interesting and intelligent building. nice one

An EP we put together as a thank you for our ten wonderful subscribers! Enjoy the weird and mellow sounds, Mall.Fans!

A Fleeting Romance

Da Beat

Thwumpa The Third

Made with Fugue Machine (iOS) and recorded live in an AUM session (Sat. Sept. 28, 2024).

Copyright (c) 2024 Flock of Nazguls. License: CC BY-NC-SA.

All audio is 100% human-generated by yours truly.

Fugue Machine Experiment I - Intro - 2024–09-28

Premitif

Artwork:
RJ (https://x.com/rj16848519)

Track list:
01 - Poumbrec
20240211 - こやま=koyama
Vivarium - Petteril
Black Siskin - Catching Clouds
INVERTED VERTIGO - Heith
ode - minereed
Spring24 - Marc Eisenschink
Sseq - I like you but I'm lazy ft. excel dj
Wrought Iron - Petteril
dessus - Andrea Belfi & Jules Reidy
MEDITATION_GI 17 - Thomas Sander

111224 Gloom Variations w/Petteril

they look at Arabia with radical eyes
western coloured lenses wanna see demise
they took and they’re takin’ what they don’t wanna buy
wiping all expenses if they colonise

on the terrorist list 
unless we want you to attack this

on the terrorist list 
until you got a useful purpose 

(we can)
use your people or your land or your blood…   for
(or we can)
choose your political future to become 

US puppet states
people subjugated

US puppet states
US puppet states

these are my
laments of Arabia
laments of Arabia

(we can)
use your people or your land or your blood…   for
(or we can)
choose your political future to become 

US puppet states

these are my laments of Arabia
laments of Arabia

they look at Arabia with radical eyes
western coloured lenses wanna see demise

these are my laments of Arabia

laments of arabia

The live album is finally here and we have TONS of bonus studio tracks!! WEeeee! Buy the album now on Bandcamp! https://malldad.bandcamp.com/album/all-2gether-far-apart

Robot Glasses NOSTALGIA REMIX

All of my songs can be divided into two categories, "songs for processing" and "bangers". THIS is a song for processing! I've been struggling for the past few weeks or so and normally when that happens, espescially with this type of stuff - the "consensus reality" stuff - it's very difficult for me to communicate my experiences, and more importantly, my inner landscape. 

I learned after my first bout of psychosis that I could process these emotions and concepts that I don't yet have words for by creating sonic representations. Like "painting my feelings" but with sound, so that's what I did here!  

I'm clinging tightly to my South Eastern practices and Alan Watts for grounding during times like these and I figured if I looped some helpful phrases, it would keep me focused. There's something about putting a beat behind some words that helps them stick better.

I've been managing both increased energy levels (but (mostly) still achieving 8 hours of sleep a night) and emotional lability (but religiously taking my meds) 

There's a certain....existential intensity that's overcoming me-BUT I know EXACTLY what to do for it! The care team is on watch for anything that MAY resemble psychotic symptoms and I have a handy little motto for managing times like these!

Stay Medicated. Stay Moving. Stay Musical~

Liminal Leaf - Feat. Alan Watts

At the conclusion of every crisis, I've developed a pattern of intense reflection, occasionally under the [usually] mild influence of psilocybin, depending on how grounded I am. After this most recent crisis, I, finding myself remarkably grounded, recalibrated with a few caps and was utterly inspired. 

For the past few days, I had been experimenting at the intersection of progressive/melodic/and acid house by slowing them down to 90BPM and fusing these samples with IDM percussion and tablas. THEN, I threw in some industrial noise for good measure. 

For the ARRANGING, I decided to let my shroomie friends guide my clip launching. I'm an experimental producer, after all! And I have to say, I'm pleasantly surprised by the results! After some minor polishing and mixing to the best of my ability, I think she's ready to be released!!!!!

Thwumpa The Third

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