Nice to hear you are trying to go for stage. Regarding theme and composiiton, it feel bit off. I mean the parts when different instrument plays are not connected very well. It have almost random feel.

Mix need more work. It feels little empty. Overall atmoshpere is strange. Not sure how to feel about the mood. It is sound like confusion. Maybe that is what you are aiming for.

I was ready to discount this track on the waveform itself, but I really like what you're trying to do.  It's an up close, in your face sort of warmth.  The concept really shines through I think.

Great sound selection, and it sounds so nice and free with itself.

It's funny, I want "more" but I don't even know what that would mean for this track. Great job.

levels were a bit all over the place; take care when you are doing mixing along the way or after that you try to get the levels somewhat balanced

This melody is pretty kooky, I like the lead sound

If you compare this busy section in the middle of the track, it's way quieter than the sounds at the start.

The drum sounds are being let down by the mix a bit, the hat sounds more prominent than the kick and snare to me. Also the drum pattern is getting repeated quite frequently.

One Synth Challenge #126: Bazz::Murda by DistoCore

Listen / Buy @ http://nilhartman.bandcamp.com
Also available in 24 bit / 96kHz hi-res files.

"[~] marks a stunning new beginning for French artist Nil Hartman. The record combines a warm sense of improvisation with a sleek computer music aesthetic.

Hartman created [~] through livecoding, an approach using text commands in a programming language to compose and perform music in realtime. What you hear on the record is raw, unedited, one-take recordings. Hartman explains: “These versions are unique, I’ll never be able (or willing!) to play them identically.” The astonishing result is not only a technical tour-de-force but a profoundly emotional journey.

The French artist previously enjoyed early success touring Europe festivals with melody-driven club bangers. Following a complete overhaul of his studio craft through a decade of secluded experiments, he now emerges with a deeply personal approach to electronic music.

[~] was recorded live on July 12th and July 30th, 2020. All tracks arranged and performed in realtime using algorithmic langage Tidal Cycle. All sounds generated in realtime using various types of synthesis. The record was mixed and mastered by the artist.

Infinite love and gratitude to LC, Emaël, Siam and familly, Géraud, Pierre, Kevin, Mondkopf, Jb Hanak, Melted Self and Nicolas Bougaïeff. 

[~] is dedicated to Louisiane."

Out via Editions Denkfabrik

[~] (extracts)

TD inspired demo by Amphilium. Composed of 11 Luftrum 29 patches, with touches of Eventide BlackHole Immersive added in where needed. Just a limiter on the output to bring it up to a decent level.

https://www.luftrum.com/pigments-presets/

Amphilium - Cosmic River

Demo track by Arksun, using 17 presets from Luftrum 29. 

All the details you need: https://www.luftrum.com/pigments-presets/

Arksun - A Cold Heart
Presets used (17 total):

0:00 - 0:39
Man Who Is Agent
Duduk Pad
Serena's Dream

0:40 - 1:56
Broken
3 Bell Problem
Octabox
Gamma Quadrant

1:57 - 2:36
Shades of Orc
Warp Field I
Enceladus Shores

2:37 - 3:29
Create Master Structure
Folding Jam
Ambassador of Stars
One Day
Crystal River II

3:30 - 5:01
Serenas Dream
Lights Out
The Prophecy

Arksun - Cold Heart

Luftrum 29 demo track by Martin Stürtzer, using only sounds from the soundset and the internal effects. 

All the details you need: www.luftrum.com/pigments-presets/

Here is the list of sounds in order of appearance:

00:00
Broken
Night Moves
Man who is agent

00:24
Sisko One
Colors Light Up

00:47
Chords of Orion

1:12
The Ship
Trisolar Sequence A

2:00
Cosmic Echoes

Martin Stürtzer - Walking through Dreams

test2

First freeform noodle on the new OB6. This was simply recorded live, and ran through a little bit of Eventide Blackhole.

