ABOUT THE ALBUM:
Chemical, an album by Death Loves Veronica, is a perverse, dark-electronic journey infused with themes of nihilism, inhibition, and deception. Heavily saturated with post-industrial and gothic influences, this album is a corruption of the expected and resonates with the disillusion of our times.  Recorded with analog synths and minimal guitar work, Chemical is a daring undertaking for solo artist Veronica Campbell.  Veronica recorded the framework of this album within a two-week time period while in recovery from an intensive health-related surgery.  With limited use of her arms, she dove into the more technical capabilities of her favorite synthesizers, obsessively crafting each sound and, as usual, keeping her distance from the use of MIDI. The album’s title is as a reminder of what collectively fuels the human race—and what can increase or dull our pain. This album tells a dark story. It is driven and propelled from someplace deviant within, an expression of the artist’s true self.   Chemical is set for release by Cold Transmission Music on May 21, 2021.HISTORY Veronica is the creator, composer, and vocalist of electro/darkwave/post-punk, and at times post-industrial, solo  project DEATH LOVES VERONICA.  Her first demo album, Vampiros Electric (2018), was widely described as a cold wave-minimalist sound created with a variety of synth work and distinctly clean vocals.  Veronica's first stage appearances were at age 15 as she wrote and performed originally in punk rock. She then moved into studio work with deathrock band Veronica's Veil in the early 90s. As the former singer of legendary, but now defunct, Veronica's Veil, Veronica opened for acts such as 45 Grave, David J (of Bauhaus, Love and Rockets), Lydia Lunch, and has been billed alongside Kommunity FK, Fear, The Adicts, and several others. In 2000, Veil was included on a tribute album to Rozz Williams, formally of Christian Death. After an extensive hiatus and the loss of their guitarist, Veil attempted a two year long reformation and recorded a studio album that is yet to be released. Veil then disbanded again. Veronica's focus became her solo project, and released the In Nightmares EP on April 1, 2019. This album retains a lot of darkwave electro sound while incorporating post-punk and deathrock elements that stem from her original artistic roots. A collection of her works has been released on European label Swiss Dark Nights entitled, Three Acts. It was then followed by a full-length album, Lucid Dreams. When not in the studio or writing, Veronica was performing with the Death Loves Veronica live act until shows were cancelled due to the outbreak of COVID-19. Veronica is a BMI registered composer. 
It was announced on January 23, 2021 that Veronica had signed on with Cold Transmission Music. Veronica has been vocal about the importance of addressing mental health issues and is in treatment for neurological conditions  such  as  Obsessive  Compulsive  Disorder  (OCD),  Sensory  Processing  Disorder  (SPD),  and  Chronic Migraines. She urges people to embrace their differences and to seek help when available.  Veronica has composed music and played several instruments since childhood which helped her to cope with sensory issues, learning disabilities, and childhood abuse. LINKS Website: deathlovesveronica.com Facebook: https://www.facebook.com/deathlovesveronicaBandcamp: https://deathlovesveronica.bandcamp.com/Video for „LIES“: https://youtu.be/mcNFvIfX1u4

Chemical

Death Loves Veronica - Burn [COLD TRANSMISSION MUSIC]

Stream or download the debut album 'The Way We Blush': https://lnk.to/PYTKOPHLP20

Stream, download or buy the 12" vinyl: http://lnk.to/PYTKOPH104

Phantasy is proud to introduce the first release from Polish-born, London-based experimentalist, PYTKO. ‘Save My Day’ and ‘Wife’ offer a tantalising introduction to a unique sonic world, remixed delicately by DJ Python.

Bristling and vulnerable, ‘Save My Day’ is an aching internal monologue reborn as a haunting melody. Led by guitar in the outsider spirit of This Mortal Coil or Dead Can Dance, PYTKO’s compelling vocals invite listeners to lean further in, conjuring dream pop textures within her personal but ambiguous songwriting.

A student of sound design and composition for moving images, PYKTO’s approach is more abstract but no less intriguing on ‘Wife’, a cryptic story told through ghostly sonics, establishing a sensibility somewhere between DIY indie and futurist pop visions.

One of the most creative and singular electronic musicians in recent years, DJ Python builds on his recent acclaim with a spectral and sensitive rework of ‘Save My Day’. Suspending PYTKO’s vocals atop a weightless bed of dreamlike percussion, the New York producer pushes his signature ‘deep reggaeton’ style to it’s psychedelic finest.

