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Releases

Here´s the title track from our next release NAVA by @freybenedikt & @tohinc

Order here:
https://riolabel.bandcamp.com/album/benedikt-frey-tim-toh-nava

Distribution:
https://www.one-eye-witness.com/release/1634121441/Benedikt-Frey-and-Tim-Toh-NAVA

www.riolabel.com

Music Video

Benedikt Frey & Tim Toh - Neu (ft. Lisa Toh & Niklas Wandt)

Offen Music gives the stage to Gordon Pohl tonight as part of their Outsiders series. Gordon is a central figure in the world of Offen, elusive friend from the beginning who's also known as 1/2 of Musiccargo. Tune in to one of way too rare outings of a musical genius.

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 10 am or 10 pm CET
🔗 kioskradio.com

Outsiders: Offen Music w/ Gordon Pohl @ Kiosk Radio 07.06.2022

Glaswegian label Invisible, Inc. has a double bill for this month's Outsiders show - First hour is Eva Geist, also known as ½ of Il Quadro di Troisi, followed by Rew playing a special mix in honour of today’s solstice 🔆

🌐 "Outsiders" is our daily show hosted by global record labels, record stores & more
📡 Connect with the Outsiders, every day, at 9am and 9pm CET
🔗 kioskradio.com

Outsiders: Invisible, Inc. w/ Eva Geist & Rew @ Kiosk Radio 21.06.2022

First excerpt of Eva Geist's djset at @motelcampo in Geneve during MOS_ESPA 2022, festival dedicated to free exploration of body tantric arts and music.

MOS_ESPA - Eva Geist live - 14th May 2022

Single Release of "Attitude" out today on Bandcamp! It comes with a hot music video by Californias' one and only Jennifer Juniper Stratford. 

Video: https://www.youtube.com/watch?v=vUGfEFBYApo
Buy: https://riolabel.bandcamp.com/album/1987

RIO09 // Benedikt Frey - Attitude

https://soundcloud.com/freybenedikt
https://soundcloud.com/esp-institute
🛒 https://freybenedikt.bandcamp.com/album/fastlane
🔊 https://youtu.be/nVzU6dgMxek

Close your eyes and merge into Benedikt Frey’s 'Fastlane'. Imagine sitting in the driver’s seat of a an automobile, one with exceptional horsepower and torque, as you stare out the windshield at the red light, warping in fata-morgana a mile down the road. It’s a straight-away, a black top with two lanes, and against your better judgment you decide to floor the gas. No hesitation in your muscle, your ankle or the ball of your foot, which you now realize is some kind of universal pivot, the first point of contact fusing your body with the will of machine. In this moment you’re in awe that you, a human, an animal, grew from pond scum into something so advanced as to engineer this thing, a mechanical beast capable of overwhelming power and exhilaration. But you also feel a seductive dread, an outside force diverting you from caution toward a dangling carrot of curiosity, asking yourself, ‘How far can I take this thing?’ The dread, now a constant, is numbed, equalized by an adverse intoxicating gratification. You feel both sensations in real time, however, rather than take responsibility for yourself, friends, family and innocent bystanders, you cement your foot to the floor and lean your head back. Noise around you fades to mute. Smell the benzene-scented air, feel the wind on your face, the menacing vibration of the vessel you control beneath you and every grain of asphalt under its tires. This mile has now lasted an eternity and you’ve left your body for some objective view, as if watching climax of a film. Past the point of no return, you embrace abandon and lean into fate. The film becomes slow motion, a crawling pace so mesmerizing you convince yourself of an option to eject yourself from this madness, but as you finally let go of your last morsel of fear, you run the red light head-on into the nucleus of a fantastic glistening sculpture of torn metal, glass, oil, broken dreams and heartache. 'Fastlane' may be just drum machines and synthesizers if you’re timid, but listen harder and know the catastrophic reality of existence, a wreckage so gruesome we dare not rubberneck, but afterall it is our nature to stare.

PREMIERE: Benedikt Frey - Crank [ESP Institute]

Benedikt Frey makes his debut on Rhythmic Culture Records with ‘Hoover’. The German producer–known for his previous work on labels such as ESP Institute, Hivern Discs and his own R.i.O. imprint–delivers a 4-track EP that is a journey through the breakbeat spectrum with a distinct focus on sonic experimentation. From the hypnotic dynamic in ‘Blue Lights’ complimented by the vocals of DALO, to the intriguing dance floor rhythms in ‘Henry’ and ‘Deadlines’ and downtempo mesmerising track ‘Trees’, ‘Hoover’ puts another side of Frey’s work in the limelight.

