas, ‘Distraction Way’ by Terence and Hanfry Martinez (which included Dyed Soundorom’s exquisite remix of ‘Sunday Gathering’), Carlos Sanchez with ‘Timeless’ (including New York legend Jovonn on remix duties) and Terence and Hanfry’s second superlative link up, ‘Cornelius Is Gaye’. The label continues to maintain a high level of musical output, representing the very best in avant-garde sounds from a selection of young talents from around Europe celebrating their #37 release from the hands of Louie Fresco + a remix of Mateo Dufour)

Recently the Lil'brother of La Vie En Rose was born called: Epice Magique Records, more a hypnotic & advanced side (futuristic)
From his vibrant studio in Madrid, Terence is passionately conducting a masterclass on sound theories, intricate mixing techniques, and personalized artistic coaching under the banner of Prodige Studio Lab. Remarkably, they've recently celebrated their 50th course, dedicated to nurturing and guiding rising talents in their journey of development and career advancement

Nomadic storyteller & community gatherer
DJ, music maker and member of the Frog Collective 

Founder of Cirque du Soleil, One Drop Foundation and Lune Rouge.

ZENITH DE PARIS 21/11 : https://shorturl.at/FdO7t
Everything about IRENE DRESEL : id.fanlink.tv/bl

LIVE @ ARTE PASSENGERS
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mgmt/ Boris Vercher - boris.vercher@gmail.com
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In the world of French electronic music, Irène Drésel is an anomaly: a polymorphic artist whose techno breaks from the norm with sophistication. Her incisive rhythms and incorporation of distinct sounds – including bells – produce a hypnotic audioscape attached to a distinct, dynamic visual universe. On stage with Sizo Del Givry, her percussionist partner, Irène's live shows are like a pagan ceremony in a rose-tinted secret garden.

 

Her first two albums, Hyper Cristal (2019) and Kinky Dogma (2021), were beloved by critics and audiences alike. A sold-out show at The Olympia in Paris, followed by her performance at the Stade de France at the closing ceremony of the Paris 2024 Paralympic Games, launched the illustrious tour for Rose Fluo (2024), her third album, which translates a color into a state of mind. The Rose Fluo tour will culminate in a concert at the Zénith in November 2025.

 

Endlessly versatile, she is also a film composer, winning the César for Best Original Music for Eric Gravel's critically acclaimed film, A Plein Temps (2021).

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