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* Read more: https://boltingbits.com/l-lewis-infinite-alex-abrecht-remix-bathtub-music
* Listen on Youtube: https://youtu.be/l1GIF2R1t4U
* Pre-order: https://llewis.bandcamp.com/album/intervals

Intervals’ is the new record from Naarm-based musician and producer L Lewis out now on Bathtub Music. Blending jazz harmony, electronic production, and improvisation, the release expands on the sonic palette introduced in their debut. Built from live studio recordings in Naarm (Melbourne) with L Lewis, Lachlan Thompson, Finn Milne, and Jordan Dunster, the tracks were later chopped up in London by L Lewis.

The B side features remixes from local and international artists Space Ghost, Hector Plimmer, Joseph Shabason and Jonah Gabriel plus a bonus digital remix from Alex Albrecht.

PREMIERE: L Lewis - Infinite (Alex Albrecht Remix)

READ > https://inverted-audio.com/premiere-fka-boursin-listless-intertext-frank-tonys-housebeat-dub

Bristol-based producer fka @boursin joins the fold at NYC-based imprint @scissorandthread with a forthcoming 12" single named 'Listless Intertext', accompanied with an exquisite dub flex from label bosses Frank & Tony.

The original is a 12-minute drift through hazy deep house textures, half-caught conversations, dreamy synths and shuffling percussion. Instead of clear vocals, we get indecipherable fragments that lend the track a woozy, dream-state quality - like trying to decipher a distant conversation while slipping out of consciousness. It’s deep and loose, a slow-burner that feels just as suited to headphones as it does a smoky backroom.

Frank & Tony’s Housebeat Dub flips that energy on its head. The duo keep the mood intact but drive it forward with a fat, rolling groove tailor-made for those blurry hours on the dancefloor. Where boursin pulls you inward, Frank & Tony push it outward - a hypnotic, floor-ready workout that still carries the ghostly essence of the original. Together, they make Listless Intertext a release that blurs the line between introspection and propulsion, subtle listening and functional club heat.

fka boursin - Listless Intertext (Frank & Tony's Housebeat Dub) [Scissor & Thread]

Upfront the official release on September 19th.

Hot seducers. Two of them. On one 7inch. A/B Side business, hard to choose a fav, as both so fab. The A-Side is called “Happen”. It comes from prolific Tokyo based DJ and producer Hoshina Anniversary. A simple drum machine groove, a manic melody, witching siren sounds, psychedelic voices, some soft chords, and soulful high-pitched singing, somewhere between Dam-Funk coolness and Ian Svenonius- The-Make-Up sixties pop longing. One for warm sexy nights under neon lights. Out there in psychic realms. The flip brings a Dolphins interpretation. Yes, that feverish trio behind R.i.O., consisting of Nadia D'Alò, Benedikt Frey and Menqui. Their freshly recorded version comes with haunting nonchalant singing, displaying the tunes core melody as a more prominent actor of the play. Michael-Mann-Pop- Nostalgia with a baroque touch, that waves dark-ish. Even some Jon Hassle feeling is in there. Hoshina Anniversary disclosed, that the original song is inspired by jazz musicians like Chet Baker, Miles Davis, Sonny Rollins, Chick Corea, Herbie Hancock, Jaco Pastorius and Keith Jarrett. None of them is directly stylistically audible. But their kind of blue is all over. On the A as well as on the B. Twice soul music for the free.

Text ML

Artwork Omnigroup
Mastering Falko Paul Eidner & Sebastian Blume
Distribution digitally Muting The Noise & physically Wordandsound

BandCamp

Hoshina Anniversary - Happen (Dolphins Remix)

J'ai essayé de vraiment travailler la mélo un max sur celle ci. J'ai aussi mis pas mal d'effets de stéreo donc c'est mieux avec un casque :)
170 bpm - F#

Nostalgia

FEATURE > https://inverted-audio.com/feature/the-burrell-connection-looks-back-on-10-years-of-craigie-knowes 

For Zander Hay - better known as @theburrellconnection - music has always been as much about people as it is about sound. His new EP for @craigie-knowes, 'I Waste My Time So You Don’t Have To', arrives as the label marks its 10th anniversary, a milestone that means more to him than most. Not only has Zander released music with the Glasgow-born imprint, he’s also been quietly running their PR from behind the scenes since the early days, helping to tell their story to the world.

That dual role makes this release feel like a full-circle moment. The EP gathers together material shaped in the club, in the bedroom, and most importantly, in the company of friends. Lead cut “E Before I” has already been heard echoing through Berlin basements, including in a live version taken from Zander’s performance at Tresor, invited by LNS and DJ Sotofett. The B-side heads deeper, pairing the dubbed-out force of “Celestial” with the warm, widescreen pads of “Ensemble” - tracks that carry what he half-jokingly calls his “signature sound,” something he’s been chiselling away at for over a decade.

