Serge Gamesbourg  / A Little Bit Of Your Love (very low bit rate)

Kon - Make No Mistake

Re upload of an old favourite, Summer Vibes, Enjoy!

We'll Make It (Free 320 mp3 Download)

Glen Goldsmith - London Skies ( Dj Amine Edit) .Part02
https://koolfunk.bandcamp.com/track/london-skies-part02

Glen Goldsmith - London Skies ( Dj Amine Edit)

B-Jam - Stop Out

T-Connection  - Time is Short (Funk Hunk re-edit)

I'm Just To Shy (Funkdamento Remix)

Freeez - One To One (Funkdamento Remix)

The Sexadelic Disco-Funk Sound Of Italo Boogie Disco-Funk 
To collectors, enthusiasts and dancers, asking when disco ends and boogie begins will yield a fascinating and vast array of responses. Upon their shelves of twelves and sevens of original pressings and increasing reissues and edits, the change might not even seem marked, as the full scale force of disco gave way to a more intimate, sensual, but no less physical sound. Finding underground support in the 1980s nightclubs of London among mixed black and white audiences, crate digging DJs soon caught wind of the genre’s future-facing evolution in the US.
Bubbling prior to the mixtape culture of the foundations of contemporary hip hop, or the stark futurism of Detroit techno and electro, both of which owe a debt of inspiration to boogie, the genre could loosely be described as a bridge between acoustic and electronic instruments. The arrangements are often loose and live, but usually doused in a gooey neon sheen. And while some of the synth work may sound primitive by contemporary standards, it has maintained an enthusiastic following swept up in its occasional weirdness as production methods grew more clinical and precise. Boogie is flamboyant party music, even when it can evoke the longing of heartbreak as easily as the promise of good times.

ESSENTIAL - O u t T o C a t c h (Bubbling Minds Voxtrumental Mix)

The Live Band - A chance for hope (Belabouche reEdit)

Lew Kirton
Profil:
Smooth soul singer Lew Kirton was born in Barbados and grew up singing in his church choir; he later performed with island vocal groups as Jiggs Kirton. Also an accomplished drummer, he later moved to the United States and took over the drum chair in Sam & Dave's touring revue in 1969. He joined the Philly-styled soul group the Invitations in 1972 as lead vocalist, and they attracted some attention with singles like "They Say the Girl's Crazy" and "Look on the Good Side." Kirton went solo in the late '70s, signing with the Miami-based TK label family (best known for hits by George and Gwen McCrae) in 1977. Teamed with writer/producer Clarence Reid (whose alter ego was, of course, the bawdy comedian Blowfly), his first releases on the Marlin subsidiary included the future collector's item "Do What You Want, Be What You Are." 1978 saw the single release of his best-known song, "Heaven in the Afternoon"; two years later, he issued his first full-length album, Just Arrived, on another TK subsidiary, Alston. After recording as a guest vocalist with B. Baker's Chocolate Company, Kirton left TK and moved to New York. His second album, Talk to Me, appeared in 1983 on the Believe in a Dream label, and spawned singles in the title track and "Don't Give Up Your Dream (Hang On in There)." One further single, "Don't Wanna Wait," was released on MCA in 1986; despite having completed another album, Kirton has yet to find an outlet for its release. Just Arrived was later reissued by the British label Expansion under the title Heaven in the Afternoon, with bonus tracks from Kirton's earlier singles included.
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lew kirton - here' s my love  come and get it

Funk Connection becomes Max Zander

 Hot since '89

