Hair Of The Dog That Bit Me Loyd 

god i need  a damn drink


HATE CATZ

Hair Of The Dog That Bit Me

Production Note
https://furicomusicteam.blogspot.com/p/north-at-defining-moment.html

North At Defining Moments

a track by Marco Lucchi reworked by Wilfried Hanrath

maggio 2022

Wilfried Hanrath - Il Trionfo, re - imagining The Triumph by Marco Lucchi

Composition: AudioBake (AB) & Funking Duck (FD)
Riffs: AB
All other instruments: FD
Arrangement: FD

The Mother of All Maggots (AudioBake Collab)

Noly and I collaborated on a track some months ago called The Salt Room.  You can find it under tracks on this page and at Noly Williams here on Soundcloud.  Based on how enjoyable that collaboration was, I sent the basic tracks for this song to Noly (after many delays on my part) and once again she has performed her magic, making something transcendent from a humble origin.

Little Gray Suitcase (Noly Williams and Softlands)

Single from album CHROMAZONES out now https://chromadome.bandcamp.com/album/chromazones

Longyearbyen

Orbita 2.

I made this track in 1996 for a performance by a fraction of the Oslo Industriensemble. Live, this track was overlayed by a violin and accordion duo. Sounded a bit different from this original track I would say.
Equipment used: A Garrard turntable, a piano and a blackbird. All mixed together on a Fostex XR-5 4-track portastudio.

Deaths To Die (1996)

Note: This is a re-upload (after 21 plays) you are listening to. Muterial was very kind and helpful in cleaning up some sections of the soundscape and nursing it through some of the mastering paces. With a deep bow, I say thanks.

Method: Allowing muterial's material to mutate into the pre-existing poem: https://soundcloud.com/muterial/off-the-rails?si=4a2ab77b50cb4c83b361f314cef3e061&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing There is a playlist with all the different alterations of his track: https://soundcloud.com/muterial/sets/off-the-rails-collaborations?si=c30eef3c590c478da58913eaaf27c23c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing  muterial based his recording on slowed-down sounds produced by the sea. Drifts, waves, currents, tides in a fjord. Everything, though, is undergoing constant mutation in interrelation. Change creates time and unidirectional time lays down the sediments we call history. This is what we are looking at, what we are listening to, what we are wading through.The momentum of past changes forces on, creating, pushing 'the world' as well as this particular self into being. This is quite an immersive, all-encompassing experience. Any attempt at free choice would require a movement of consciousness and awareness. Several hardware and software effects have beeen involved in the processes that have taken place on my side of these sounds.

Narration: With historical persons, we not only tend to adopt the victor's stories - but even more the underlying narrative of 'completeness from the beginning'. Both - of course - is nonsense. Exactly that is why it is so joyful to give in to both of these urges - as in this poem - for it allows us to remain in the comfort zones of our preconceptions.

Lyrics / copyright jo richter:

As a young man in the fertile lands north
of the Atlas mountains, Hannibal climbed
a tree in the foothills and allowed his curiosity to
patiently focus on what really happened below.

Watching the incredibly slow, muddy
river called soil, restrained only by
the lay of the land, by forests, orchards
pastures and reeds, Hannibal understood
that it was the mountains he had to
rely on, for they stored deep history.

This is how you conquer an empire:
you shrink it to the size of the thin layer
of soil it inhabits. In his march on Rome, Cesar
will only cross a swifter river - nothing basic at all.

Picture: A self-taken snapshot of the public-space sculpture 'Mauerhocker' by Richard Emmans is included in the accompanying picture, apart from other photographic material taken by me. Here is a German newspaper article on this sculpture: https://www.suedkurier.de/region/bodenseekreis/markdorf/mauerhocker-ist-mit-gefaehrtin-zurueck-die-buntsandsteinfigur-ist-zurueck-auf-ihrem-platz;art372484,10843604

Ending: Somehow it has taken on a Dvorak, New World symphonic flair.... this happened unintentionally ... but I have to admit that I have grown fond of the allusion.... Here is the motive I had half-wittedly stumbled into in a Metropolis-like presentation: https://www.youtube.com/watch?v=P_1N6_O254g

hanno - based on material by muterial

The great Pete Swinton has made a fantastic REWORK of my stuff.
https://soundcloud.com/peteswinton

noxpox - Can Be Used - Rework Pete Swinton

Genetic Waste

1993 - Genetic Waste - Genetic Waste

Hei,

It’s impossible to put my music in one genre. It can be influenced by trip hop, breakbeat, instrumental and abstrack hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, you name it!

I like most of these artists, and maybe you can hear the inspiration from them: by far the best are Daft Punk and Massive Attack, then come others like the 90's Ninja Tune artists such as Amon Tobin, DJ Vadim, The Herbaliser and Kid Koala, many of which I have seen live at the legendary Ilosaari Rock festivals in its day. I also like Le Peuple de l’herbe (I appreciate French hip hop the most, which often has spices from several genres anyway). Also, now comes to mind The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Röyksopp, Boards of Canada, Moby, Mono, Thievery Corporation, Future Sound of London, and so on, you know how the list might go on with 90s electronic music well-known and rarer names. Without naming individual artists anymore, I listen to music from all genres like acid jazz, funk, lo-fi, and other easy-to-listen music as background music for other arts and science making and sometimes even punk or hard metal in the mood for them.

I've been doing music at the beginning of the 2000s with a Tracker, namely MadTracker -Software (I am fine with the program name). Something like two years I have done again actively music with Ableton Live 10 and I upgraded it lately to 11. Some of my bizarre song are based on experimentations back in 20 years ago and some are completely new compositions. They, too, are experimental, maybe because I've done the research career of about 20 years. I want to explore everything, including music, of course. I want to do music that have never done before!

My second passion is everything related to nature. I maintain a micro-farm during the summer, keep sheep and chickens there, for example, and return it to its original traditional biohabitat. So far in the winter I live in the city dreaming of spring, summer and autumn at the countryside.

I am open to collaborations just like in science: then one can create something completely new and exciting. Do not hesitate to contact!

Last, I wanna thank you my friends at the SoundCloud and as well those visitors to my site and listeners of my music. I think this community is just awesome! 

-Tarmo aka Funking Duck

PS. If you download or consume my music here, like it and want to support me, you can do that via PayPal https://paypal.me/funkingduck . I will use that support to music making expenses like subscription to pro-account here in SC and music soft-wares. Thank you realli much!