Send Me - Created by RM Cribben 2015 ©️ All Copyrights Reserved. This is the vocal version of “Send Me”.  I feel this is one of those songs that you can put your own interpretations to. Hope you like 🎶🎶🎶

SEND ME - Vocal version

Brian Butts - Composition, Guitar, Keyboard, Master Mix
Marc Freak - Vocals, Lyrics https://soundcloud.com/marcfreak?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

CONGELATION
I knew I had to go
Didn't mean I had to go
Gifted at telling lies
Hidden by fluttering eyes

CHORUS
How did it ever come to this?
We're still stagnating
I'm contemplating
Or are we teething?
How are we still breathing?

How do you keep a straight face?
Keeps me firmly in my place
Slap on the cheek again
Reminds me of way back when

CHORUS

You know I have this feeling
We're still congealing

Reification

Bandcamp

Congelation (feat. Marc Freak)

The Fountainmaid

Dreams of the dazed
The dead speaks while life begets
False in the rapture
The fairy wails
In your eyes against demise
Fire on the fountain

Stolen by, ruled by desire
All my love, torn pieces of myself

Your sweet lipper taste
Roll it back & sleep the pain
Excommunication.
Disenchanted,
Disavowed by the wrong,
Fortress of my own

Glorified, born in the fires of sorrow
All the laughs, feed, crawl in denial
Spread and fly, forever now

Fear, not the light of dawn
Touch my shadow, and dusk shall follow
Face me, now I'm alive
Not tomorrow, my time is borrowed
For all my sorrow, I will follow

The Fountainmaid (demo)

P-Gang Girls

They Babbled Until They Had To Jump To Their Deaths

Bakhmut

the fifteenth wave of feminism eliminated men, but not sexism. In fact, it got worse.

A collaboration with Steve’s Planet… his vocal, harmonica and guitar… my drums, percussion and bass guitar… hope you enjoy!!!

Working Guy-Steve’s Planet/ K2 and the Three

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

Recorded in Modesto, Ca.  Featuring Sergio Parraga on Congas, Bongos, Percussion.  Featuring Vibraphone solo. Flute solo. Trumpet solo. Acoustic Bass. Steinway acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Hammond B3 Organ Rhythm with Bass. String quartet, Cello, Viola, Acoustic Bowed Bass. Trap Drum set. Percussion, Timbales, Cowbell, Ago go bells, Cymbal Crash, Congas, Bongos.

Lighthouse

Bossa Dreamer

Because of the Marshal's popularity in the first installment, we thought a sequel would be fun as he embarks on another daring mission of bringing Old-West law and order to another planet where criminal mischief has broken down the rule of celestial law. Central Galactic Intelligence(CGI)received a frantic call for help that anarchists had taken over a peaceful and prosperous world and needed the Marshal to set things right.  The track begins with him and his crew (Curtis, Seagull, and David)being cleared for takeoff.
A big thank you to Curtis Gremmel(center-left in the mix) for his superb playing, Seagull @farout-music-studio for his visionary and production expertise, and Clara for being the angelic voice of CGI. 
The original "Space Marshal" release can be heard here: https://soundcloud.com/david-dunhamuser589535203/space-marshal-curtis-david-and-seagull

Space Marshal 2 (the sequel) Curtis Gremmel, Seagull, David, and Clara

Hei!

It's difficult to categorize my music into just one genre. It draws influence from trip hop, breakbeat, instrumental and abstract hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, and more!

I admire many artists, and you might detect their influence in my work. Among the best are Daft Punk and Massive Attack, followed by 90s Ninja Tune artists like Amon Tobin, DJ Vadim, The Herbaliser, and Kid Koala. I've had the pleasure of seeing many of them live at the legendary Ilosaari Rock festivals. I also appreciate French hip hop, particularly Le Peuple de l'herbe. Other inspirations include The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Moby, Mono, Thievery Corporation, Future Sound of London, and more. My taste spans from acid jazz and funk to lo-fi and even punk or hard metal, depending on my mood.

I've been making music since the early 2000s, starting with MadTracker software (I am fine with the program name). A few years ago, I transitioned to music production with Ableton Live 10, and I'm currently using version 12. Some of my tracks are experimental, stemming from explorations over the past 20 years, while others are entirely new compositions. This experimentation is perhaps influenced by my background in research—I'm eager to explore new territories, including music.

Nature is my second passion. I tend to a micro-farm in the summer, raising sheep and chickens and restoring it to its traditional biohabitat. In the winter, I evade to the city and brood there, craving for the countryside's spring, summer, and autumn... or dreaming being in hot and sunny place by a sea or river...

I'm open to collaborations, akin to scientific endeavors where novel and exciting outcomes emerge from teamwork. Feel free to reach out!

Lastly, I want to express my gratitude to my SoundCloud friends, website visitors, and music listeners. This community is truly remarkable!

Best regards,
Tarmo aka Funking Duck

P.S. If you enjoy my music and wish to support me, you can do so via PayPal at paypal.me/funkingduck. Your support will contribute to expenses such as a pro-account subscription on SoundCloud and music software. Thank you very much!

P.P.S. Go and follow my less experimental project here, please:
https://soundcloud.com/maautu/