Across the Wide Field (Cherez Pole) is a heart-wrenching and powerful religious song that follows the Virgin Mary as she witnesses the Crucifixion. This piece embodies the eternal themes of spring, rebirth and redemption, and serves as a reminder that new beginnings are not always without pain.

Dedicated in memory of our sister, Lydia Czorny Matiaszek (1962 - 2020).

Released April 1st 2021, by the Women's Bandura Ensemble of North America (WBENA)

Soloist - Alina Kuzma
Arrangement - Victor Kytasty
Conductor - Oksana Zelinska Shevchuk

Mastering and Editing - Oleksander Petlura
Recorded in Manchester, Connecticut at Emanuel Lutheran Church by Steve Pfaffle
Photo by Johannes Plenio

all rights reserved

Across The Wide Field

Аудиокнига. Чехов. Рассказы

Аудиокнига. Чехов. Пересолил

Isolation, solitude, contemplation. These are the themes that discreetly weave their way through Disappearance, the first collaboration album between 12k’s Taylor Deupree and pioneering electronic composer and pianist Ryuichi Sakamoto. The two began their musical dialogue in 2006 when Deupree was invited to remix a song from Sakamoto’s album Chasm. “World Citizen” was the song and it sparked continued collaboration as Deupree contributed to two of Sakamoto’s activist projects: Chain Music (http://www.sitesakamoto.com/chainmusic/) and KizunaWorld (http://kizunaworld.org/english/index.html) (as a trio with Sakamoto and Stephen Vitiello.) With the convenience of both artists living in New York they kept in touch, released music on 12k (Willits + Sakamoto’s Ocean Fire) and, in April of 2012, performed live together at John Zorn’s club The Stone. It was this concert that planted the seeds for Disappearance.

The initial tracks for Disappearance were recorded at Sakamoto’s studio in New York City during rehersals for the April concert. The two immediately entered the same sonic mindframe that lead to hours of concentrated, hushed music. Sakamoto’s piano playing, both traditional and prepared, emerged as perhaps some of his most beautifully sparse in recent years, letting the sound of the room and shuffle of chairs take an active roll in the recording. Only the most minimum of essential notes, accentuated by silences and the scraping of the piano’s strings, plays alongside Deupree’s nuanced passages, created with analogue synthesizers, strings, and found objects. These warm, human tones became the means of communication between the two artists who effortlessly created a musical language.

The five tracks that make up Disappearance are delicate and composed, however, they’re not all peacefulness and placidity. Micro-tuned edges, bursts of noise, percussive prepared piano and the warble of old reel-to-reel tape keep the mood grounded and warm, turning it inward and asking the listener to reflect on their path. “Curl To Me,” the album’s final piece, is highlighted by the sounds of Ichiko Aoba, a major up-and-coming singer/songwriter from Tokyo. Both Sakamoto and Deupree have recently worked with Aoba in Japan and wanted her presence felt on the album. Emphasizing the solitude and stillness of the recordings, Aoba provided both her voice and the almost disturbingly intimate sound of her own heartbeat.

Disappearance is a soundtrack for holding breaths. Sakamoto and Deupree lay down worn roads, but don’t leave signs, for a journey woven together by the quiet celebration of the fragility of nature and life.

Disappearance

Jyaku

BUY ALBUM

Forest the new Single by Ukrainian and Irish collective 'Common Language' dives into a narrative of struggles, adversity and finding light at the end of a persons metaphorical dark forest. Blending instrumentation and melody that flits between light and dark moods, high energy rhythms and melancholy vocals with brooding lyricism; Forest will be lapped up by fans of Alternative Pop and Indietronica in the vein of Woodkid, Radiohead and Billie Eilish. Forest promises to take the listener on an epic, dream-like journey.

Credits:
Lyrics and vocals — Pixi Ink
Music — Tori Tram
Music production — Anna Shchybryk
Manager - Maria Vynarska
Mixing/Mastering: Yuriy Bulychev

Forest

В мире веб-разработки фреймворки приходят и уходят, но какой веб-сайт не возьми, там почти наверняка будет использоваться CSS. Что это за технология, которая с нами уже так долго, разбираемся с Софией Валитовой.

