Blogged on Italo Deviance http://space-boogie.blogspot.fr/2014/01/my-top-5-edits-remixes-and-covers-of.html

Nhhh... Feel the Cosmic Dreamline & Smooth Voices Harmony... Lovers High‼︎

amazing this cover https://soundcloud.com/bleucommeuneorange/sets/quelle-chouette-ambiance-vol-5

Ambient Complex

Watch Sven Weisemann make 'Indigo Blue' on FACT TV:

http://www.factmag.com/2013/07/16/piano-vinyl-sampling-and-more-watch-sven-weisemanns-indigo-blue-session-for-fact-tv/

Sven Weisemann - Indigo Blue

Peter Kruder Private Collection [GSCD036]
Label: G-Stone Recordings / 2009

Chateau Flight - Superflight

killer cover version of fleetwood mac's dreams - maybe better than the original ?!

http://frequencywithoutcontrol.blogspot.com/



mark & suzann farmer - dreams

*Posted with the blessing of Peter Westheimer himself.

Len Leise 33rpm (half speed) edit of Peter Westheimer – Tin Drum. Off the Laminex Lovers 7"

www.peterwestheimer.com

Peter Westheimer – Tin Drum (Len Leise, 33rpm Edit)

Variações de uma música, Erudita contemporânea, Eletrônica, Ambiente, Instrumental

OVO TAKA - 1E- C1 N7

Nico Motte, Raphaël Top-Secret and Zaltan join forces on these 4 songs, each sitting somewhere between some sort of somehow aquatic dream pop and blurred visions of an eerie grunge sound, that probably never was... 
PRODUCED BY NICO MOTTE AT SYNTH CITY AND RED BULL STUDIO

18 Rays

18 RAYS - I Feel Rain

Odyssey - Who

Holger Czukay & U-She - La Premiere (Mudd's Ode To Phreek Mix)

This is the second volume of the Diavol Edits series. 
This time we are proud to present four italian gems nicely edited by DJ and producer Nassau. 
The tracks go from shameless disco floorfillers (Patrizia Pellegrino, Umberto Tozzi) to dreamy and balearic mid tempo songs (Anna Oxa, Vasco Rossi).

Released January 10, 2012. 
Edits by: Nassau - soundcloud.com/nassau
Artwork by: Martin Di Paola - www.martindipaola.com.ar 
Available on Diavol Bandcamp: https://diavol.bandcamp.com

Anna Oxa - Controllo Totale (Nassau Torre di Controllo Edit)

This is a rare recording of folkloric free jazz soul music by Sam Gendel.
Listen if you want to view paradise.

Sam Gendel - Pure Imagination

Music for Saxofone & Bass Guitar full-length album on ltd cassette and world wide digital June 15th

Music for Saxofone & Bass Guitar

Sam Gendel & Sam Wilkes - BOA

Music for Saxofone & Bass Guitar album out June 15th on cassette and world wide digital via Leaving Records

Sam Gendel & Sam Wilkes - THEEM AND VARIATIONS

https://www.facebook.com/containyrbrain.blog/
http://containyrbrain.blogspot.com/

~

Mari Kaneko - Get To Paradise

Early in 2018, the world was introduced to Mildlife through their debut album Phase. Few first releases amass praise from Mojo, The Guardian, BBC 6 Music, The Express, and Shindig, then go on to be celebrated by DJ Mag, Resident Advisor, Worldwide FM, Dummy and Indie Shuffle. But it’s precisely this eclectic mix of genres, tastes, and influences that brought Mildlife together, and what they committed to reflecting in their sound. After a surreal start to 2018, the four-piece completed a sold-out national tour of Australia, and recently announced plans to cross the oceans for their debut Europe and UK tours.

With the release of their debut imminent, Mildlife took retreat at Research Records HQ in Melbourne, staying overnight after recording each morning and afternoon. It resulted in the evolution of the title track, newly imagined and re-contextualised at increased tempo with swathes of improvisation throughout. The studio recording was the culmination of the song’s growth in a live setting, evolving on club stages and at festivals throughout 2017.