Dave Smith (Sequential) OB6

Made for KVR OSC #126
FL Studio 20.0.5
11 instances of Bazz::Murda Free by DistoCore

DAW FX's:
4x Fruity parametric EQ 2
2x Maximus
1x Fruity Reeverb
1x Fruity Delay 3

Other FX's:
1x VST zOne Amplio 2
2x VST zOne Quo
2x OrilRiver

Statistics:
Integrated loudness -13,7 LUFS
Max momentary loudness -10,4 LUFS
Max short-tem loudness -12,1 LUFS
Loudnes range 14,1 LU
True peak L -1.26db
True peak R -1.13db
DC offset L +0,000%
DC offset R +0,000%

A Stroll On The Beach (Bazz::Murda Free by DistoCore)

This is my entry to OSC #126 ! It has been done with only one synth : Bazz Murda by DistoCore. 
Rank : 23/36.

Diaseïs - A titan Is Coming (OSC #126)

My submission for @kvrosc 126 using @DistoCore #BazzMurda. It was a lot of fun making this track and I hope you enjoy it!
DAW: Reaper
Bazz::Murda : ~28 instances 
Native DAW FX: ReaComp, JS: MDA Pseudo Stereo, JS: Transient Controller, ReaEQ, ReaControlMIDI, MIDI Pitch Wheel LFO,
3rd Party FX: Kirnu, Cocoa Delay, Dragonfly Room/Hall Reverb, OTT, Wider, Rescue, BootEQ, ThrillSeeker XTC, GClip, 
Mastering: JS: DC Filter, Rescue, BootEQ, ThrillSeeker XTC, TDR Nova, TDR Kotelnikov, GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2

Do Not Bother

Do Not Bother (OSC 126 Bazz::Murda)

Dirtgrain - Arp Arp

The latest Maneki Frequencies is a 100% production mix from the dons Interupt. 

In 2019, two Sydney siders came together with a shared passion for heavy, bassline driven house music. Over the course of 12 months, countless hours of experimentation in the studio brought Interupt to life. Their sound is characterised by a fusion of catchy melodies and hard-hitting basslines; a style that's quickly gaining traction.

Their bootleg refresh of the classic dance anthem, “Show Me Love”, has racked up over 100,000 plays alone. After releasing their first track with international label Crucast, they gained support from international artists, including Skepsis, TS7 & Notion. With their first original single, "Think About Me", signed to renowned dance music label, TMRW Music, Interupt is proving that their unique sound is worth all the attention it receives.

Interupt 100% Production Mix - Maneki Frequencies 011

Lost in Deep Space

lullaby for a dark future

You can hear the mastered version on Spotify here: https://open.spotify.com/track/15BeuMInoWxhi7KftJ3S8e?si=38d41d0873db4f81

Luftrum BioScape Demo.
https://www.luftrum.com/bioscape/
I decided to create this demo to thank Luftrum for years of fabulous sound creations and for being a great chess opponent.

Bioscape allowed me to create organic sounds that really inspired me into this dreamy track, I hope you like it.

Patches used (all from Luftrum BioScape):
Keys: Atom Electro Watts LUF 
Pulse: A Soft Cluster Wind LUF
Rain: Rain sound from Bioscape, no effects except a bit of reverb.
BioCello: Custom made patch out of the "Bowed Diddley Bow" Recording
Final Distortion sound: Hardangervidda TSA

non Bioscape sounds:
Cinesamples Tina Guo Cello
Final seconds of the song has a very soft Sine Wave near the end to increase perceived fundamental sound.

Photo by Matthew Smith released as public domain on Unsplash (CC-0 License. https://unsplash.com/photos/11JyCQnIkZA

Landing in New Tokyo

HQ master on Spotify

Pedro Macedo Camacho - New Tokyo Streets

Join the challenge by going here: https://shorturl.at/bhBFQ

Dirtgrain - Arp Arp

Fritz E

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