Zander speaks candidly about the title of the record, pointing to the endless hours spent in pursuit of something original. He’s unflinching in his criticism of DJs hiding IDs or passing off other people’s tracks as their own - a reminder that, for him, credit and community go hand in hand. “Music is not a luxury, it’s an essential,” he insists, and it’s clear that ethos drives not just his own practice, but also the way he moves through the scene.

That scene has taken him from Glasgow, where he cut his teeth at La Cheetah Club and soaked up records at Rubadub, to Berlin, where he now co-runs Slurp of the Antics with Valcat - a party deliberately centred on live performance in a city often saturated with DJ culture. Between the drizzle-soaked after-hours of Scotland and the intensity of Berlin’s underground, he has carved out a practice that feels both grounded and exploratory, rooted in place yet open to evolution.

At the heart of it all is Craigie Knowes. For Zander, the label’s story is bound up with his own - from being pushed creatively by deadlines and honest feedback, to finding genuine friendship with Max, Mitch and the wider CK family. “Friendship!” he says without hesitation when asked about the most rewarding part of his journey so far. That word runs like a thread through his reflections: from teenage trips to Sub Club on borrowed IDs, to afterhour residencies, to the countless connections made through music over the years.

As he sets up a new studio, offers tuition, and continues to develop his live shows, Zander isn’t slowing down. 'I Waste My Time So You Don’t Have To' is more than a title; it’s a snapshot of where he’s at right now - committed, outspoken, and still finding joy in the graft. For him, the story of Craigie Knowes at 10 isn’t just about a label’s legacy, but about the friendships that make the music possible.

The Burrell Connection - Celestial [Craigie Knowes]

remix for the swiss based band samson philipps, out now on all digital platforms

Bandcamp

Samson Philipps - Brut (Benedikt Frey Remix)

BUY VINYL: evelynemasao.bandcamp.com

Evelyne/Masao bring Testpattern to Dark Entries for the label’s first foray into vintage Japanese electronics. Masao Hiruma and Fumio Ichimura’s project Testpattern is known for their release Apres-Midi, a cult slab of synthpop perfection released by Yukihiro Takahashi and Haruomi Hosono’s legendary Yen Records in 1982. While Hiruma and Ichimura parted ways following Apres-Midi, Hiruma’s musical endeavors would continue after meeting French/American model and vocalist Evelyne Bennu in 1984 at a café bar where she would sit and write poetry. Their collaborative efforts as Evelyne/Masao were fruitful, and the duo first performed together in June 1984 on a television program called TOKYO ROCK TV. The album Testpattern comprises seventeen songs recorded in Hiruma’s home studio, which have never been released previously. The Evelyne/Masao duo continues building on the soundworld of Apres-Midi: lush, sophisticated electronics with intricate yet minimalist production. Tracks like “Sakuramochi” and “Bird Island” bear influence from Hosono most clearly, their soaring melodies revealing a subtly ironic redeployment of East Asian musical tropes. But Testpattern is more than homage to Yellow Magic Orchestra. “Tabac” and “Le Soleil Se Leve” display oddball sensibilities closer to Sky Records icons Asmus Tietchens or Cluster. Elsewhere, the project shows affinity for the punkier ethos of continental DIY electronics, like on the quirky “Alien Go Home” and a positively skewed cover of “Singin’ in the Rain.” Bennu’s vocals provide a common thread through these explorations, as she alternates deftly between New Wave deadpan and unhinged chanson singer—check her waxing maximally Francophone on “Au Clair de Lune,” based on an 18th century French song. Testpattern will be available on both double LP as well as CD, and includes a fold-out poster with liner notes with lyrics. This album is dedicated to Masao Hiruma, who passed away in 2011. 

Evelyne / Masao - Testpattern SOUNDCLIPS

DC Promo Tracks #1742: "It's a Good Start of Nothing" by Yoann Pisterman is part of the release "Single" on Hologram Opera @hologram-opera  @yoannpisterman

Buy Now: https://yoannpisterman.bandcamp.com/track/its-a-good-start-of-nothing 

It’s a Good Start of Nothing takes its name from a dyslexic twist on “a good start of something” a slip that unexpectedly revealed something more fitting. Centered around swirling sonic elements and grounded by a low bass, it explores how complexity can emerge from apparent randomness. Like the title itself, it embraces the unknown, suggesting that beginnings don’t always need definitions and the act of making doesn’t need a clear end. Sometimes, not knowing is part of the shape. It is necessary to the process. And maybe, in the end, this is nothing. And that’s ok.

