If the giraffe was determining our future, and it involved military conflict, expansionism and fascistic narcissism, then fck that giraffe man. We don't need it. Bring on the philosophical peace loving anarchist giraffes - more power to those long necked mofos. Just saying. :)

Nice track my friend, like the effect !!!

love the instrumentation, very exotic and lovely! ☻

very cool groovy safari through sounds! ☻

Como pueden mirar, verlo y no llorar?
como pueden mirarlo, ver y no llorar?
Donde guardan la rabia? Donde esconden la tristeza?
Como calman la ira y porque no sienten dolor?

Queda solo mirarlo o tentarse y hacerlo, si total no es delito
Es un delito menor.

Un delito que no vas a lamentar.
Algo que tal vez ni sucedio.
Algo que no tuvo otro testigo que ésta cancion y este cantor.

Y si quedan las ganas y aparece de nuevo.
No la dejes pasar, despues no va a volver.
Despues viene la nada de la que no hay retorno
Y si lo ves le decis al Juez. Fue un delito menor.

Delito Menor

Man Eats Bat

This is a song that started off as something else entirely different. Originally, it was a noodle that I recorded using a delay pedal. I gave it to Chris Maness, who put a killer bass lines on in. so, I went back and completely reimagined it as an actual song. I thought it sounded kinda swampy, so I thought of the most musical thing I could think of about a swamp. I remember the swarms of gnats that would form different patterns when I'd sing different vibrations at them. Hence, Dance of the Gnats.

Dance of the Gnats (with cgmaness)

a little experiment with new stuff
made with ableton, korg modwave, nanoloop, and paul stretchX

work in progress

 rain © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

rain

🌟💥💗

Abstract

A recurrence of the Carrington solar storm event would have a significant effect not just on technological infrastructure. However, the complexity of the solar storm's repercussions on the food shortage crisis is critical since the world is now confronting food scarcity. Our anticipation of Solar storms is based on the crucial factors determining that extreme Solar storm occurrence. IMF-Bz, with its southerly orientation and negative polarity, is one of the defining variables for the event of intense Solar storms. The most important part of our approach to interpreting the Quran is establishing a tie between pertinent literature and the Quran. Thus, we follow Plato's instruction in the cave allegory; the Sun should enlighten us upon departing the cave. In verse (18:17) of the Cave chapter, the term [ṭalaʿat] that follows the word Sun signifies the Sun's position at the zenith. The second word [tazāwaru] designated the negative and southward direction of the IMF. Therefore, our anticipation that an intense CME would impact earth at the Sun at Zenith on 23 September 2022, about 5:07 UTC. In addition, hitting the earth's upper atmosphere is likely by a Solar flare that will coincide with the Sunset from the word [taqradum] that signified the Sun emission of the Kα Iron line within our approach. So, it is likely Solar flare coincides or precedes CME in striking the earth's upper atmosphere.

(We'll see.)

Flare

Allen Ginsberg reads Sunflower Sutra: www.youtube.com/watch?v=oVjMKMogTDY
Music: Copyright Stonerjazz, the maestro @user-911083679
Lyrics: copyright jo richter (apart from the short section by A.G. in the beginning, of course)
Note: The poem was written as a tribute to the music that Jeff created first.

This is the e-bow dao
the epitome of transformation
the electro-magnetic, eternal feedback of bliss
powered by a universe condensed in a metal casing
evoking a universe that unfolds neural cavities
to reverb vibrations in all hues and colours
especially those unseen before.

This is the process to end all states
and free the butterfly that is Chuang-Tse
from the shackles of dire duality
and make him join the cyberpunk hobos
riding right through glitchy illusions
flickering inside of doorframe screens.

This is the call to all end-of-time locos
to unpeople the karmic metaverse plains
and behold! that they can‘t help arriving
but can stop making sensations mundane
by comparing, by judging, by interpretation
- a cycle is run when met by the same
and knowledge ends when the river flows on.

This is thew Heraclitus
this is the yarn Penelope knits
Verdandi‘s weird realm of manifestation
the abyss‘ rim of black-hole horizons
where Enkidu talks to wild beasts and trees
where Gallifrey breeds reincarnation
with each fatal shootout of chi-spawned seeds.

This is the e- bow dao
Aphrodite reborn in spring-sponging foam
you‘ll lose your belongings, your security clearing
the servers on this farm are all interlinked
with the waveform dimensions
that keep breeding, breeding
new life out of old
turning lead into gold
vanishing when you try to hold on

E - BOW DAO ( Sonic Structures and Silent Stretches)a poem by Jo Richter

«Kalina» march

Would you shoot giraffes with your mental vomit wrapped in aluminum foil? If you... [download!]

backtrack is completely a remix by https://soundcloud.com/mortenjeamland ! sax / flute added be me + final mastering ! enjoy !

Afternoon Dreaming by Jeamland // flute & sax remix

Why Do You Always Leave Me Alone?

Hei!

It's difficult to categorize my music into just one genre. It draws influence from trip hop, breakbeat, instrumental and abstract hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, and more!

I admire many artists, and you might detect their influence in my work. Among the best are Daft Punk and Massive Attack, followed by 90s Ninja Tune artists like Amon Tobin, DJ Vadim, The Herbaliser, and Kid Koala. I've had the pleasure of seeing many of them live at the legendary Ilosaari Rock festivals. I also appreciate French hip hop, particularly Le Peuple de l'herbe. Other inspirations include The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Moby, Mono, Thievery Corporation, Future Sound of London, and more. My taste spans from acid jazz and funk to lo-fi and even punk or hard metal, depending on my mood.

I've been making music since the early 2000s, starting with MadTracker software (I am fine with the program name). A few years ago, I transitioned to music production with Ableton Live 10, and I'm currently using version 12. Some of my tracks are experimental, stemming from explorations over the past 20 years, while others are entirely new compositions. This experimentation is perhaps influenced by my background in research—I'm eager to explore new territories, including music.

Nature is my second passion. I tend to a micro-farm in the summer, raising sheep and chickens and restoring it to its traditional biohabitat. In the winter, I evade to the city and brood there, craving for the countryside's spring, summer, and autumn... or dreaming being in hot and sunny place by a sea or river...

I'm open to collaborations, akin to scientific endeavors where novel and exciting outcomes emerge from teamwork. Feel free to reach out!

Lastly, I want to express my gratitude to my SoundCloud friends, website visitors, and music listeners. This community is truly remarkable!

Best regards,
Tarmo aka Funking Duck

P.S. If you enjoy my music and wish to support me, you can do so via PayPal at paypal.me/funkingduck. Your support will contribute to expenses such as a pro-account subscription on SoundCloud and music software. Thank you very much!

Would you shoot giraffes with your mental vomit wrapped in aluminum foil? If you... [download!]

Funking Duck

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