Поддержи лучший подкаст про IT:
www.patreon.com/podlodka 

Также ждем вас, ваши лайки, репосты и комменты в мессенджерах и соцсетях! 
Telegram-чат: https://t.me/podlodka  
Telegram-канал: https://t.me/podlodkanews 
Страница в Facebook: www.facebook.com/podlodkacast/ 
Twitter-аккаунт: https://twitter.com/PodlodkaPodcast  

Ведущие в выпуске:
Женя Кателла, Стас Цыганов

Полезные ссылки:
Блог Софии
ariarzer.dev

Статья про слои
https://ariarzer.dev/articles/2021/css-cascade-layer.html

Доклад Никиты Дубко «CSS – язык программирования»
https://www.youtube.com/watch?v=2UIwHWQeJBs

Podlodka #259 – CSS

«Я є тим, ким є, завдяки пластовій організації. Якщо Пласт каже, що готує провідників суспільства, то як вести це суспільство, не будучи у політиці?»

Наспілкувались та насміялись з Яремою Духом – медіа-експертом, піарником, співавтором офіційного твіттер-акаунту України, ведучим влогу про українську політику з жартами та «без купюр» https://bit.ly/3yI6tHS
Поговорили про те, як сприймати та використовувати інформацію у період війни, чому важливо поширювати новини навіть на маленьку авдиторію, перші кроки у пластунстві, про велику гру, яка вчить. Познайомились ближче з «Лісовими чортами», що вважається одним із найстаріших куренів, історією його назви та створення. 

«Пластовий обіт» – тематичний подкаст до 110-річчя Пласту. Авторка та ведуча: Оксана Пужаковська – пластунка, піарниця, випускниця нашої школи подкастів. Говорить з пластунами про те, як вони у часі війни тримають свій фронт та як їм у цьому допомагає пластовий гарт. Слухайте нові епізоди щовівторка на SoundCloud, Google та Apple podcasts. І якщо вам подобається, що ми робимо і ви хочете, щоб ми могли це робити й надалі, ще більше та впевненіше, підтримуйте нас на Patreon: https://www.patreon.com/radioskovoroda 
Внески символічні, щоб кожному, хто хоче допомогти, було посильно!
Також можете задонейтити через PayPal radioskovoroda@gmail.com будь-яку комфортну вам суму. Творіть разом з нами нові медіа нової доби!

Пластовий обіт – Е5 – Ярема Дух

tosyachai - dreams

Howlong

'All My Gods' Remix by celebrated Canadian-Ukrainian duo Ummagma, released February 2016 via U.S. label Moon Sounds Records. https://moonsoundsrecords.bandcamp.com/album/all-my-gods-single   Known for their ethereal compositions and for tastefully blending multiple genres, and collaborations with such notable musicians as Robin Guthrie (Cocteau Twins), Malcolm Holmes (OMD), Sounds of Sputnik, Graham Bonnar (Swervedriver, Brian Jonestown Massacre), and Fran Ashcroft (Damon Albarn, Lords of Acid), in this remix, Ummagma give 'All My Gods' the downtempo treatment. 

Featuring in numerous 'Best of 2015' lists, 'All My Gods' was the no. 9 single internationally according to America's Stereo Embers Magazine, in which Ummagma also featured at no. 5. Omodada's debut EP ''Kimnaty' was also selected as the no. 2 Ukrainian Release of 2015 according to British blog The Sound of Confusion. 


https://www.facebook.com/omodadaband 
https://omodada.bandcamp.com
https://soundcloud.com/omodada
https://www.youtube.com/channel/UCY1KFDuKhnP7_OS02AALTBA/videos

All My Gods feat. Tik Tu (Ummagma Remix)

Theodor Bastard - acoustic concert for Radio Baltika, Saint Petersburg, March 26, 2016.

Theodor Bastard - Vetvi (Radio Baltika)

В гостях Дмитрий Пацура и Артём Кобзарь из подкаста https://soundcloud.com/underjs

Вступление: Zephir, Phalcon (0:51)
Осуждение докладов (6:33)
Этикет в разработке (12:54)
Почему UnderJS такой хардкорный (17:36)
Линтеры git-коммитов и хуки (27:41)
Стартапы, энтерпрайз и боль код-ревью (36:04)
Про StaticScript (1:00:00)

UnderJS Podcast https://underjs.ru/
Дмитрий Пацура https://twitter.com/ovrweb
Артём Кобзарь https://twitter.com/rage_monk
Commitizen http://commitizen.github.io/cz-cli/
StaticScript https://github.com/ovr/StaticScript

#106 Сеньёр знает цену говнокоду

Вся правда о фронтенд-разработке. Всё, о чём боятся говорить — вы услышите здесь! Смузи, вейп, ES6, REACT — вас накроет волной хайпа

#106 Сеньёр знает цену говнокоду

Фронтенд Юность (18+)