Yoann Pisterman is a French sound artist and composer based in Berlin. Originally trained in visual arts, his practice began with drawn landscapes blending architecture and vegetation. Sound emerged in response and gradually became the core of his work. He describes it as “painting with sound.” 

His compositions move between ambient, kraut, electroacoustic, and experimental forms; balancing softness with density, surface with depth. A kind of childlike topography for deep listeners: light yet intricate, subtly shifting perception and sculpting space. the end, this is nothing. And that’s okay.


--

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🎶 More Promo Tracks: https://www.dreamchimney.com/promo
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instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • twitter.com/dreamchimney

⭐ More Dream Chimney: https://www.dreamchimney.com ⭐

DC Promo Tracks: Yoann Pisterman "It's a Good Start of Nothing"

Gravity is a result of spacetime itself
Sound design, mproduced, mixed and mastered by sephia, enjoy !!!

https://sephia.bandcamp.com/track/sephia-quantum-gravity-free

Sephia - Quantum Gravity (free on bandcamp)

Legowelt & Shook will do a 2 hour show chatting and playing about their favorite music, synths etc.

www.operator-radio.com

Legowelt & Shook - 1st October 2025

THOSE VIEWS.

+ @riolabel @initinit

Benedikt Frey is many. Or just one? He is a composer. An arranger. A DJ. A ghost producer. A fan. He plays in bands like INIT, or Dolphins or KEYS +++ produced the last two albums for Chris Imler. Downbeat in experimental dub zones. The goat for Edits and remixes. When house was his nation, he used to listen to pen names like Suedmilch or Venedikt Reyf. He still likes the music formed under their umbrella, but today his tomorrow is not echoed in yesterday. His sound signature moved on. Into the open. He founded labels like R.i.O. or Serious Trouble. 

He lives in Berlin. Physically. In mind Benedikt Frey is at many places. Traveling far thru his home studio that is a flat a studio a flat an instrument a record collection a flat a studio. Everywhere gear, vinyl, tapes, instruments, rooms for spontaneous sonic notions, these moments, when a sudden strike of stimulation falls. He is inspired a lot. For music to dance. Music for films. Music for live shows. Music for dancing glows. Techno, house, downbeat, ambient, jungle, electronics outside the norms. Those transportive ones. Jamming with others. Jamming with his mind. In Berlin Wedding, North of the town, where the lights dimmed low, neighbors share the flow, and a small river runs slow.  As a DJ he plays here, there, everywhere. Big clubs, small shacks, festivals, gatherings. From fast to 90 BPM - as he feels. 

For himself. For the crowd. In the spur. He still remembers his club kid days. Going to dance with friends. Down there in Offenbach. Doing the Robert Johnson. Collective emotions for a better tomorrow. These he still seeks. In his music. His shows. His collaborations. You can book him for a party. For enlightenment. For ecstasy or introspective perspectives. Dancing slow, whilst pirouetting a high-pitched show. 

Since more than a decade. His own music is out there, too. Bringing his spirits in sound. On his own labels. On international imprints like ESP Institute, Hivern Discs, Craigie Knowes, or Emotional Response. Solo works. Driving ones. Slow drills. Teased during his DJ dates around the planet. 

The music plays day and night. Inspiration comes. From a simple kick drum. A movie sequence. A bird on the sill. A picture, totally still. Can’t kick that feeling when it hits. Benedikt Frey. In dreams. In streams. In music. Emotions. Situations. At night. In those flashy lights, when it bites.

24.5. b2b with NVST, Kauz Zürich
10.05. Säälchen, Berlin
26.04. Zentralwäscherei, Zürich
25.04. b2b Philipp Otterbach, Arkaoda, Berlin
04.04. Sameheads, Berlin
13.03. Säule, Berlin
22.02. Kegelbahn, Luzern
21.02. Fribourg, CH

---- BYE24

17.12. Kiosk Radio,  Bxl
15.12. Curly Teeth b2b w. NVST, Bxl
30.11. Panorama Bar, Berlin
16.11. La Culottee, Paris
19.10. LAF, Pforzhyme
05.10. Sameheads, Berlin
28.09. Buka, Milan
21.09. Chemiefabrik, Zürich
14.09. Ausland, Berlin
16.08. Salon Des Amateurs, Düsseldorf
21.07. Am Bach Festival, Lucerne
05.07. Kappa Futur Festival, Turin
14.06. Masters, Zagreb
18.05. Outracena, Lisbon
27.04. Arkaoda, Berlin
24.02. Macadam, Nantes
26.01. Sameheads, Berlin

Samson Philipps - Brut (Benedikt Frey Remix)

benedikt frey