One Synth Challenge featuring Harmor.  Incredibly only 11 instances, but what do you expect from a modern synth.  Each patch in Harmor gets two oscillators where you get a full range of envelopes and mappings plus its own set of double filters.  Yes, I saw a shooting star during the production.  Awesome.

Harmor's mapping and flow feel very atypical and offputting, but once in it, you feel like it sort of makes sense.  There is room for refinement to reduce the confusion and I would love a generalized velocity -> LFO/MSEG depth which it surprisingly doesn't have.  As usual I would probably have preferred a mapping matrix.  Still, I think it's an incredibly powerful synth and I really want to get into using it as one of my primaries.

This track was made in a surprisingly short time.  I had a few major life interruptions including a week of being sick, but I'm pretty happy with it as it is.  The goal of it was to pay homage to the mid-late 90s trance tracks I enjoyed greatly and always felt were so deep to me.  Think Binary Finary, Ferry Corsten etc.  Enjoy!

Raga For A Shooting Star (KVR OSC 121)

Producer, musician, guitarist.  Welcome to my portfolio of for fun comp entries and other odds and ends.  Eventually on YT/Insta/Spotify etc when I finally choose a sound  or make something I want to release. 
Banner credit: Johnny Mnemonic(1995) screenshot

Raga For A Shooting Star (KVR OSC 121)

functionform