An excerpt from Clinton Green's Iliad release coming December 2017 / January 2018 on Frustration Jazz.

Clinton Green - 'Setting for The Iliad' excerpt (FJ007: Iliad)

new audio storyteller; sharing doodles, shorts, class assignments, snippets of WIPs; listening; 9/22

I love making my own music.

The expressive themes that interest me include alienation, psychological repression, the existential vacuum, obsession, rage, absurdity, mourning, regret, neurosis, depression, death, and the concept of self.  These themes may be bleak, yet all sounds are intended to be ultimately uplifting affirmations of human vitality and spirit.

Influences range from old-school industrial to musique concrète and contemporary classical, from kosmische musik to minimalism and dada, from power electronics to any form of genuinely experimental music.  While absorbing and acknowledging these influences, it is important to me to find and evolve my own sound.  

Contact: david.paganin@gmail.com

Compilation track, Dysgeusia, 2018: https://bit.ly/2SahLgf
Collab w/ anonymous waves, 2018b: http://bit.ly/2F5aeba
Collab w/ anonymous waves, 2018a: http://bit.ly/2FP6ewQ
Collab w/ anonymous waves, 2017: http://bit.ly/2AK7dhz
Compilation track, Dysgeusia, 2017: http://bit.ly/2iG35Fd
Compilation track, Cian Orbe, 2017: http://bit.ly/2BZgsJd
Compilation track, Petroglyph. 2017: http://bit.ly/2AM8g0D
Compilation track, Earsheltering, 2017: http://bit.ly/2BQj6QG

Improvised, exploratory & otherwise out. Started in Naarm/Melbourne by a Tasmanian and now based back in the island state. Not a jazz label. Not afraid of contradiction.

AV Artist/Improviser/noisemaker.  
Also Performs in 2360 with Rodney Cooper and RxCxP with Nik Kennedy.

Presenter of Lost And Found Sounds on 2BOB radio.