The Chant

Do you Feel Like I do?

Do you Feel Like I do? (feat. Elliot Adamson)

The journey of past years trying to figure out what it actually is to be in the place in which I am.

The album is a story of the peaks and valleys of the past two years, and the common theme that we have to let go of something along the way, even if I think it is *almost* perfect.

In a way too - it's about being able to move on. Finding that closure which isn't an end, but just part of where I go when I stop thinking so hard.

Hope you enjoy it, or at least get some motivation out of it.

Na Na Na (album version)

Come Get Me (Reex )

Neat Mess - Come Get Me (Reex )

Painting / Photo: Katharina Sophia Ludewig https://www.borderlinecuts.com/

Berlin Kreuzberg House XXIV - Yeah Echo Mix

Who Dares To Believe In Me

Who Dares To Believe In Me?

Bourgie Bourgie

Anniversary EP

Deep Inside

'Guy', out now on Ninja Tune: https://jayda-g.lnk.to/guySo

Taken from the EP 'Both Of Us / Are U Down', released 3 July on Ninja Tune: https://jayda-g.lnk.to/bothSo

Follow Jayda G -
Spotify: https://found.ee/jg-sp
Apple Music: https://found.ee/jg-am
Instagram: https://found.ee/jg-ig
Facebook: https://found.ee/jg-fb
Youtube: https://found.ee/jg-yt
Bandcamp: https://found.ee/jg-bc
Soundcloud: https://found.ee/jg-sc

Both Of Us

When Mike Dunn released his Classic Music Company debut ‘My House From All Angles’ last year, the album was met with critical acclaim, The Guardian writing: “God may have made him funky, but Mike Dunn has kept it going ever since.” Now, two stand out cuts from the LP are given the remix treatment, enlisting some of the label’s closest cohorts to re-work these two irresistible hip-house jams. Up first, Peppermint Jam boss Mousse T. opens the release, weaving in his signature bouncy melodies and funk-flavoured grooves into ‘If I Can’t Get Down’. Up next, Classic label-mate and house expert Oliver Dollar brings in a raw, edgier sound on his Boomty Mix of ‘DJ Beat That Shhh’, with an aptly bumping bassline. Classic label boss Luke Solomon provides his Clubland Remix of ‘If I Can’t Get Down’ next, enlisting funky guitar riffs and energetic percussion. Finally, Livin’ Proof and Barbershop Records founder Snips takes a stripped back approach to the same record, highlighting Mike’s unmistakable Windy City drawl with jazzier elements to give the mix a vintage feel. Uniting the worlds of rap and house, this remix package is a joyous celebration of what he does best, with this remix package securing its position as a house essential.

Pre-Order

Mike Dunn - If I Can't Get Down (Mousse T.'s Funky Shizzle Mix)

Seventies

DJ booking: 
Mona Rennalls: mona@mona-rennalls.com
Management: mgmt@fullintention.com


DEFECTED//DTFD//SIMMA BLACK//SUARA//REBIRTH

Full Intention are enjoying their success with a string of strong releases and DJ sets. The guys have gained full Club & Radio support from the coolest DJ’s inc Pete Tong, Annie Mac, Mista Jam, Danny Howard, Claptone, Solomun, Sonny Fodera, Nic Fanciulli, Sam Divine, Franky Rizardo, Low Steppa, Eats Everything, Ricky Ahmed, Simon Dunmore, Dario D’attis & Purple Disco Machine.

Michael Gray and Jon Pearn need no introductions. Spreading their dominating sound for the last 20 years they have been a pioneering force on the global dance music scene. The pair have secured a seemingly non-stop string of successful releases and remixes, escalating the twosome to true global status.

They’ve produced numerous huge club and charts hits, nearly all of them becoming all-time classics. Their discography includes such great tunes like “I Love America”, “I’ll Be Waiting, “Spanish Hustle”, “Everybody Loves The Sunshine” 
and Sex-o-sonique “I Thought It Was You”, to name but a few.

Working with some of the biggest names in the industry like Todd Terry, Eric Morillo, Frankie Knuckles, Jamiroquai, Duke, Barbara Tucker, Dajae, Ultra Nate, Aly-us & Inner City and not forgeting their Grammy nomination for the remix of George Michael’s “Amazing” it’s no wonder their innovating sound has had such a huge impact on the whole scene and influenced many other big producers