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Broadcasting from the heart of Amsterdam since 2012, DHA has evolved from the deeper side of the musical spectrum into a platform for all things electronic. We convert new audiences and reinforce old ones through carefully curated music and editorial selections, remaining one of the most engaging and informative platforms today. DHA is internationally known, but locally felt, offering content meant to inform, discover, and highlight.

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Non-Print label head and producer Głós wants to create something outside of the conforming realm of Techno. He has already reinvented his early work through his first album, and his lucid yet straight-to-the-point productions continue to reveal a rarefied character. 

Głós (pronounced ‘Gwos’) has made a point out of not following the sometimes linear Techno patterns with his artistry. He comes from a band-focused Rock-environment and runs his own label, arranged to be a wildly experimental project. In his earlier years, Głós was in several ways a close contributor to the Ressort Imprint label—founded by fellow producer Ekserd—since its start in 2013, already then having left his native Poland to become a Berlin citizen. 

Głós’s successive platform, his very own label Non-Print, released his debut album ‘Fem’ in September 2018—marking the exact five year anniversary date of his first EP, ‘There Is No One Like You’ (Ressort Imprint, 2013). The producer describes it as ‘a collection of re-works as well as new material without any creative limitations’. ‘Fem’ is presented as one continuous mix—with each of the tracks being available in their own individual entity. 

As a producer and performer, Głós’s background, which is a very hands-on analogue way of working—recording for example distorted keyboards and guitars—continues to influence his music. The industrial rawness of these elements are still present in his Techno, only now existing mantled by a softer Drone- and Ambient-type of layer. Głós portrays filmic scenes in his music. You are surely guided by the kick-drum, but the productions are spatial—distant rave signals and voices echo in a fantasy-like landscape. 

His live performances are often a hybrid of his own work and others. The Techno is pure Głós, but in various parts he manipulates selected Ambient pieces, making them his own for his distinctive shows. Again a situation where Głós’s live band-background plays a big part. 

‘Trinity’ is the Berliner's self-proclaimed opus magnum with a playtime of about 5.5 hours that was released on Głós’s own Non-Print. Fresh off the press since then are his latest EPs ‘Swimming In Colours’ and ‘Serenity’ on Affin, showcasing a different approach of Głós opposed to his more up-beat productions made for the dance floor.

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For releases after 2018, check our website or Bandcamp.

In the trend-driven universe of electronic dance music, Gregor Tresher is the rare artist who transcends such cycles. His secret? A relentless focus on melody and timbre, timeless musical elements that other producers often undervalue. Just as a painting or a photograph appears to move if one stares at it long enough, close listening to the stratified grooves and melodies in Tresher's music reveals an organic universe of shifting sound.

Turbo Recordings artist based in the Pacific Northwest.

Speaker Sounds / Break The Mold - Out now on @Turborecordings

 https://turborec.lnk.to/SpeakerSounds

@Tiga - Woke (Vakkuum Remix) - Out now on vinyl

https://tiga.lnk.to/WokeRemixes12

Notorious PTR is following