Bio:

Revy’s sonic focus is driven by hypnotic polyrhythm, unconventional sound palettes, and a relentless pulse. Spontaneity, instinct, and impulsive live experimentalism are key elements realized to formulate his compositions and dj sets, which are often described as unique, weird, alien, and intensely psychedelic. He is also known for founding the netlabel Bleepsequence, which is becoming notorious for its growing library of quality experimental techno at no cost, along with releasing on numerous labels such as Make Mistakes, Kalimari Musique, and several others, including an appearance on a compilation on From 0-1. Currently he is based out of Pittsburgh, Pennsylvania and working on new music projects including an independent video game soundtrack, and youtube videos for audio geeks.

Tracklist: 

Annulled User - Ending #01 [ANNULLEDUSER] 
Bleupulp- Peace At Home [BLEEPSEQUENCE] 
DJ Datch - Mesosaurus [MAIN CONCEPT] 
Dasha Rush - Dream n68 [FULL PANDA] 
Lori - Antimonit 1 [PROLOGUE] 
Error Etica - Criticism (Deepbass Interpretation) [PSYCHOSKUNK] 
P.E.A.R.L. - Behind the Fog [SUBSIST] 
Ness - Diagnostic Imaging [PROLOGUE] 
Datura Dilema - Estrella Nocturna [DUALITY] 
Lapse - Mother May I [DUALITY] 
Radial - Cosmetics [RADIAL] 
Shadow Runner - Wide Spectral Hearing [SHAWDOWRUNNER] 
Groof - Sick Mantra [DUST] 
Christian Wunsch - Gamma [SEMANTICA] 
Conrad Van Orton & Sleeparchive - Crescia [RSVD] 
Israel Toldeo - Let It Flow [ILLBOMB] 
Material Object - Oppai [SEMANTICA] 
Go Hiyama - Swell [HUE HELIX] 
Oscar Mulero - Electric Storm (Sigha Remix) [POLE] 
Korova - Nuances (Kike Pravda Remix) [SHADES] 
Radial - Asiel [MORD] 
Uncompromise - PR05P3TT1V4 [SEVERAL REASONS] 
Retsof - Causal Link [INPUT OUTPUT SYSTEMS] 
CWS - Pain in the Drone (Voidloss Appointment with Lucifer Remix) [SINGULARITY] 
Milkplant and The Automatic Message - Colonies [FROM 0-1] 
Angel Alanis & Adam Jay - Detritus [SUBSENSORY] 
Xhin - Claw Eyes [SEMANTICA]

5 Questions Interview:

1) You're in Pittsburgh these days. Formerly, you were in Portland, Oregon; What was the impetus to relocate to the Steel City?

My wife and I actually didn't have jobs or know anybody in town before moving to Pittsburgh. We were living in Tokyo for a little while after getting married, and decided to make a return to the States somewhere where there were decent job prospects and an affordable cost of living. I wasn't sure what to expect but it's become a really comfortable spot for us. I do miss the funky weirdness of Portland along with many of my great friends there, but I can't say I miss struggling to pay rent.

2) Pittsburgh isn't necessarily on the international radar when it comes to Techno but from our perspective there seems to be a good bit of activity there music-wise. Care to shed some light on the subject for us?

I've been here a little over 4 years now, and it seems to be developing pretty well lately. There are some passionate people here working very hard at putting out some great records and throwing events, not to mention some open minded and responsive crowds ready to get down in whatever dive bar or bath house is hosting some proper techno. It's taken a while to build up to this point but there is worthwhile stuff going on every weekend now, and the local event crews are all working in tandem to make things go off.

3) You run Bleepsequence, a netlabel. You've been at that for awhile now, for how long, and what made you interested in going for the Creative Commons approach?

We've been at it since the start of 2010, it's gone by so fast. I had been collecting so much netlabel music for years up to that point and had connected with a lot of great artists. It just felt like it was the right time to form a collective and start giving back. It's liberating to not have to worry about the financial aspects of running a traditional label, besides the fact that I don't want to have the need to sell units be an indirect influence on the sound. We are all about pure expression, risky experimentalism, and concept exploration.

4) For people who aren't familiar with your sound- how would you describe it, and what outlets can we find your original productions?

