The official Bandcamp label connected with "Synthwave Music Channel"

Áudios criados para o clube @FullsizeMania, maior autoridade em picapes full-size na web.

For you!! 
POP Music - DANCE Music - SYNTH Music - Covers.....MUSIC
For your Ears.....
Ready?

April 10 2021 We are ready to launch: 
"Aerodnmx" full album has just been released. Godspeed!

April 7 2021 “Aerodnmx” just got bigger! It is now a complete 9 track album, including previously released “01” volume, plus 4 new tracks and a brand new cover. The release is scheduled for April 10th, so stay tuned and stay safe!

ACIDULÉ is a French electronic music producer.

His influences are wide: from italo disco and Chicago house to today's house music and nu-disco, including the iconic French Touch sound from early 90's and mid-2000's (Alan Braxe, Daft Punk, Cassius, Lifelike, Stardust, Le Knight Club, etc). 

When he is composing, ACIDULÉ always tries to make something different and work tirelessly to ensure that his sound has an unique vibe.

In 2018, ACIDULÉ did an official remix of CASSIUS' track "W18" which has been released on Ed Banger Records.

Master System is now System Glow!
.
.
Master System is now on Spotify: https://open.spotify.com/artist/6oTgDsywevqpAxLhFUwBqR?si=aTg2uRIvRXaHOWMFrP1Iyw

Bandcamp - https://systemglow.bandcamp.com/releases
Facebook - https://www.facebook.com/systemglow/
twitter - https://twitter.com/michaelschadow

systemglow@outlook.com

https://girlfriendrecords.bandcamp.com/follow_me

submissions to: girlfriendrecordslovesyou@gmail.com

Girlfriend Records was created by producer Eric Sferro and is owned by producer John Sagouspe (Johnatron) as an attempt to pay homage to the faded images and analog sounds of his childhood that continue to inspire his creations today. Deeply rooted in the mystique of the 1980's, Girlfriend Records catalog sees electro, funk, disco, and house knocking knees with college rock, shoegaze, post-punk, new wave, and hip-hop to create musical hybrids that are comfortingly nostalgic, yet unmistakably modern. Johnatron and Sferro cull releases from an array of respected producers, each of whom brings a different perspective and approach to create a unified body of work that constantly morphs and evolves. These tracks provoke the urge to dance at times, but also allow the mind to wander to unseen coastlines, tropical sunsets, neon cities, lost highways, and impenetrable forests.

All Lost Years releases can be bought from:
https://lyears.bandcamp.com/
https://rossocorsarecords.bandcamp.com/music

Contact, inquiries and love letters:
blandbarnmusic@gmail.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Fullsize Mania is following