kamẹra has been @renata-sabella 's alter moniker since she started delving into the side-pits of a large umbrella going from breakbeat to grime, footwork, trap and the sort. Standing for "chameleon" in Yoruba, the alias pretty much describes what it is that is driving the blustery beats we are used to from Renata, into an indulgent surplus of syncopation and rhythmic exploration. 

Here she is with another master beat-bending session, recorded at the latest Grime and Punishment at the Warehouse a little while ago.


Recorded at Grime and Punishment vol.VI
25-06-2021


artwork: @tryphon_harding

kamẹra at Grime and Punishment Vol. VI

Forced into a state of cessation, cognition is blurred, affecting any existing temporal relation between incidents.
Disoriented, we long for comfort and calmness, rendering ourselves inattentive.

Spanning across a diverse stylistic and emotional spectrum, h.w.g.a. manifests as a musical experience reassembling a sense of order and motion in a balanced melodic and percussive form.


Recorded at Unstated Defect
03-10-2020

artwork: Born

h.w.g.a. at Unstated Defect - 03-10-20

NP is the duo of Jad Atoui and Anthony Sahyoun. Mainly concerned with nondeterministic approaches to electronic music with their debut Lattices, this set comes more as a reflection of their rave nostalgia. Garage, acid and breakbeats as free lunch, all swirling around specific techniques that have been nurtured through their improvised performances.

--

NP live - recorded at Frequent Defect: Exposed Intents
@jad-atoui & @asahyoun

10-12-2021

-- 

artwork: Try Harder

NP [live] at Frequent Defect: Exposed Intents - 10-12-21

@rabih Beaini's set Recorded at Unstated Defect XVI - 25-12-2021

Artwork: Try Harder (instagram.com/tryphon_harding/)

Rabih Beaini at Unstated Defect XVI - 25-12-2021

I never could tell where you   
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.

Mr. Roquentin at Frequent Defect VII 'Inept Apparatus' 8-12-17

Mr Roquentin - look at what your love has done to me - FDVII Inept Apparatus - 8-12-17

These are the words we dimly hear:

You, sent out beyond your recall,
go to the limits of your longing.
Embody me.

Flare up like a flame
and make big shadows I can move in.

Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.

Don’t let yourself lose me.

Nearby is the country they call life.
You will know it by its seriousness.

Give me your hand.

Mr Roquentin at Unstated Defect II - 29-12-17

Mr Roquentin - god speaks to each of us as he makes us then walks with us silently out of the night

"I believe the common people, the lower class people, are less sensitive to pain. Haven't you ever seen a wounded bull? Not a trace of pain."

Mr Roquentin at Unstated Defect III - 3-8-18

Mr Roquentin - litanies of the mysterious angel of the tenth plague - UDIII - 3-8-18

it does wonders this straying away from the established front. Setting off on an introspective foray into self-motive. 
Lapses of june delivering himself in this etched-out heart piece.

Recorded at Frequent Defect: Barren Reflections on 15-12-18

june as - FDXIII - Barren Refelections - 15-12-18

@june-as closing the warehouse. Definitely won't do justice to the actual happenings and the whole night all in all, but it's worth a share

Recorded at Frequent Defect: Passive Inhibitions
23-03-2019

FDXV Recordings - 23-3-19

june as - Closing FD - Passive Inhibitions - 23-3-19

@jad-atoui 's live set recorded at Frequent Defect: Passive Inhibitions on 23-03-19.

Jad Atoui Live - FDXV - Passive Inhibitions - 23-03-19

@Renata-sabella 's set recorded at Unstated Defect last Friday. A rough yet intricately delicate piece in total command of the machinery

Recorded at Unstated Defect V - 24-5-19

Artwork by Nada Zanhour

Renata - UDV - 24-5-19

h.w.g.a. sabotaging the machines elevating them into the experimental spectrum of instruments.

Closing set recorded at FD-XVI: Altered Compulsions 20-04-19

@hwgalb

Artwork by Nada Zanhour

h.w.g.a. - FDXVI - Altered Compulsions -  20-04-19

Yet another elaborate journey through @june-as' intricacies

Opening recorded at Frequent Defect: Altered Compulsions on 20-04-19

FDXVI Recordings

june as - FDXVI - Altered Compulsions - 20-04-19

Special mix assembled by @june-as for Grime and Punishment Vol. III, a bit further away from his usual palette

foraging ever-new trails with this flurry of heated forward-minded music, june has a brief take at painting a lucid picture of the current state of affairs in some shrouded areas of club music on the fringes of grime/bass/footwork and so to speak, the world

Recorded at Grime and Punishment Vol. III
27-9-2019

june as - GAPIII - 27-9-19

@Renata-sabella closing the year at the warehouse with another sublime mix. The magic was flying capping off a truly bewitching night and a year full of all sorts of tight corners
Signature Renata prowess going through a yet more diverse field of sounds

Recorded at Frequent Defect: Readapted Means
27-12-19

Renata - FDXX - Readapted Means - 27-12-19

@june-as weaving the tales once again in a brief yet articulate mix of the latest in his aural excavations, along with some of his unreleased material. A lashing statement of intent laced with pure immoderate escapism in a reminder to thrust forward in an ongoing struggle against the authoritarian turmoil

Recorded at Frequent Defect XX: Readapted Means
27-12-19

FDXX Recordings

june as - FDXX - Readapted Means - 27-12-19

MAWADα is the hybrid production and DJing project of Rayyan Abdelkhalek, that explores voice, ritual and community-based healing. Born in recall to the Beirut underground movements in the early 2000s that revolved around discreet yet highly inclusive acid, hardcore and experimental parties in-and-around the city, MAWADα’s practice is ever evolving.
Through bringing together different elements from techno, prayer, noise, pop and club cultures, MAWADα seeks to instigate and nurture collective affect through music.

