[ABOUT THIS SONG]
I wrote this song inspired by Britpop movement.

Support Masahiro

Lazy Musician (Japanese)

House On The Corner.mp3

Quick Ride

And Further Down The rabbit Hole Alice went

Rossie Round Hole Squared   A1 Project

Funking Duck: That anxiety when you have to make several different complaints in a short time

Check out the meaning of MN9 at https://soundcloud.com/oesj ;-)
__ Peter Pasch >> Electric Grooves / Mix and Production https://soundcloud.com/docfritz
__ Ralf Wadephul > Keyboards, Synthesizers __ joerxworx >> Sax and Pads
_______ Composed, Arranged & Performed by OESJ | ORCHESTRA OF ELECTRIC SPACEJAZZ
_______ Artwork and Graphic-Design by Peter Pasch
© 2022 OESJ | All Rights Reserved | https://oesj.eu/

MN9 // by OESJ feat. joerxworx

Poverty
The "Schwabengehen", which finds its first mentions already in the 16th and 17th century, experienced its peak in the 19th century. It is estimated that at that time five to six thousand children worked annually on farms abroad as herd boys, maids or as farmhands. The background to this was the extremely low soil yields in the alpine regions and the associated poverty, which drove parents to send one or more of their numerous children abroad.

The Ways
The ways from Tyrol and Vorarlberg or from Switzerland to Upper Swabia were long and arduous. For some of the children, most of whom were between 5 and 14 years old, it led over mountain passes such as the Arlberg, which were usually still covered in snow in March and which many had to overcome with poor shoes and scanty clothing. Usually their companion was an adult, sometimes a priest, who made sure along the way that the children could settle down to sleep in warm stables and who negotiated prices at the markets. The construction of the Arlberg railroad in 1884 made the journey easier for the Tyrolean children.

The "children's markets" in Upper Swabia usually took place around Josephi (March 19). At Simon and Juda (end of October) or at the latest at Martini (November 11) they went back home. In the luggage were then the so-called "Doppelt Häs" (a double set of clothes from the headgear to the footwear) and, depending on the age and the negotiated price, a few guilders.

The Hütekinder arrived at the port of Friedrichshafen by ship from Bregenz. Since 1891, the central market place for the Hütekinder was in Karlstraße in Friedrichshafen. The children who were not placed traveled by train to Ravensburg to be placed there.

The work
In their homeland, Swabian children were exempted from compulsory schooling every year, and in the Kingdom of Württemberg the compulsory schooling that had existed there since 1836 did not apply to foreign children. The politically repeatedly demanded extension of compulsory schooling was prevented until 1921 by an Upper Swabian farmers' lobby.

Schwabenkinder (Swabian Children)

Apple Music

https://music.apple.com/jp/album/seen-through-the-window/1635770653?i=1635770654

Spotify

https://open.spotify.com/track/3MPi31O586hJaq31U4kTsP?si=c6a145ba39894511

Seen Through The Window

Good evening everyone!!   I am happy to present my latest album to bring 2025 to an end.  Warm Bloo takes place in a very very warm setting, as you listen to some nostalgic beats of the past and mix in with the new style.  Warm Bloo is quite a unique, steamy Christmas album♨️💧❄️🎄🎵🎧 , but there's a deeper meaning behind it; the two tracks "Onsen Time Machine"  & "Hope to the Future" serves as a bridge connecting past and future; a time to think about what we've gained or what we've lost throughout our lives, how we're doing now in the present, and what we can do to thrive towards the future.  Think of the timeframe between 1995 to 2025, and what we bring into the new year of 2026⌛✨🙏🏾

Onsen Time Machine

Recorded at N4N Mar Vista Gardens.

Produced by VIPER

Teleportation yeah!! Zip Zap boom! Travel with Sonic to the Past, Present, Good, or Bad Future!
If you'd like to make recreations like these but don't know the instrument origin, you can find them all in one huge google doc right here!
https://docs.google.com/spreadsheets/u/0/d/1JJBlHHDc65fhZmKUGLrDTLCm6rfUU83-kbuD8Y0zU0o/htmlview?pru=AAABmzO_Ejs*Oqeils9Ut04sYEQoobC2Wg

VIPER is 17, member since 2017

Tidal Tempest (Good Future Mix)

Oscillating Truth

Hei!

It's difficult to categorize my music into just one genre. It draws influence from trip hop, breakbeat, instrumental and abstract hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, and more!

I admire many artists, and you might detect their influence in my work. Among the best are Daft Punk and Massive Attack, followed by 90s Ninja Tune artists like Amon Tobin, DJ Vadim, The Herbaliser, and Kid Koala. I've had the pleasure of seeing many of them live at the legendary Ilosaari Rock festivals. I also appreciate French hip hop, particularly Le Peuple de l'herbe. Other inspirations include The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Moby, Mono, Thievery Corporation, Future Sound of London, and more. My taste spans from acid jazz and funk to lo-fi and even punk or hard metal, depending on my mood.

I've been making music since the early 2000s, starting with MadTracker software (I am fine with the program name). A few years ago, I transitioned to music production with Ableton Live 10, and I'm currently using version 12. Some of my tracks are experimental, stemming from explorations over the past 20 years, while others are entirely new compositions. This experimentation is perhaps influenced by my background in research—I'm eager to explore new territories, including music.

Nature is my second passion. I tend to a micro-farm in the summer, raising sheep and chickens and restoring it to its traditional biohabitat. In the winter, I evade to the city and brood there, craving for the countryside's spring, summer, and autumn... or dreaming being in hot and sunny place by a sea or river...

I'm open to collaborations, akin to scientific endeavors where novel and exciting outcomes emerge from teamwork. Feel free to reach out!

Lastly, I want to express my gratitude to my SoundCloud friends, website visitors, and music listeners. This community is truly remarkable!

Best regards,
Tarmo aka Funking Duck

P.S. If you enjoy my music and wish to support me, you can do so via PayPal at paypal.me/funkingduck. Your support will contribute to expenses such as a pro-account subscription on SoundCloud and music software. Thank you very much!

P.P.S. Go and follow my less experimental project here, please:
https://soundcloud.com/maautu/