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The UK hip/hop scene has never been more illuminated by mainstream lights than it is today. Whether its the steady-paced poetry of hip-hop or the accelerated energy of grime, the UK charts will host singles from it's own artists every week; some of which have began to spread over the pond to the US. 
Utilising both genres, is West-London rapper WKB. Listening to 'Paradox', which appears on Noel Clarke's feature film “4:3:2:1”, its clear that he can spit at a grime tempo and his voice matches the style. The same applies to Daily Medicine, although I think this track does more to emphasise WKB's voice with a darker beat behind it.  Perhaps more beguiling to a wider audience are tracks such as Trust Is A Gamble and Fallen Soldiers. These exhibit more hip-hop elements, although there is still a discernible grime tone. Trust Is A Gamble allows WKB to offer listeners some urban poetry: “F**k love, I put the cuffs on Cupid, 'cos out in these streets, man, trust is useless. I see a dark face, I'm in a dark place, I make dark movements so I leave a dark trace.” 

Lyrics are a strong part of WKB's material; I detect aspects of Taskforce and Orifice Vulgatron (Foreign Beggars) on this.  Moving even closer to the mainstream are Your World and Touch Me, which are both complete with a sung chorus from a female artist with interjections from our MC. In both tracks the theme seems to be love and heartache: “If a shank don't tear your heart then love will, so then I guess that means I'm in trouble. I been through it all, from street fights to bar brawls but I'm facing the toughest fight above all.” (Touch Me). These verses, again of a more hip-hop nature, work very well in setting a poignant, street-life scene which is ever relevant in WKB's music. 
For new listeners I would recommend Trust Is A Gamble and Touch Me as I feel these are where WKB is at his best. Although the grime works well (and its important to vary from one style) a slower tempo gives him time to express his thoughts and us a chance to listen.

Review by Davey Woods. 

[Twitter - @DaveyWoods89]

Firstly, all praise and thanks be to God for blessing me with the gift of music and my talents, thanks to my mum for her support which she has given me through the years and my friends which always push me to new levels.

My name is DeVante and I have been producing music for approximately 7 years. It started on my 12th birthday when my mum got me my first phone (T610) this had Sony Ericson beat maker. I fiddled around with it and found what went good together and learnt what a bpm was. My uncle then bought me music 2000 for the ps1 and I continued the same, eventually it got to a point where i had made every beat i could using the software and i wanted to make fresh ideas from my head. I found fruity loops 3.4 on limewire and quickly learnt how to use it and construct an instrumental. 

My friends and I would always form cyphers and freestyle, we got a name for ourselves and this led us to a few studios and collaborations however we would always use a popular instrumental, it got to the point where we wanted to create our own style of music and be different from he rest, I began to take the role of producer within my team and sold unique grime beats for about £5 each in school. As I got better over the years, the price for my instrumentals went up, prices was &lt;£50 each, unfortunately the demand for exclusive instrumentals went down along with the trend of local lyrisists, fortunately my music production continued right through to today although there has been times where i have taken breaks. I am taking my music more seriously as I strongly believe i am one of the best producers in my age group and i see a future in it.



WELCOME TO MY SOUNDCLOUD

**PIFFKOVSKY**

**PIFF MUZIK**

I'm a professional music producer and entrepreneur.

Check out my music and videos on 

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