Supreme Rallentato

música ambiente downtempo

Artist: Froid Dub
Track: Iguana Style
Label: https://soundcloud.com/delodio-label
Format: 12" Vinyl, Digital, EP
Release date: 15/3/21
Purchase: https://delodiolabel.bandcamp.com/album/del08-froid-dub-an-iceberg-crusing-the-jamaican-coastline

Swaying & icy ELECTRONIC DUB straight from DELODIO STUDIO SESSIONS. 
Available on SPLATTER VINYL, 300 copies only.
Programmed and produced by F.M.
Cut and compiled by Fa_Fane
Mastering by Krikor Kouchian
Graphic design by Sylvia Tournerie

YouTube

PREMIERE | Froid Dub - Iguana Style [Delodio] 2021

A2 - NICOLINI - SOPRATUTTO (3:44)

Dubrunner continues to shape out a vital, modernist slant on the soundsystem tradition with this second drop on his label Menace. In keeping with the approach set out on 2023’s Ruthless EP, his firm foundation of steppas, dub and digi is a springboard for explorations of broader club styles, taking in elements of breakbeat hardcore, techno and plenty more besides.

Fallen Tree builds on the promise of his debut with four further meditations. Lead single ‘Shangdao’s Revenge’ is a monolithic, moody half-stepper electrified with dub techno chord shimmers and elastic breakbeats, and spaced out with deep wells of atmospheric processing.

‘Fallen Tree’ locks into a tight 4/4 march driven by detailed percussion, with a classic steppas bassline, off-beat chord chops and distant melodica touches paying tribute to hugely influential UK steppas pioneers Alpha & Omega and their apocalyptic cut ‘Ground Is Shaking Dub’. The presence of log drums remind you Dubrunner is bringing his own fusions to the table, drawing on the amapiano explosion as fuel for this hybridised fire.

‘Overruled’ strikes a more forthright, political tone, as Dubrunner foregrounds his values in a fierce statement against the oppressive systems of state control, capitalism and racism. The vocal samples come from Sankara Future Dub Resurgence, whose focus is on Africa’s defiance of its colonial history. The taut, high-definition construction around the message takes its cues from the explosive sonics heard at Darwin’s bassweight REEF sessions in Berlin.

The breakstep lead-in on ‘Pressure’ tells you to prepare for a drum-focused workout, and that’s precisely the approach Dubrunner takes as he chops up the percussion and maintains a light-footed impact in contrast to the broad, cinematic heft of the other tracks on the EP. It’s a potent demonstration of the versatility in the Dubrunner sound, while still maintaining that grounded sense of soundsystem meditation which courses through everything he turns out.

Tracklist: 
A1 Dubrunner - Shangdao’s Revenge
A2 Dubrunner - Fallen Tree
B1 Dubrunner - Overruled
B2 Dubrunner - Pressure

Mastered by Subvert Central
Artwork designed by Alex Kubis

Dubrunner - Fallen Tree

We Slowly Riot

THERE IS SOMETHING WRONG

SLAM IS SLAM (keyboards by Pier Panico)

OUVRE TA BOUCHE (Fabrizio Mammarella dub edit)

LA KETAMINE (album edit)

WE SLOWLY ROT  (album edit )

Released 2019-10-18
BPM 104
Key D♯ min
Genre Breaks
Label R&S Records

Rv Trax, Vol. 4

DJ Oil - Addis - 104Bpm

Red Dot ( Prod. BenjiCold )

contact us: frontdecadeaux@gmail.com
book us: https://culte.be/agency/front-de-cadeaux

ven., 21 juin 2019 /
Mannequin Records Nacht Xll at ​Berghain | Panorama Bar | Säule / Berlin, Germany

ven., 07 juin 2019 /
Club Nuit: Front de Cadeaux / Diana Alma / Discolowcost at ​Le Lieu Unique / Nantes / West, France

sam., 01 juin 2019 /
Nuits Sonores 2019 / Night 4 at ​Old Fagor-Brandt Factories / Lyon, France

sam., 27 avr. 2019 /
Anarchy At The Bar - Hugo Sanchez - Lola Kola at ​Coropuna / Rome, Italy

mer., 17 avr. 2019 /
Listen! Festival 2019 at ​Horta Gallery / Brussels, Belgium

sam., 23 févr. 2019 /
Megatron: Front De Cadeaux at ​Opium Club / Lithuania

sam., 19 janv. 2019 /
Liquid /w. BNJMN, Simple Symmetry, Housemeister & More at ​Salon Zur Wilden Renate / Berlin, Germany

The origins of Front de Cadeaux can be traced back to a dating site for bears, some ten years ago. After Maurizio had spotted a Felix Kubin poster on one of Ugo's pictures, the two started chatting. Very much intrigued, Ugo invited Maurizio, who lives in Brussels, to play at a festival he organised in Rome. Shortly thereafter Ugo made Maurizio a resident of his Subwoofer night, one of the first bear parties in Europa that existed outside of the mainstream bear realm.

The two bonded over food of course, over their belief that dance culture is rotting from the inside, and even more over slow, heavy electronic music. You have to picture it: a flat in Brussels, a table with empty bowls and bottles, thick smoke and these two daddy dj’s listening to stacks and stacks of UK rave and breakbeat records on 33 instead of 45 rpm. Testing how deep and sexy these garbage records sound at a pace the bears can actually follow without dropping dead – Ugo & Maurizio baptised it ‘supreme rallentato’.

During those early encounters, their decade long dj experience merged into one, just like their vision that dance culture urgently needs a revolution. To them that means playing 90 bpm in a club at 3am whilst the promoters are shitting themselves, showing everyone that the body follows the groove, and not the bpm, a capitalist and macho construct that’s making crowds go numb instead of making them dance.

Around 2013, they officially started collaborating as Front de Cadeaux, referring to the Italian way of pronouncing Front 242, the Belgian EBM legends. “Le pédé BPM” (the bpm gay), their first release, followed one year later, with a Fabrizio Mammerella remix that kind of became an anthem in some circles. It's at the same time a celebration of their love for a slower groove as it is a queer manifesto, dissociating themselves from the mainstream gay culture in big cities, dominated by a horrible attitude and bad taste both in music and style. Second single “Infodrogue” came about after the drug line Maurizio worked at, stopped operating after midnight. Backed up by a bubbling bassline, it's telling the sad tale of a junk calling in and no-one answering. The references to culture and real life are everywhere, be it in the track titles of later releases – “Ouvre ta bouche” is a joke about Kate Bush, “Cogitate” a hommage to lsd wizard John C. Lilly – or their sound, which is impregnated by psyche music, mushrooms, dub, triphop and space rock.
Coming hot on the heels of the collaboration ep with long time friend Fabrizio Mamarella earlier this year, featuring their two oldest singles appearing on vinyl for the first time, came Front de Cadeaux’ new 12” on EMET records. “We slowly rot” is a manifesto and an epistemological breakdown of standard, empty club music, for in order to reconnect with what it should be about, our whole idea of dance music has to be deconstructed. As Front de Cadeaux militantly puts it: “every act of the human being is about transformation through destruction”.