Mildlife’s knack for locked-in grooves and celestial tones features heavily across ‘Phase II’, a more than 11-minute sonic journey. Kevin McDowell's synth soars while Adam Halliwell’s growing prowess as a flautist is peppered over James Donald’s shimmering percussion. Shortly after, Tom Shanahan's phased bass appears, and the four lock into a groove that gives a subtle nod to 1960s Krautrock band, Can. It’s not long before ‘Phase II’ erupts into a cosmic jazz-funk that urges you to move. It sucks you in, free of worry and consequence; utterly otherworldly. It’s no surprise that the band has been described as “kaleidoscopic”, “irresistible” and “enchanting”. With Mildlife, you’ll always leave wanting more.

Phase II

Mildlife - Phase II (RREP02)

From the album Anne.  Available November 16, 2018 from Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne
iTunes https://itunes.apple.com/us/album/anne/1427808233?ls=1&app=itunes
Spotify https://open.spotify.com/album/19FD6RN5K3xYFThAHM4fGy?si=0hUO0rFVQAigvSPTvJL_4w
WV http://westernvinyl.com/shop/wv182

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/
Facebook https://www.facebook.com/josephshabason

Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality. 

Shabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic exercise.

Still, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible.  The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.

The serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.

Anne

Joseph Shabason - "Forest Run"

The Anne EP is the afterword to Joseph Shabason’s acclaimed 2018 full-length Anne through which he examined and processed his mother’s struggle with Parkinson’s disease.  Employing a small supporting cast that includes vocalist Dan Bejar (Destroyer) and guitarist Thomas Gill (Owen Pallett), Anne EP spotlights the Toronto saxophonist as he builds empathic tropospheres of woodwinds and synthesizers, deepening the sentiment established by the EP's companion album, which was released in November 2018.  The detail and idiosyncrasy beneath the material's dawn-of-the-CD-era sheen, elevates Shabason's work far beyond mere aesthetic exercise, cementing jazz, ambient sound design, and new age revivalism into a timely new genre all his own.

Tour with Jessica Pratt:
May-09-Minneapolis, MN Cedar Cultural Center
May-10-Chicago, IL Sleeping Village
May-11-Pittsburgh, PA The Warhol
May-12-Toronto, ON The Garrison
May-13-Montreal, QC La Sala Rossa
May-15-Boston, MA Great Scott
May-16-Philadelphia, PA Boot & Saddle
May-17-Washington, DC Miracle Theatre
May-19-Brooklyn, NY Park Church Co-Op

Anne EP

Joseph Shabason - "Broken Hearted Kota"

<a href="http://frequencywithoutcontrol.blogspot.com" rel="nofollow" target="_blank">http://frequencywithoutcontrol.blogspot.com</a>/

email: c.beetz78@web.de

...my eyes were stabbed by the flash of a neon light...

discography/records:
FRWCTRL EDITS 01 - 
whitelabel (2 copies exist), 2010
https://www.discogs.com/de/release/6610814-FRWCTRL-FRWCTRL-EDITS-01
Hafenstrassen Disco Vol. 1 - 
Bordello A Parigi 042, 2015
https://www.discogs.com/de/release/6573631-Various-Hafenstrassen-Disco-Vol-1-
Discómanos Ep - 
Villalegre Recordings 002, 2017
https://www.discogs.com/de/release/9701501-Various-Disc%C3%B3manos-Ep
Balearic Blah Blah No. 15 - 
Balearic Blah Blah, 2017
https://www.discogs.com/de/release/10259689-Various-Balearic-Blah-Blah-No-15
Edits For The Common Man 1 - 
Edits For The Common Man, 2017
https://www.discogs.com/de/release/10233908-Various-Edits-For-The-Common-Man-1
Balearic Blah Blah No. 17 - 
Balearic Blah Blah, 2019
https://www.discogs.com/de/release/13632603-Various-Balearic-Blah-Blah-No-17
Edits For The Common Man 3 - 
Edits For The Common Man, 2025
https://www.discogs.com/de/release/34480081-Mr-Fonk-FRWCTRL-Edits-For-The-Common-Man-3

mark & suzann farmer - dreams

frwctrl - frequency without control

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