I have a wide range of influences and prefer to use unconventional sound palettes and design methods. I always have a hard time nailing down a genre for my music because there's always little pieces of stuff floating around in my pool of sound, deep spacey bleeps, glitchy clicks, pulsing bass, rhythmic drones, or weird dubbed out field recordings. My recording process is often driven by impulsive instinct and spontaneity, as I find that the unexpected things that happen in the studio are usually the most interesting.

I have releases available all over the place. You can find some of it on beatport and bandcamp, or I've also contributed a lot of work to netlabels that you can download for free. And of course, I often release and remix on Bleepsequence. For the most recent EPs, check labels like Make Mistakes, Kalimari Musique, and Abstrakt Records. And let's not forget an appearance on a compilation by From 0-1 back in the day!

5) Any interesting bits on the horizon we should be on the lookout for?

I have an EP of some eclectic stuff coming soon on the netlabel Wondermachine Musique, and another weird techno EP for Make Mistakes. I'm also very excited to be working on some music and sound design for a beautiful and intense arcade shooter called ZeroDay, an independent project that has been in the works for years. It's coming together really well and I can't wait to see what develops with that. I'm also preparing to launch a new channel on youtube that will host a variety of music and technology videos, including stuff like iPad app reviews, hardware demos, random live jams, and whatever else pops into my head. Bleepsequence is showing no signs of slowing down either with several releases in the pipeline, so it's looking like a busy summer ahead!

Revy - From 0-1 Studio Session Vol 071

Addicted!! ~ Eternally hunting for Electronic Freshness, Love Clubbing, Love Rocking Dancefloors. Music produces a kind of pleasure which human nature cannot do without.

Music is the medium that Unleashes the Energy in us. On a Dance Floor we are all equal. the more the Music comes Alive, the stronger the connection! 

RAVE IS FOR PEACE 🕊️☮️🏳️✌️


Curator of weird noise and rhythm and founder of Bleepsequence netlabel. Might melt your brain.

Other projects:
Bitlegs (vgm edits)
Untethered (improv techno collab with Vasculator)
burst_error (live streaming stuff)

Minimal #techno is Not a progressive house and progressive trance is Not  electrohouse.
Please people , know the difference and you won't be offended when someone starts laughing at your work, only because you post it in some wrong group or category.
 Do give credit to a poor artist , when using for promo or podcast ,always.Do it right till the end.
Respect your name , its all you got !

COMING UP:
• DEC 21, OMAKASE 521, IAN ZUNICH
• DEC 28, OMAKASE 522, GOLD CODE
• JAN 4, OMAKASE 523, DARONE SASSOUNIAN
• JAN 11, OMAKASE 524, TBC
• JAN 18, OMAKASE 525, TBC
• JAN 25, OMAKASE 526, STACY CHRISTINE

Gold Code aka Raf Zevallos-Crowe, is a DJ/producer based in Orange County, California. A lifelong music lover, collector, and DJ, Raf's eclectic sets run the gamut of dance music with a base in-house and techno.

Growing up in 1980s Los Angeles, he was initially inspired by radio mix shows and DJs such as Doc Martin, Rob One, Michael "Mixxin" Moore, and 1580 KDAY Mixmasters. Moving to San Francisco in 1992, he immersed himself in its underground scene. Attending parties lead to working them and eventually to djing. He played his first warehouse in 1996 and spent the next 10 years djing and producing some of San Francisco’s most infamous parties and club nights.

"Gold Code" was initially founded as a music blog in 2007. The site showcased past, present, and future classics as well as his personal edits and DJ mixes. 

In 2009, he focused his efforts on music production and a live show. He adopted "Gold Code" as his moniker and debuted a well-received live set at the celebrated “As You Like It” parties. Remixes soon followed for Nude Photo Music and SubSensory labels culminating with his debut release, "The Day After" with remixes by Audioelectronic, Basskittens, Chris Fierenze, and Jonah Sharp.

2015 brought a move back to Southern California and a radio show, OMAKASE. Currently broadcasting live on Sunday from 6-8 pm [Pacific] on KUCI 88.9 FM, and livestreaming on www.twitch.tv/omakaseshow, showcasing the art of mixing past, present, and future classics.

Revy - From 0-1 Studio Session Vol 071

From0to1