Pol Small: Tapan
Gabriel Valtchev: Tapan
Camille Emaille: Gongs, métaux
février 2021

OTTO

Funeral procession for my grandfather

Le souffle coupé, dans une ambiance sourde, j'ai salué pour la dernière fois le corps de mon grand-père. L'impact de la pelle contre la terre encore humide, ma main étourdie qui frappe le bois en guise de dernier salut, le son granuleux de la terre que l'on jette sur le cercueil pour le recouvrir ; ce sont les dernières images acoustiques et signes de sa présence.
☤

negative_soil (2020) - for 9 musicians and electronics

https://noir-age.bandcamp.com/album/m-rka-moln

Mörka moln

Scène III with Nick Klein - 03/05/2022

L'ampleur du souffle (2020)

To breathe, is to activate a certain space. Short breaths, deep breaths, dying breaths or sensual ones - they evoke variety of features and peculiarities that the breath embodies. Breath is also a precondition of voice, and further, of a spoken word. Paving the path for every physiological and philosophical activity, breath is essential to all we do and all that we are. 
Auditory situations in this piece are fluidly changing from one to another in a constant fluctuation and transfiguration of the musical material. Acoustic spaces inside of which the music is being situated, give room for the sounds to appear, to change and disappear, develop and transform, and inside of these spaces, the ear can swift freely from one sound object to another in a spatial and non-linear listening experience.

Commissioned for the Tingles & Clicks project by the Musikprotokoll 2020 and supported by the program "Creative Europe" of the European Union and SHAPE platform.

The work was presented in ambisonics, binaural and stereo formats. It was composed for an interactive environment, and the sections (structure, duration) were open. This is one of its renderings (structure and format-wise), made for the presentation at Radio Belgrade in 2020.

Presented at Musikprotokoll, Graz, at Radio Belgrade 3, CYNETART festival and Ö1 radio (Zeit-Ton radio show).

L'ampleur du souffle

B4 - Fuga En Alcatraz

Raw sonic explorations of the tools I am designing at GRM. No external input, live capture with minor editing.

To begin 2023 rather mysteriously, two generative patches overlaid on top of each other, objectively random but subjectively giving the illusion of a dialogue.

GRM Development Diary 8

“No Taste” mix by SD based producer, engineer, and H2L label boss MattxIbarra.

Phosphene w/ MattxIbarra - Jan 6th 2023

s9pt03_tb

Heart

Composed and recorded by Lisa Stenberg on the EMS Synthi 100 in studio KSYME Contemporary Music Research Center, Athens, Greece in 2017.
Produced at EMS Elektronmusikstudion in Stockholm 2017.

Monument

Buy cassette

Heart

passing through a narrow aperture, 
envisaging a becoming. 
it refracts,
behold it’s edging shoulders 
for we are one of the same two entities, 
fragmented, consuming the audible.
@nts_live with Breakwave first 30 minutes, @ahossan second 30 minutes.
n1 sin(θ1) = n2 sin(θ2)

Breakwave with Aho Ssan ~ it refracts

https://linktr.ee/filippos.sakagian

Filippos Sakagian is a Paris-based Greco-Armenian composer and transmedia artist whose work delve into the concept of intensity through sound, light, and the body, offering a glimpse into archaic Greek and Zoroastrian trance-like states. With his unique blend of organic textures, microtonal lines, extreme rhythmic elements, as well as precise use of space and light design, Sakagian draws listeners into a state of transcendent awe, evoking a wide range of emotions and pushing the boundaries of sensory experience. Sakagian's output encompasses both live electronic performances and a significant body of instrumental and mixed works for ensembles that explore the connections between primitive and contemporary soundscapes.

He holds a master in composition and new technologies from the Paris Conservatory (Cnsmdp), and was part of the Cursus Ircam 21-22. He is a member of the Greek Association of Electroacoustic Composers (HELMCA) and has performed at renowned international festivals, including ATEMPORANEA (AR, 2020), IRCAM (FR, 2022), FTMA (FR, 2022), le Musée de l'Orangerie (FR, 2019), MEGARON Athens Concert Hall (GR, 2021), le GREEK NATIONAL OPERA (GR, 2021), TIEMF (IR, 2022), Suono Giallo (IT, 2017), ME_MMIX (ES, 2018), MUSICACOUSTICA-HANGZHOU (CN, 2023), MUSLAB (MX, 2017), RE-ND-ER-ED (SC, 2021), MIXTUR (SP, 2020) et INTONAL (SE, 2021).

He has received support from various organizations, including the Meyer Foundation, the Legs Jabès scholarship, the SACEM, and the Tarrazi Fund. He has also won several composition prizes, including the SACEM composition prize (2017), the Mixage-Fou electronic composition prize (2018), and the Hertzbreakerz electroacoustic composition prize (2020).

negative_soil (2020) - for 9 musicians and electronics

necrotrance

Recent comments

Samuel Taylor

Related tracks