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Best Leftfield House & Techno

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benedikt frey - tracks

Something from back in the days 2006. A gift and thank you for listening....

Then and Now

Graze
"Skip/Crush" (Glass House VIP Mix)

Produced by Christian Andersen and Adam Marshall
Mastered at Ten Eight Seven 

*FREE DOWNLOAD*

HCSVNTDRACONES



NKXXX - Graze - "Skip/Crush" (Glass House VIP Mix)

[SUPPLY-007] A2 Say It Now (Preview)

CHARGE IT

Happy Holidays... See You in 2014.... Peace, Love and Respect...FP...

Fred P.    Dawn

Original Release Date: July 9, 2013
Label: NULU ELECTRONIC
Copyright: 2013 NULU ELECTRONIC
Duration: 7:03 minutes
Genres:
Dance & Electronic
ASIN: B00DIQY8HE


Nomumbah The Leaf Fred P Reshape

Sascha Dive ‎– Jam Session #2
Label:
Deep Vibes Recordings ‎– DVR 019
Format:
Vinyl, 12" 
Country:
Germany
Released:
17 May 2012
Genre:
Electronic
Style:
Deep House


The Get Out Of The Ghetto Blues Fred P  Reshape

V.A. - Tamed Monsters
out now

http://junostatic.com/products/benedikt-frey-shine-grooves-tamed-monsters-ep/530772-01/

S.I.F.S.I.D.

Music Video

Potensia - I Never Really Knew (Benedikt Frey Edit)

ES017 benedikt frey - untitled 3

Released on The Essence EP / IKM003 / Inde Klik Music_22 June 2012
Available on Beatport : http://www.beatport.com/track/space-time-diary-original-mix/3571766

Basscave - Space-Time Diary (Quantum Mechanics Rules) [The Essence EP - IKM003]

Une place pour moi

Je cours

Oyster

Gambetti

B1 KA(snippet)

GCWV 003 vtothed - what we see ep PREVIEW

V.A. - Basement Tracks // out now 250 copies LTD www.battibatti.com

out now BBR01- B2 - Benedikt Frey - Moving Shadows

first release on my label lopasura
release will be on january 15. 2013 

thank you for your support!

lopasrua on fb 
https://www.facebook.com/LOPASURA?ref=hl

Bandcamp

Repress! LPSR01 delinquencies - benedikt frey

Teenage Birdsong

Red Rack'em's take on 'D.I.E.' by super fresh new post-punkers, The Imbeciles - is wonderfully curveball as one might expect; homing in on one unique part of the vocal and making it the fullcrum, from which his psychedelic, deep-house, hardcore jazzathon is then able to blossom and unravel before your very eyes. Atmospheric, experimental and hooky too - clever business from the Bergerac boss.
Next up we have the amazing Oliver Ho and his Broken English Club. Here we see a more flagrant and faithful use if stems - as through layering both band parts, and instruments of his own design - he turns 'D.I.E.' into a towering slab of dark and raw, industrial EBM...

LISTEN ON YOUTUBE

PREMIERE : The Imbeciles - D.I.E (Broken English Club Remix)

The Midnight Orchard (Epilogue)

Earthbound

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Function - No Entiendes

The Imbeciles are back! Their follow up to 'D.I.E.' is a raw slab or paranoid post-punk action, and the remixes they've brought along for the ride, celebrate the vibe of the original in wonderfully contrasting ways.
First up is Ryan James Ford - one of the most exciting underground techno producers on the block - who hits us with fast scuttling break beats, thick atmosphere, dark melodies and an upfront, experimental attitude.

PREMIERE : The Imbeciles - Medicine (Ryan James Ford Remix)

+ @riolabel @initinit

Benedikt Frey is many. Or just one? He is a composer. An arranger. A DJ. A Liveact. A ghost producer. A fan. He also plays in bands like INIT, or Dolphins or KEYS +++ produced the last two albums for Chris Imler. Downbeat in experimental dub zones. The goat for Edits and remixes. When house was his nation, he used to listen to pen names like Suedmilch or Venedikt Reyf. He still likes the music formed under their umbrella, but today his tomorrow is not echoed in yesterday. His sound signature moved on. Into the open. He founded labels like R.i.O. or Serious Trouble. 

He lives in Berlin. Physically. In mind Benedikt Frey is at many places. Traveling far thru his home studio that is a flat a studio a flat an instrument a record collection a flat a studio. Everywhere gear, vinyl, tapes, instruments, rooms for spontaneous sonic notions, these moments, when a sudden strike of stimulation falls. He is inspired a lot. For music to dance. Music for films. Music for live shows. Music for dancing glows. Techno, house, downbeat, ambient, jungle, electronics outside the norms. Those transportive ones. Jamming with others. Jamming with his mind. In Berlin Wedding, North of the town, where the lights dimmed low, neighbors share the flow, and a small river runs slow.  As a DJ he plays here, there, everywhere. Big clubs, small shacks, festivals, gatherings. From fast to 90 BPM - as he feels. 

For himself. For the crowd. In the spur. He still remembers his club kid days. Going to dance with friends. Down there in Offenbach. Doing the Robert Johnson. Collective emotions for a better tomorrow. These he still seeks. In his music. His shows. His collaborations. You can book him for a party. For enlightenment. For ecstasy or introspective perspectives. Dancing slow, whilst pirouetting a high-pitched show. 

Since more than a decade. His own music is out there, too. Bringing his spirits in sound. On his own labels. On international imprints like ESP Institute, Hivern Discs, Craigie Knowes, or Emotional Response. Solo works. Driving ones. Slow drills. Teased during his DJ dates around the planet. 

The music plays day and night. Inspiration comes. From a simple kick drum. A movie sequence. A bird on the sill. A picture, totally still. Can’t kick that feeling when it hits. Benedikt Frey. In dreams. In streams. In music. Emotions. Situations. At night. In those flashy lights, when it bites.

24.5. b2b with NVST, Kauz Zürich
10.05. Säälchen, Berlin
26.04. Zentralwäscherei, Zürich
25.04. b2b Philipp Otterbach, Arkaoda, Berlin
04.04. Sameheads, Berlin
13.03. Säule, Berlin
22.02. Kegelbahn, Luzern
21.02. Fribourg, CH

---- BYE24

17.12. Kiosk Radio,  Bxl
15.12. Curly Teeth b2b w. NVST, Bxl
30.11. Panorama Bar, Berlin
16.11. La Culottee, Paris
19.10. LAF, Pforzhyme
05.10. Sameheads, Berlin
28.09. Buka, Milan
21.09. Chemiefabrik, Zürich
14.09. Ausland, Berlin
16.08. Salon Des Amateurs, Düsseldorf
21.07. Am Bach Festival, Lucerne
05.07. Kappa Futur Festival, Turin
14.06. Masters, Zagreb
18.05. Outracena, Lisbon
27.04. Arkaoda, Berlin
24.02. Macadam, Nantes
26.01. Sameheads, Berlin