Name: Benedikt Frey - SUN (Ode) by benedikt frey
Duration: 7 min 52 s
Description: part of my 12 track album TRIPS on Bandcamp

another beauty ! very appeasing too, and catchy. splendid !

I love this one so much I was about to repost it but I kinda already did it right away. We need a feature of reposting our reposts for this kind of marvelous tracks.

Prima Musica Infame Show 011 w/ Jak Sen

Album

Benedikt Frey - Umbrella

part of my 12 track album TRIPS on Bandcamp

TRIPS Album

Benedikt Frey - SUN (Ode)

Series 33 Pt. 1

Solid Rock

11 Benedikt Frey - My Cat & Me (Lullaby for L)

BUY VINYL: evelynemasao.bandcamp.com

Evelyne/Masao bring Testpattern to Dark Entries for the label’s first foray into vintage Japanese electronics. Masao Hiruma and Fumio Ichimura’s project Testpattern is known for their release Apres-Midi, a cult slab of synthpop perfection released by Yukihiro Takahashi and Haruomi Hosono’s legendary Yen Records in 1982. While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album Testpattern comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But Testpattern is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. Testpattern will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011. 

Evelyne / Masao - Testpattern SOUNDCLIPS

Debiutinio thelastsunday EP Namai interpretacija per Portlando kolektyvo Bed of Roses prizmę. „Namai EP mane iškart pakerėjo — jo subtilumas, drama ir bendra atmosfera labai surezonavo su manimi. Iškart žinojau, kad noriu kaip nors bendradarbiauti su šia menininke, tad kvietimas prisidėti prie šio remiksų projekto buvo tikra garbė. ilgai įtikinėti Bed Of Roses komandos narių nereikėjo - visi su džiaugsmu norėjo prisidėti“ — sako Bed of Roses įkūrėjas Break Mode.

Gimęs iš gilios meilės garsui ir emocijai, Namai — tai meditacija apie ryšius tarp gamtos, žmonių ir savęs, pasakojama per poetiškus lietuviškus tekstus, sodrius garsinius sluoksnius ir sudėtingus ritmus. Bed of Roses rankose šios dainos atgimsta iš naujo — kiekvienas remiksas tampa nuoširdžia dovana, pripildyta šilumos, pagarbos ir bendros muzikos kalbos.

A romantic reimagining of Namai — the debut EP by thelastsunday — through the lens of Portland’s Bed of Roses crew. “I was instantly drawn to the Namai EP — its subtlety, drama, and overall atmosphere really resonated with me. I knew right away that I wanted to collaborate with this artist in some way, so being invited to take part in this remix project was a real honor. Getting some of the Bed of Roses crew involved didn’t take much convincing either — everyone was excited to contribute,” says Break Mode, head of Bed of Roses.

Born from a deep love for sound and emotion, Namai is a meditation on the ties between nature, people, and the self — told through poetic Lithuanian lyrics, rich textures, and intricate rhythms. In the hands of the Bed of Roses crew, these songs bloom anew — each remix a heartfelt offering, infused with warmth, respect, and the shared language of music. 

https://soundcloud.com/last-sunday-882298833
https://soundcloud.com/wormbox
https://soundcloud.com/bed_of_roses-1

PREMIERE⚡️thelastsunday - Nesulaukęs Aušros (Wormbox Remix) [Electric Shapes]

inspired by the legendary album "A new chapter of dub" Aswad listened to a million times...(voluntary organic breath and imperfections)

Awareness

Rinibini 3

"and she ain't no angel. that's all I can say"

even angels lie

+ @riolabel @initinit

Benedikt Frey is many. Or just one? He is a composer. An arranger. A DJ. A Liveact. A ghost producer. A fan. He also plays in bands like INIT, or Dolphins or KEYS +++ produced the last two albums for Chris Imler. Downbeat in experimental dub zones. The goat for Edits and remixes. When house was his nation, he used to listen to pen names like Suedmilch or Venedikt Reyf. He still likes the music formed under their umbrella, but today his tomorrow is not echoed in yesterday. His sound signature moved on. Into the open. He founded labels like R.i.O. or Serious Trouble. 

He lives in Berlin. Physically. In mind Benedikt Frey is at many places. Traveling far thru his home studio that is a flat a studio a flat an instrument a record collection a flat a studio. Everywhere gear, vinyl, tapes, instruments, rooms for spontaneous sonic notions, these moments, when a sudden strike of stimulation falls. He is inspired a lot. For music to dance. Music for films. Music for live shows. Music for dancing glows. Techno, house, downbeat, ambient, jungle, electronics outside the norms. Those transportive ones. Jamming with others. Jamming with his mind. In Berlin Wedding, North of the town, where the lights dimmed low, neighbors share the flow, and a small river runs slow.  As a DJ he plays here, there, everywhere. Big clubs, small shacks, festivals, gatherings. From fast to 90 BPM - as he feels. 

For himself. For the crowd. In the spur. He still remembers his club kid days. Going to dance with friends. Down there in Offenbach. Doing the Robert Johnson. Collective emotions for a better tomorrow. These he still seeks. In his music. His shows. His collaborations. You can book him for a party. For enlightenment. For ecstasy or introspective perspectives. Dancing slow, whilst pirouetting a high-pitched show. 

Since more than a decade. His own music is out there, too. Bringing his spirits in sound. On his own labels. On international imprints like ESP Institute, Hivern Discs, Craigie Knowes, or Emotional Response. Solo works. Driving ones. Slow drills. Teased during his DJ dates around the planet. 

The music plays day and night. Inspiration comes. From a simple kick drum. A movie sequence. A bird on the sill. A picture, totally still. Can’t kick that feeling when it hits. Benedikt Frey. In dreams. In streams. In music. Emotions. Situations. At night. In those flashy lights, when it bites.

24.5. b2b with NVST, Kauz Zürich
10.05. Säälchen, Berlin
26.04. Zentralwäscherei, Zürich
25.04. b2b Philipp Otterbach, Arkaoda, Berlin
04.04. Sameheads, Berlin
13.03. Säule, Berlin
22.02. Kegelbahn, Luzern
21.02. Fribourg, CH

---- BYE24

17.12. Kiosk Radio,  Bxl
15.12. Curly Teeth b2b w. NVST, Bxl
30.11. Panorama Bar, Berlin
16.11. La Culottee, Paris
19.10. LAF, Pforzhyme
05.10. Sameheads, Berlin
28.09. Buka, Milan
21.09. Chemiefabrik, Zürich
14.09. Ausland, Berlin
16.08. Salon Des Amateurs, Düsseldorf
21.07. Am Bach Festival, Lucerne
05.07. Kappa Futur Festival, Turin
14.06. Masters, Zagreb
18.05. Outracena, Lisbon
27.04. Arkaoda, Berlin
24.02. Macadam, Nantes
26.01. Sameheads, Berlin

Benedikt Frey - SUN (Ode)

benedikt frey

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