web:treehouse.catchtheleaves.org
Sounds like:pulse,polymorph,evolver,xbase,adx1,flute,alto flute,musical saw, jew's harp, guitars,badly played viola,delays,distortion
Label:Catch the falling leaves


Yuri Landman, musician & builder of experimental musical instruments. YL plays currently solo, in Bismuth, the Yuri Landman Ensemble.

An independent record label based in Austin, TX.

interdisciplinary artist + musician from portland, cascadia // mapmap.ch

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

CRÄK AUDIO
SWÄG RECORDS 
netlabel output 
http://crakaudio.bandcamp.com
http://swaegrecords.bandcamp.com
swaegrecords at gmail
http://swaeg.net


All our tunes are available for free download.  We simply wanna share our sound. Breaks and basslines that make you wanna dance!
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Unstable Label was founded by DJ Era back in 1999 with a mission to tear up the emerging Nu-Skool Breaks scene.The first release, Higher State of Nu-Skool, cemented the labels ethos of tough dance floor driven music.

Throughout the years it has had releases from many top artists as well as debut some of the freshest unsigned talent.

biography

Born in 1966, Ronald van der Meijs lives and works in Amsterdam. He studied architectural design and graduated cum laude in 1993 at the Academy of Arts St. Joost in Breda, Netherlands. From 1993 he had his own practice and focused primarily on architectural design and concepts. He received architectural stipends and was teacher spatial design at the Academie of Arts St. Joost for 3 years. Since 2001 his work shifted to autonomous work in which architecture, art and sound have come together. He has exhibitions in museums, galleries, and biennials world wide. Such as NAI - Rotterdam, Central Museum Utrecht, Dordrechts Museum, Gorinchem Museum in the Netherlands, Martinez gallery - New York, SIM House - Reykjavik, Verbeke Art Foundation - Belgium, Fabbrica Europa 2012 - Florence and Centro de Arte Complutense - Madrid, FILE - Sao Paulo, National Art Museum China - Beijing. He received art commissions of the Dutch Government and received several grands of the Mondriaan Fund.


statement

He constructs site-specific installations and sculptures that questions how people relate to their environment by technology, both high tech and with more earthy, rural construction methods. 
“It’s fascinating to see how we try to control our lives and even nature itself by using and relying completely on technology" 
Natural processes are part and subject of many of his works. He is interested in how nature and humans organizes itself: the consistency of growth and decay, processes of evolutionary adaptation to a changing environment. In particular, his interests include how people derive from technology development in response to the nature and the elements. Making art and culturing falls in it together. His work is a dialogue between nature and technology or nature versus culture. To show and investigate this matter in his work, he combines technology with natural and rural elements. “Nature has it’s own order, time and rhythm”
Each work is a metaphorical and conceptual treatment of sound, space, and material.
It is to lend a narrative quality to the hi-tech detail design, the architectural, machine-like character of the work, causing them to transcend their merely technological nature and raise the question to what extent our actions are conditioned.

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