Very cool sounds - super modern and synthetic but sound like they are made with something real.... but in the future, haha!

I love songs that are driven by intense rhythm... I love this stuff!

Simple song concept, but LOTS of crazy sounds and SO much space/depth in the mix. Love it!!!

Not my style but the sounds are interesting and production is clean and well balanced.  Enjoying it!

I never listened to trance so I have no idea how this works in that genre.  The energy was terrific and there is a purity of motion to this that really worked.  Nice piece!

Progressive trance - this has good sounds and driving rhythm, and builds quite nicely :)

Song made using only sounds from Kairatune for the KVR One Synth Contest #145 March 2021

The Return of Captain Trillian (OSC 145)

Song made using only sounds from Kairatune for the KVR One Synth Challenge #145

Kairatune by Futucraft x 11

Daw: Cubase Elements 11

Stock Cubase Effects:
Reverb, PingPong Delay, Compressor, Brickwall Limiter, Maximizer

3rd Party Plugins:
Youlean Loudness Meter 2 Free, Voxengo SPAN, Voxengo MSED, TDR Nova free, Auburn Sounds Couture Free, LoudMax

Bottles and Marbles

MiJoFranDa - Bottles And Marbles - OSC145

I have made this track using five instances of Full Bucket Music's (of Bjorn)MonoFury VST as my submission for this month's One Synth Challenge organized at KVR Audio Forum.

All the sounds that you hear in this track are made using factory presets of the VST (with some assistance from few third party FX). Deatils of the FX used are given in KVRAudio forum's OSC official thread.

Calvaire

@illusionize presents the sound of desande

Full feature: https://bit.ly/3vPGwSn

Desande feature

Scene: Illusionize Presents The Real Desande

SW 047 - SimaGT - Starship Of Glory

Cloud Appreciation is taken from my most recent album "Erosion". Tape loop of a synth then fed into a granular processor

https://brokenchip.bandcamp.com/album/erosion

Cloud Appreciation

One Synth Challenge featuring Harmor.  Incredibly only 11 instances, but what do you expect from a modern synth.  Each patch in Harmor gets two oscillators where you get a full range of envelopes and mappings plus its own set of double filters.  Yes, I saw a shooting star during the production.  Awesome.

Harmor's mapping and flow feel very atypical and offputting, but once in it, you feel like it sort of makes sense.  There is room for refinement to reduce the confusion and I would love a generalized velocity -> LFO/MSEG depth which it surprisingly doesn't have.  As usual I would probably have preferred a mapping matrix.  Still, I think it's an incredibly powerful synth and I really want to get into using it as one of my primaries.

This track was made in a surprisingly short time.  I had a few major life interruptions including a week of being sick, but I'm pretty happy with it as it is.  The goal of it was to pay homage to the mid-late 90s trance tracks I enjoyed greatly and always felt were so deep to me.  Think Binary Finary, Ferry Corsten etc.  Enjoy!

Raga For A Shooting Star (KVR OSC 121)

for SWC037. 

The chimes were sampled from a church service broadcast, and the birds were picked out of a larger sample using the ReaCoMa scripts. Everything else beyond kick and snare was performed or recorded by me in some way or another.

good morning dust

Made for KVR One Synth Challenge #142. Synthesizer: Vital by Matt Tytel. DAW: Reaper

Morphed Dreams - Shift Of Consciousness

UNISIL

Producer, musician, guitarist.  Welcome to my portfolio of for fun comp entries and other odds and ends.  Eventually on YT/Insta/Spotify etc when I finally choose a sound  or make something I want to release. 
Banner credit: Johnny Mnemonic(1995) screenshot

Raga For A Shooting Star (KVR OSC 121)

functionform

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e-Gloomy-nations

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