I love how much time and care you're taking to setup the atmosphere here. These sounds are really telling a story.

I'm guessing that's the singing bowl ... it's spookiness is just perfect for this track

Wow the sudden sound of that mongolian throat singing all of a sudden was intense

You've done a great job with the panning and levels on the frog/cricket sounds (whatever those nature/animal sounds are). The pulsating shifts both left and right and also up and down in volume are done perfectly.

Man is that the Jouhikko? That sounds awesome

I really love the blending of styles here. It's got a bit of that norther european folk vibe in certain respects ... but for the most part the instrumentation feels very central asian. Awesome stuff.

Eliwagar - Alver Og Disir

Sword, Spear and Axe

H3y.mp3 (slowed)

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

NIGHTBURN (SUPER SLOWED)

Recorded by Nathanaël Gustin, The Sound Hunter.

Høstmånen (live at karlsøyfestivalen)

2. Blòt Heathen - Hunters

Join me here:
https://linktr.ee/Fuimadane


Artwork by Kessi Riliniki.
See her amazing and wonderful art at:
https://linktr.ee/kessireusly

Vegleitir

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"Live in Tórshavn" is a selection of 16 Eivør instant classics from her albums "Room", "Bridges" and "Slør". The songs were selected off the recordings of three consecutive shows in the Old Theatre of Tórshavn in the Faroe Islands, in 2017.

Salt (Live in Tórshavn)

Heidimdomr

Fuimadane is a Neo Folk, Dark Ambient, Oriental Music & Folktronica inspired project from the Danish guy Jon Krasheninnikoff Skarin. With our music, we seek to mash together norse pagan and medieval musical elements with other world music. In no way do we claim either historical accuracy nor authenticity. Our music is simply meant to create a world as we would love for it to be - embracing of all and all-encompassing.

Music has always had a tremendous impact on me. I have, as far back as i can remember, always loved music. There were always some special tapes or records my mom or dad would let me listen to just before bedtime. I've always felt most comfortable when i was surrounded by sound. My mother had a piano in the living room that i composed music on. I was not very old but i can still remember some of the themes i made back then. Back then i was not aware of what music would actually mean to me, but i do remember how much i enjoyed it. I've never learned to read music,- everything i've learned is "learned by ear". When i was about 13 years old i was involved in an accident which resulted in that i got deaf in my right ear. It ruined my career as a hockey player (i was on Denmark’s national youth team). At the same time i stopped being involved in music. I simply could not tolerate the loud sounds. But after a few years i slowly developed the desire and joy again. And here i am.

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Fuimadane

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