AFTERLIFE OUT NOW 

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Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

With the release of his genre-hopping debut album, Slum Beach Denny, it’s time to add DENM to the storied list of Southern California’s musical ambassadors.  And like his most recent predecessors- Slightly Stoopid and Sublime- the twenty-something musician, songwriter, and producer drops plenty of hazy daze optimism into his melting pot of youth culture and life experience, emerging with a 21st century soundtrack from SoCal’s sun-kissed sand, surf, and streets.  “It might look overnight to some people,” says DENM, “but I’ve been working.”
Working, first as a producer, most recently as a songwriter and musician, DENM has been a highly sought-after creative force in the indie music scene for over a decade.  He’s evolved, thankfully and successfully, from years as an admittedly troubled teen bouncing from beach town to beach town.  And, as much as itinerant residencies in San Diego, Santa Barbara, and Isla Vista marked his personal narrative, they also fostered deeply authentic and eclectic sources of inspiration for the budding artist.  
DENM taught himself guitar at 14, studying Jimmy Page on Led Zeppelin II, replicating every lick on his Alvarez acoustic- “the sickest present ever” from his mother.  He devoured YouTube videos on production techniques and, in 2017, found kindred spirits in the Rock Mafia duo of producers, Tim James and Antonina Armato.  He constantly grinded out new material, trusted constructive feedback from Rock Mafia, and chose positive vibes as motivation.  “Instead of trying to prove people wrong, I want to make sure that the people that believed in me are right.”
Utilizing his “ghetto set-up,” recording wherever the muse took him, DENM began crafting his own repertoire.  He built a personal studio- in a shipping container, no less- in Costa Mesa, Calif., where he assembled his raw tracks.  Then, in Los Angeles with Rock Mafia, he polished his prospective cuts into gems.  
DENM’s songs were notably genuine and reflective, not just autobiographically, but of the multicultural influences that surrounded him; revealing, if not celebrating, the seedier side of SoCal.  They also attracted a host of admiring peers; Dirty Heads’ Jared Watson, for one, guested on the album’s lead single, the reggae/punk cruiser “Califas.”
A devotedly independent artist, DENM signed with Ineffable Records in 2020; a strategic partnership that enables Slum Beach Denny to reach his ever-widening audience.  For DENM, this first record is an immense source of pride; his coming-of-age moment.  “Everything was fully realized: the vision; the mission.  I wanted to make a soundtrack of life that everyone can experience: falling in love; good times; hard times; a little bit of everything.”
And it’s just the beginning.
“Expect more out of me.  I’m going to write about my life.  I’m going to write about make-believe.  Whatever.  We’re just getting started.  Slum Beach Denny is album one,” says DENM.  “I’m living every day.  There’s inspiration everywhere.  I’m expecting to do this for the rest of my life.”

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HEY! If you're here from TikTok, the mashups are now available for free download xx

https://pumpyoursound.com/f/emalia-jane/mashup-pack-vol-2/118354

- Open Format DJ - 
- Clubs & Corporate Events - 
 
For bookings contact:
djemaliajane@gmail.com

Exuberant and playful onstage, vibrant yet humble offstage, Emalia Jane is an artist who always delivers a flawless performance. Known for her versatility, Emalia’s dynamic sets combined with her energetic stage presence captivate and engage every audience.

Having worked consistently hard over several years perfecting her craft, Emalia prides herself on her ability to comfortably and confidently entertain every crowd, on any DJ setup. Her extensive technical knowledge and skill has landed her headline shows across the country, as well as support sets for internationally renowned artists including Mashd N Kutcher, Timmy Trumpet, Duke Dumont, Tigerlily and Diplo.

Emalia is an artist who remains true to herself and her passion for music. Always retaining professionalism in person and on social media, Emalia has gained the support and respect of her peers and followers purely through her talent as a DJ. Her expertise has lead to her to DJ corporate events for Aperol, MECCA, Sydney Swans, UTS and Carnival Cruises to name a few.

Emalia is in high demand across Sydney, playing weekly shows at some of Sydney’s most acclaimed venues including The Argyle, The Star, Seadeck, The Island, Cruise Bar, Cargo Bar and more. 

Now becoming more involved with music production, Emalia plans to take her artistry to the next level in 2021. With an ever-growing list of high profile gigs and the technical skills to back them up, Emalia Jane’s future is set for big things.

Dj and Producer from Wollongong. 
Playing all things underground. Specialising in Techno, Minimal and Psytrance.

Australia's pioneering outdoor music, arts, culture, lifestyle experience celebrating 25 years in 2018

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 MANJUSHRI  is a one man project ,producing psytrance - progressive - and ambient , 
the style in the productions are free but keeping the psytrance roots , its emotional and atmospheric 
and dreamy.  
previous names , B-recluse , mahkah

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