I'm blowing...BLOWING!!!

'Connectivity', from the album 'REDES' will be out on September 16 on CD as on all streaming platforms through ad21. 
Click here to listen to the album: https://ampl.ink/RedesAlbum 

‘REDES’ – it means ‘Networks’ in Spanish – may be a departure from Sanfilippo’s usual, piano-led compositions, but it’s no less captivating or thoughtful. Deeply emotional and tender, it’s one of his most profound works to date – nine tracks full of gentle synth washes, soft intricate details, and warm electronic textures.

"I often", Bruno explains, "tackle universal themes in my music, expressing emotions that aren’t easily defined. We have never been as connected to each other as we are at this point in history. Ephemeral but extensive, our bonds have multiplied thanks to social media and new and fascinating technologies; ‘connectivity’, ‘signal’, ‘followers’, ‘crypto’… We are increasingly defined by those connections and bonds, both real and digital, and ‘REDES’ is my deconstruction of that idea"

The music was written and recorded during winter 2021/22 at Onix II Studio, in his mountain house on the outskirts of Barcelona, Spain.
Analog Mastered by Ian Hawgood (U.K)
Cover by Neema Gary (Russia)
Layout & design CD by Javier Guglielmi (Spain)
www.bruno-sanfilippo.com
linktr.ee/BrunoSanfilippo

REDES

Connectivity

Apple Music/Spotify

Hildegard von Bingen: O Tu Illustrata

Support and follow @Aaron-Martin on Bandcamp here: https://aaronmartin.bandcamp.com/album/the-end-of-medicine-original-score

Watch the film: https://www.theendofmedicine.com/

Lost Tribe Sound catalog: https://losttribesound.bandcamp.com

After working on the short film score for Alex Lockwood's "Test Subjects" in 2019, the BAFTA award-winning director again approached Aaron Martin about working on the original music for his first feature-length documentary film "The End of Medicine" with Rooney Mara and Joaquin Phoenix acting as executive producers. The documentary explores zoonotic diseases and antimicrobial resistance, which threaten the health and lives of the entire human population.

The End of Medicine (Original Score)

A Signal and an Oath

Aaron Martin - A Signal and an Oath (from The End of Medicine)

Live Video: https://youtu.be/pryyTl1p5so?si=fNWIkGp1-rkff4-k
Title "Hushed Bless" Generated by Polyend Play+

Hushed Bless (Generative Ambient Jam)

This is a track from "Ambermixes", a remix album of Endless Melancholy - "Amber" composition.
Link here:
https://endlessmelancholy.bandcamp.com/album/ambermixes

To These Amber Skies

track that plays at the end of act 3, during the plot twist/revelation/flashback scene, where the main character finds out his gf was into weird butt stuff all along. He could finally, and peacefully, eat ass.

alternate title of track: "We're Sorry, We're Out of Panda Express Fortune Cookies."

L'appel Du Vide

Now on spotify: https://open.spotify.com/track/2YGsleSWiIA80LPfTz6gwd

New chillstep track! Collaboration with Hazy. He is an amazing upcoming artist, mostly focussing on the ambient side of music, check him out if you don't know him already :)

Follow Hazy:
https://soundcloud.com/hazy_music
www.youtube.com/channel/UCaoTsijoAZvN-yYEsEvgQjQ

Follow me:
@reclaimed_music
www.facebook.com/music.Reclaimed/
twitter.com/Reclaimed_Music
www.instagram.com/reclaimed_music/
open.spotify.com/artist/3bLu6D3xtLoIawtANAfBgo

Free Download

Hazy & Reclaimed - Energy

From Vessels of Time, out March 19th


2/10

CD/Digital!

Errance for a Flame

Buy album: https://ftmots.bandcamp.com/album/hymn-binding

LTS mix: https://reviews.headphonecommute.com/2017/08/22/lost-tribe-sound-the-wounded-healer/

Music and Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Taylor Deupree at 12k Mastering
Artwork by Gregory Euclide
Layout and Design by Ryan Keane

A Breath to Retrieve Your Body

Listen / Purchase: https://lnk.to/mscars

Meander scars are geological features formed by the remnants of winding or meandering water channels. They are caused by the varying velocities of current within the river channel.

Lost Tribe Sound's second installment in its 8 album subscription series, 'We Stayed The Path That Fell To Shadow' comes courtesy of friend, musician and talented music writer, Gavin Miller. While his name may not be instantly recognizable to some, Gavin has been creating music for nearly a decade as one half of the sublime electronic ambient duo, Worriedaboutsatan, and has quite a few solo releases under his belt. In addition, Gavin has been a invaluable force in bringing many overlooked musical acts to the forefront through his brilliant writings for the UK publication, Drowned in Sound. 

