Funking Duck and AudioBake collab (Fu*k Shit Up Mix): Heavily Medicated Toys' Live Parade

Follow me on Spotify and I will follow back 

https://open.spotify.com/user/saldeano?si=5Ffl-Ik3Rsicg2wEzQ5-tg

Write play and produce, for fun, hope you have time for a listen and enjoy what I’ve put out there 😎
Looking forward to hearing everyone else too

I just love sound ..allsorts across the genre's ...hate getting stuck on one tip for too long ,been thru quite alot of eras &..have always from an early age written or jammed my own pieces of music..+ written poetry + lyric to songs ,i play guitar + produce ambient pieces on analogue units Roland tb 303 ,101,202,606,Juno 60. Was in my own bands years ago from about 1981 post punk era,dance electro stuff ,then ole skool scene when it was newskool,into drum n base era as it was happening...did pirate station stuff ,love dub reggae,great times..just carry on writing songs on acoustic guitar & do regular open mike sessions around my local area + jammin with other muse'os ...into  hho tec ....hydrogen...~  energy ...~ water is our future coal field.bit of an inventor..into unity ..autonomy n peace ..., peace out  ; )...~

Curly Compositions from a German Composer.

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

The world around us is inexorably changing and all this is happening not without the help of the human race, the Earth is our home and now it is not just a big anthill in outer space, but the starting point of the mind, from here and into distant worlds.
kgdkun@gmail.com

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Hei!

It's difficult to categorize my music into just one genre. It draws influence from trip hop, breakbeat, instrumental and abstract hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, and more!

I admire many artists, and you might detect their influence in my work. Among the best are Daft Punk and Massive Attack, followed by 90s Ninja Tune artists like Amon Tobin, DJ Vadim, The Herbaliser, and Kid Koala. I've had the pleasure of seeing many of them live at the legendary Ilosaari Rock festivals. I also appreciate French hip hop, particularly Le Peuple de l'herbe. Other inspirations include The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Moby, Mono, Thievery Corporation, Future Sound of London, and more. My taste spans from acid jazz and funk to lo-fi and even punk or hard metal, depending on my mood.

I've been making music since the early 2000s, starting with MadTracker software (I am fine with the program name). A few years ago, I transitioned to music production with Ableton Live 10, and I'm currently using version 12. Some of my tracks are experimental, stemming from explorations over the past 20 years, while others are entirely new compositions. This experimentation is perhaps influenced by my background in research—I'm eager to explore new territories, including music.

Nature is my second passion. I tend to a micro-farm in the summer, raising sheep and chickens and restoring it to its traditional biohabitat. In the winter, I evade to the city and brood there, craving for the countryside's spring, summer, and autumn... or dreaming being in hot and sunny place by a sea or river...

I'm open to collaborations, akin to scientific endeavors where novel and exciting outcomes emerge from teamwork. Feel free to reach out!

Lastly, I want to express my gratitude to my SoundCloud friends, website visitors, and music listeners. This community is truly remarkable!

Best regards,
Tarmo aka Funking Duck

P.S. If you enjoy my music and wish to support me, you can do so via PayPal at paypal.me/funkingduck. Your support will contribute to expenses such as a pro-account subscription on SoundCloud and music software. Thank you very much!

P.P.S. Go and follow my less experimental project here, please:
https://soundcloud.com/maautu/

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.

English Version-👇🏼​- 

RhythmXp ist kein DJ-Projekt. Es ist ein Zustand.
Ein auditiver Zwischenraum zwischen dem, was war, und dem, was sich nicht greifen lässt.
Meine Mixe sind keine Produktionen – sie sind Spuren.
Von Verlust, von Struktur, von Erinnerung.
Ich arbeite mit Resonanz, nicht mit Funktion.
Wer zuhört, bleibt. Nicht aus Neugier, sondern weil etwas ruft. 

For bookings, submissions or collaborations:
          ✧ rhythmxp.music@gmail.com ✧
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RhythmXp is not a DJ project. It is a condition.
An auditory in-between space –
between what has passed
and what refuses to be grasped.

My mixes are not productions –
they are traces.
Of loss, of structure, of memory.
I work with resonance, not with function.

Those who keep listening
do not stay out of curiosity –
they stay because something calls.


For bookings, submissions or collaborations:
         🌀 rhythmxp.music@gmail.com 🌀

📍 DJ RhythmXp
🔗 linktr.ee/rhythmxp