Hoover

Deadlines

Benedikt Frey - Deadlines

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like „POOL JAMS“, the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r’n’b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and
seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is „some kind of old photo from an old dry empty pool that got faded by sunlight “. A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can’t escape it, as soon as it rotates in your dream device for sound and vision.

Text ML

INIT - Pinata

BAS 26 04 2017 Front De Cadeaux as played on Brussels Alternatve Show, Radio Panik 105.4 FM 
DOWNLOAD: http://www.radiopanik.org/emissions/bis-art-shaker/front-de-cadeaux-5/
NEXT 30 04 FRONT DE CADEAUX AT BOZAR NIGHT with Nathan Fake, Amelie Lens, Lone and more
FOLLOW US: https://soundcloud.com/front-de-cadeaux
JOIN US
https://www.facebook.com/events/1805816179682144/

Front de Cadeaux Live Dj set @ Tropicantesimo, 1st jan 2017, Fanfulla, Rome

Out Now! Digital + Vinyl
https://riolabel.bandcamp.com/

Imagine

Keys - Imagine

The Hermit Show w/ Alex Arpeggio

+ @riolabel @initinit

Benedikt Frey is many. Or just one? He is a composer. An arranger. A DJ. A ghost producer. A fan. He plays in bands like INIT, or Dolphins or KEYS +++ produced the last two albums for Chris Imler. Downbeat in experimental dub zones. The goat for Edits and remixes. When house was his nation, he used to listen to pen names like Suedmilch or Venedikt Reyf. He still likes the music formed under their umbrella, but today his tomorrow is not echoed in yesterday. His sound signature moved on. Into the open. He founded labels like R.i.O. or Serious Trouble. 

He lives in Berlin. Physically. In mind Benedikt Frey is at many places. Traveling far thru his home studio that is a flat a studio a flat an instrument a record collection a flat a studio. Everywhere gear, vinyl, tapes, instruments, rooms for spontaneous sonic notions, these moments, when a sudden strike of stimulation falls. He is inspired a lot. For music to dance. Music for films. Music for live shows. Music for dancing glows. Techno, house, downbeat, ambient, jungle, electronics outside the norms. Those transportive ones. Jamming with others. Jamming with his mind. In Berlin Wedding, North of the town, where the lights dimmed low, neighbors share the flow, and a small river runs slow.  As a DJ he plays here, there, everywhere. Big clubs, small shacks, festivals, gatherings. From fast to 90 BPM - as he feels. 

For himself. For the crowd. In the spur. He still remembers his club kid days. Going to dance with friends. Down there in Offenbach. Doing the Robert Johnson. Collective emotions for a better tomorrow. These he still seeks. In his music. His shows. His collaborations. You can book him for a party. For enlightenment. For ecstasy or introspective perspectives. Dancing slow, whilst pirouetting a high-pitched show. 

Since more than a decade. His own music is out there, too. Bringing his spirits in sound. On his own labels. On international imprints like ESP Institute, Hivern Discs, Craigie Knowes, or Emotional Response. Solo works. Driving ones. Slow drills. Teased during his DJ dates around the planet. 

The music plays day and night. Inspiration comes. From a simple kick drum. A movie sequence. A bird on the sill. A picture, totally still. Can’t kick that feeling when it hits. Benedikt Frey. In dreams. In streams. In music. Emotions. Situations. At night. In those flashy lights, when it bites.

24.5. b2b with NVST, Kauz Zürich
10.05. Säälchen, Berlin
26.04. Zentralwäscherei, Zürich
25.04. b2b Philipp Otterbach, Arkaoda, Berlin
04.04. Sameheads, Berlin
13.03. Säule, Berlin
22.02. Kegelbahn, Luzern
21.02. Fribourg, CH

---- BYE24

17.12. Kiosk Radio,  Bxl
15.12. Curly Teeth b2b w. NVST, Bxl
30.11. Panorama Bar, Berlin
16.11. La Culottee, Paris
19.10. LAF, Pforzhyme
05.10. Sameheads, Berlin
28.09. Buka, Milan
21.09. Chemiefabrik, Zürich
14.09. Ausland, Berlin
16.08. Salon Des Amateurs, Düsseldorf
21.07. Am Bach Festival, Lucerne
05.07. Kappa Futur Festival, Turin
14.06. Masters, Zagreb
18.05. Outracena, Lisbon
27.04. Arkaoda, Berlin
24.02. Macadam, Nantes
26.01. Sameheads, Berlin

RIO09 // Benedikt Frey - Attitude

benedikt frey