'Meander Scars', Gavin's new double album is very much a departure from his previous output. While the use of acoustics has always resided in the backdrop on many of his solo and group efforts, it's plain to hear that with 'Meander Scars' these natural elements have risen to the top. Lost Tribe Sound is the ideal home for a Gavin Miller this delicate and organic. 

The aerial visuals formed by meander scarring and the origins of their creation, fit both the artwork and the vibe of music incredibly well. The long-form compositions were constructed from a series of slow churning rhythmic guitar loops, warm noise, soft synths and distant choirs which build over time into colliding patterns of pastoral bliss. Patient and mindful listening is key for these innocuous sounds to begin to carve their saturated pathways through the mind. Much like a river meandering over thousands of years, slowly dragging away the sediment and scaring the surrounding land, these pieces begin to take form, eroding away the malleable earth, letting gravity take hold to travel the course of least resistance.  

Being the ever curious and meddling types here at LTS, we engaged multi-instrumentalist and label mate Aaron Martin (From the Mouth of the Sun) to utilize his gorgeous cello sounds and other odd bits in his musical arsenal to fill out moments in the songs. Graciously, Aaron joined in, adding trembling washes of strings, chimes and other indiscernible noise to Gavin's compositions. Gavin than revisited his original material, carefully layering and balancing in the new instrumentation from Aaron. 

Excited by the results, Gavin shared them with us, and it was undeniable that Aaron's arrangements had created deep new conduits for the ears to follow. Yet, it wasn't until this moment that we fully appreciated the beauty of the original works. Torn by which versions to present as the final album, we realized why not present them both.  

Each version had a seemingly different affect on our conscious. The 'Upper Course' with Aaron Martin's additions, flows very much like a young river, faster, more active and commands the listener to be more attentive. Whereas, the original source material of 'Lower Course' mimics the behavior of an older river, slow flowing, in moments coming to a crawl. It's no longer the force able to move large boulders from its path. Yet in its stripped down form, it allows the listener to more easily traverse its tame currents, becoming the perfect cyclical backdrop needed for writing, drawing, and a multitude of other tasks requiring increased mental faculties.

Meander Scars

Upper Course I

Buy Album

Gavin Miller - Upper Course I (feat. Aaron Martin)(from Meander Scars)

Petrichor by Brambles. Taken from the compilation album, Orbital Planes & Passenger Trains, released August 19th, 2016.

https://www.serein.co.uk/releases/orbital-planes-passenger-trains-vol-1

Source

Brambles - Petrichor

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Sallaw

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Xakelêwe

I am so pleased to share with you another new rework as SLOW MEADOW  joins the family with a beautiful and haunting rendition of the East Forest x Ram Dass track, "You're A Guru".

Slow Meadow is Houston multi-instrumentalist Matt Kidd. His releases as Slow Meadow have been celebrated by the New York Observer, NPR, Echoes' John Diliberto, and 6LACK who sampled Lachrymosia for the platinum-selling song Luving U.  With You're A Guru (Slow Meadow Rework), he takes the multi layered Ram Dass teaching into a new liminal space of floating strings and muted piano.  It's stunning.

http://eastforest.org
http://ramdass.org
http://slowmeadow.com

Ram Dass Reworks

Download

You're A Guru (Slow Meadow Rework)

Dragon’s Eye Recordings is pleased to present 'We Become Giants' by Ida Toninato. On her first outing for the label, Toninato conjures a vast ambient space through her physical collaboration with architecture, her instruments, and her listening ear.

Notes from Ida:
'We Become Giants' was composed and recorded at the Tank Center for Sonic Arts in Colorado. This immense former water treatment facility is a uniquely resonant space, with a massive 40-second long reverberation. The music was composed in and with this sublime arena, the harmonics and beating patterns created by its own echo and reverb. After recording raw material in-situ, I returned to the studio to create a parallel synthetic space responding to the original one, using synthesizers, beats, and effects. The whole album was developed with the analogy of a hallucination in which real and imaginary space are intertwined into a sonic, visceral trip. 

'We Become Giants' is dedicated to my brother, Manoah Toninato, whose courage and determination are amongst the brightest lights in my life.

We Become Giants

Ida Toninato - We Become Giants

This is the first single of Aukai's new album Game Trails which drops Aug 28th 2020. 
artwork by Gregory Euclide.

Akal Ki

Dag Rosenqvist & Aaron Martin: Woven Tide, Into the Well, Hymn Binding and Menashe film score. New EP Sleep Stations out on Lost Tribe Sound May 2018.

contact: ftmots@gmail.com

A Breath to Retrieve Your Body

From the Mouth of the Sun

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