MAWADa at Unstated Defect VI 
25-8-19

@theverticalriverofdeath
Artwork: Bassem Saad @Baschema

MAWADa - UDVI - 25-8-19

Neglect, fear, attrition
Fuel for despair
Feels like boiling mercury coiling guts 
swarming with disturbance 
Saturation, culmination…..stop! I’m exhausted.

@renata-sabella 's opening set recorded at Frequent Defect: Antagonistic Shift 
12-10-2019 

Also featured on Rinse fm France's 'Nene H invite Renata'
https://www.mixcloud.com/RinseFrance/nene-h-invite-renata/

Renata - FDXIX - Antagonistic Shift - 12-10-19

welcome.to the
HORRORDOME
SPIRITCRUSHER
MEGASUBDRIVE
hiFI-DISTORTION
HARSHREALITYmix
DISASTORPACKV.1.1

"OVERKILL GUARANTEED!"

@tryphon_harding
Recorded at Grime and Punishment vol. V
01-02-2020

TRY HARDER - GAPV - 01-02-20

“The impulse response,
The echo is the subject
Swallow a vowel
Swallow appleseed quarternote
A piece of music is a coughdrop shattered on wood paneling
…
A whiff of sound then
A murder of whiteheads in the phasor
This kite of skin is spectral & hovers moonlike
…
I know because I’m an atom, I make them
& watch my mildew puppets
dance on fawnlegs in the sun
…
But I am confined to sea, an urchin
& pump my arms always(forever?) through sourceless
dial tone pudding. A gutted fish stuffed
with couscous & gravel”

Excerpts from @swanmeat’s poems for her FLESHWORLD, evoking the imagery of references that are scattered throughout the EP and this live performance

Recorded live at Frequent Defect XXI: Transposed Resistance
14-02-20

SWAN MEAT [live] - FDXXI - Transposed Resistance - 14-02-20

KHAYYA, Mehrak's alter ego with another genuine display. A seemingly transparent flow in what is an expansive stroll through his quirky repertoire of urban hitters
Representing an ever-insurgent voice in our quarters.



@meh-rak-692086391 
Recorded at Grime and Punishment vol.V
01-02-2020


artwork: @tryphon_harding

KHAYYA - GAPV - 01-02-20

revelling in the absurdity we’re living in, a reminder to laugh in -whatever it is-’ face when it boils down to it

a sort of historic overview, a non-linear timeline going through early new beat and late 80s-early 90s gems with mentions of early trance and techno, along with new releases that seem to be inspired by that approach to music and life in general, debauching hard at points

a long ride through a steady stream of lush and luscious goodies gathered over the years, with some that also seem to resonate on a socio-political level, ironically standing true today as much as ever


Recorded at ten hymns for corrosion
07-03-20

artwork: @carla-habib

junior closing ten hymns for corrosion - 07-03-20

@elvin-brandhi-1  charges in with full force with a live set during Frequent Defect: Readapted Means, making auto-tune blast beats and a carefully constructed ambiance embodying the idea of evil earth. 

Gritty hope, she refers to it, and it’s the idea of recognizing pain, both collective and individual, and resisting the idea of capitalism’s push of positive energy of progression. This is not your average club set, this one, performed in Beirut the heat of the uprising, provided the crowd with the perfect balance of sensory stimuli and tension release.

--
@elvin-brandhi-1 live at Frequent Defect: Readapted Means 
27-12-2019

Elvin Brandhi [live] at Frequent Defect: Readapted Means - 27-12-2019

“winding steel rumbles with grace, a perpetual palindrome of a ritual unspoken
the soul vigilant, the mind weary, the heart mischievous, blood will rush through
howls of an enchanted you, as electric as the ocean blue, sway by the fire of the forest within
for the willows shalt creep deep, right under your skin”


Using guitar, guembri and karakeb (both ritual instruments from Gnawas), a Roland synth and multiple effect pedals, multidisciplinary artist Nadia Daou as NAR foleys what sounds like a plethora of colorful eastern samples interrupted by abrasive segments, soundtracking a bleak golden hour. The set sways heavily through fields of sonic emotion, and her enchanting vocals – at times composed of Arabic poetry sung in a tribal tone and at others exclaimed like a march anthem – gently emerging and disappearing like vapor

Artwork: Carla Habib

Recorded live at ten hymns for corrosion
18-01-20

NAR [LIVE]  at ten hymns for corrosion - 18-01-20

Little do people know about @Jad-Atoui's association with the black arts of breakcore and jungle in early 2010s with groups such as Acoustmatik & Kaotik System, an era ruled by the underground. In this tapestry of perpetual snares and decimating kicks, Atoui revisits the past in cunning fashion, a retrospective on Lebanon's arguably most exciting times.


Recorded at Unstated Defect - 04-07-20
artwork: born

Jad Atoui at Unstated Defect - 04-07-20

Rekindled fears and coups of immediacy. Borne through lines of flight, subversion schemas and detriments

Popular tracks by 𝗙𝗥𝗘𝗤𝗨𝗘𝗡𝗧 𝗗𝗘𝗙𝗘𝗖𝗧