Save My Day

The Shortwave Mystery - Still Laughs

05 Deadend (Liebknecht Remix)

00 - Intro
01 - Laserdance - Shotgun (Into The Night)
02 - Koto - Jabdah
03 - Laserdance - Around The Planet
04 - Koto - Dragons Legend
05 - Laserdance - Power Run
06 - Koto - Visitors
07 - Laserdance - Battle Cry
08 - Koto - Minoan War
09 - Laserdance - Humanoid Invasion
10 - Koto - Time
11 - Laserdance - Future Generation
12 - Koto - Mind Machine

Laserdance Vs. Koto Megamix [2025]

Victim

Ghosts of Platform Nine

Forever Grey-Trespasser

Buy Lindstrøms album Smalhans from iTunes here: http://tinyurl.com/d2fz2h2

https://www.facebook.com/hplindstrom *********** http://twitter.com/hplindstrom ********** http://www.hplindstrom.com

LINDSTRØM 
“Smalhans” 
Releasedate: 5th November 2012 
Smalltown Supersound / Feedelity

By Rob Young

‘Norwegian cuisine is very characteristic. Traditionally a Norwegian dish does not contain much spices, so the taste of the food is very much straight from nature. Some Norwegian food could be considered a bit hardcore for some, but also enviromentally friendly, as it is built on old traditions of using the resources in your immediate surroundings…’

That’s Hans-Peter Lindstrøm, Norway’s finest disher-up of cosmic techno, who’s whipped up a pumping new album with tracks titled like a tasting menu of his homeland’s underrated cuisine, from soup to nuts. Well, not quite: it’s more like ‘Raakost’ (raw vegetables) to ‘Vafler’ (waffles) – with lashings of ‘Lammelaar’ (dried salted lamb meat), ‘Vossakorv’ (‘a sheep-sausage made in Voss’), and ‘Eggedosis’ (‘what you get when you mix eggs and sugar with a blender. Kids love it… At least, I did when I was younger!’). Yum!

Smalhans was recorded immediately after Lindstrøm’s last, more experimental album Six Cups Of Rebel in July 2011, and its unashamedly 4/4 techno rhythms and bubbling, nutritious analogue synth sounds – mixed by friend and collaborator Todd Terje – are set to inject a vitamin kick to dancefloors everywhere. Lindstrøm’s gorgeous arpeggiations and chord changes can sound mathematical at times (check the clockwork mechanism of ‘Faarikal’), but it’s all born of his intuitive approach to his gear.

‘The process is definitely intuitive. I try all sorts of combination of chords and changes, and just know when something interesting happens. I find myself getting lost in the details. Weighing the ingredients, trying to find the right balance. A little more of this, a little less of that. Making the same dish over and over again, hoping it gets even better. Trying out new recipes and ingredients. Eating it up, and starting again the next day. Just like spending time in the studio…’

Lindstrøm spends a lot of time in that studio, preferring a normal working day and quiet nights at home with his family. In the distant past he has been a folk/country keyboardist, but bought his first sampler around 1999 after moving from his birthplace, Stavanger, to Oslo. With that real-instrument background, he still considers himself an outsider in the hi-tech world of contemporary dance music, but that perspective allows him greater freedom. He has collaborated with Prins Thomas and Christabelle, and remixed LCD Soundsystem, Roxy Music, Franz Ferdinand, Glasser, Best Coast and many more. As a solo artist Lindstrøm has released three albums, It´s A Feedelity Affair in 2006, Where You Go I Go Too in 2008 and Six Cups Of Rebel in 2012, and he’s a several-times winner of the Norwegian Grammy awards.

If today’s minimal dance music is leaving you feeling a bit starved, Smalhans’s full-fat analogue sound will fill you up and keep you glowing. ‘Electronic music is moving in so many directions,’ says Lindstrøm, ‘it’s hard to keep track of all the various twists and turns. Trends come and disappear, new subgenres of subgenres erupt and fade away faster then ever. But the beat lives on, it just comes in new colours and shapes.’

… And flavours. Yes chef!

Lindstrøm Online: 
http://hplindstrom.com/ 
http://www.facebook.com/hplindstrom 
http://www.twitter.com/hplindstrom 
http://www.twitter.com/feedelity 
http://www.smalltownsupersound.com/ 
http://en.wikipedia.org/wiki/Hans-Peter_Lindstr%C3%B8m

Lindstrøm - Vā-flę-r

From "Transform | Transport | Transcend"
(http://aufnahmeundwiedergabe.bandcamp.com/album/transform-transport-transcend)

DIE SELEKTION - Faust

Have Fun with my Extended Version of Daniel Norgrens - Howling Around My Happy Home! 

Free Download!

05 Deadend (Liebknecht Remix)

Front Line Assembly