Awesome track, I can listen to it all day.

Ese riff para mas poderoso [via https://sc.repostexchange.com]

I like this approach to music keep it man I wanna hear more

Stunning sound, captivating musicianship, great vocal chops increase the tension! Super!

Woooh, insanely crazy ! Awesome job in your track, congratulations !

I've been listening to a lot of this amazing shoegaze/hardcore/prog metal band out of the UK called "Loathe".  They play baritone guitars that sound ridiculously cool.....so I did some research and found this very affordable baritone guitar out of the UK called the Subzero Rogue which the band "Loathe" also utilizes.  Although this song may sound like its tuned real low, it is actually in standard E.  The baritone guitar has a 30 inch scale length and string guages of 90-20!  So, you get the string tension and clarity of standard E with the low end boost.  I can match up the bass tone perfectly like this because bass tends to get pretty sloppy when tuned too low.  Hope you enjoy it!!

Auras of Control (2022)

(Translation above)
Chanson écrite dans le cadre des ateliers d'écriture de Claude Lemesle, immense parolier français, avec pour double thème : "Mamifestations" et "En surfant sur un mirage".
En hommage à Georges Brassens.

Mamifestations

En mars, au premier dimanche
Alors qu’il faisait frisquet
Rue des Gaules défilait
Un flot de mamies étranges
Pour la fête des grand-mères
Ell’s marchaient à moitié nues
Quell’ moitié était vêtue ?
Au choix de leur hémisphère !

Ah ! ces mamies
Ah ! ces fesses
Ah ! ces mamifestations !

Je voyais aux banderoles
Des slogans vindicatifs
Et des dessins suggestifs
Qu’on n’apprend pas à l’école
L’armée de gants de toilettes
Et de fesses amollies
Avait pour tout alibi
D’être encor’ apt’s aux courbettes
(ref)

Ell’s réclamaient sans vergogne
En rejetant l’air glaciair’
De pouvoir chauffer leur chair
De tout objet dans leur pogne
J’ pense à la cann’  de grand-mère
À la crosse en form’ de C
En train d’ranimer l’ point G
Et l’ point O de son derrière
 (ref)

Mais le faire avec l’arthrose
Ça fatigue les poignets
Et peut laisser par excès
Quelques plaies ou ecchymoses
Petits-enfants, pour offrandes
Laissez fleurs et chocolats
Offrez pour leur nirvana
Un gode à télécommande
(ref)

Mais pardonnez ces images
Dues à la consommation
De psychotropes qui m’ont
Fait surfer sur un mirage.

Salles manies
Manifestes
Salles manifestations !

Myckaël Marcovic, le 28 octobre 2021

Song written in the framework of the writing workshops of Claude Lemesle, immense French lyricist, with for double theme : "Mamifestations" and "En surfant sur un mirage".
In tribute to Georges Brassens.

Mamifestations

In March, on the first Sunday
While it was chilly
Rue des Gaules paraded
A stream of strange grannies
For the grandmother's day
They walked half naked
Which half was dressed?
To the choice of their hemisphere!

Ah ! these grannies
Ah! these buttocks
Ah ! these mamifestations !

I saw in the banners
Vindictive slogans
And suggestive drawings
That we don't learn at school
The army of toilet gloves
And softened buttocks
Had for all alibi
To be still apt to the bows
(ref)

They shamelessly claimed
By refusing the cold air
To be able to heat their flesh
Of any object in their fist
I think of grandma's cane
With the C-shaped stick
Reanimating the G-spot
And the O point of her butt
 (ref)

But doing it with arthritis
It tires the wrists
And can leave by excess
Some wounds or bruises
Grandchildren, for offerings
Leave flowers and chocolates
Offer for their nirvana
A remote control dildo
(ref)

But forgive these images
Due to the consumption
Of psychotropic drugs that made me
Made me surf on a mirage.

Bad manners
Obvious
Bad manifestations !

Myckaël Marcovic, October 28, 2021

Mamifestations

Getaway

The Abyss

Cheer for your team

Nuclear Breath

Combstead sent me a cool track, so I asked some questions and wrote a song about his dogs!
Main track by Combstead
Lyrics, Vocals And added Guitar Licks by Robert Grigg

Rescued Pups - Combstead / Robert Grigg

Have a good Laugh

Have a good Laugh - KRT Production

Seq07l L L    We are all born for love. It is the principle of existence and its only end.

Don´t Look back

Get It On Bandcamp

Don´t Look Back

Tell Me Now

Tell Me Now - Jasmin M.

Duration: ca. 21'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation: soprano and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Marnie Breckenridge, Soprano
Formerly titled "In Real Life."

Purchase Sheet Music: (Version for Soprano and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778

Purchase Sheet Music: (Version for Soprano and Piano): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2777

For more information:
Version for Soprano and Chamber Ensemble: https://robertpaterson.com/in-real-life-version-for-soprano-and-chamber-ensemble
Version for Soprano and Piano: https://robertpaterson.com/in-real-life-version-for-soprano-and-piano

In Real Life II for baritone and chamber ensemble and baritone and piano also available. (In Real Life II consists of different songs than In Real Life.)

PROGRAM NOTE
Forty million Americans do it: join a dating site hoping to find true love in digital space. In Real Life is a song cycle for soprano and piano that explores the humor and heartbreak of this modern ritual. Five women fill out their dating-site profiles, opening a window into their worlds. The first song is “A Regular Woman,” in which a lady outlines the exact sort of man she’s looking for with comical specificity, perfect for today’s on-demand culture. “Late Bloomer” is a sweet and wistful portrait of a woman who learns in her 40s that her romantic tastes have changed radically. Next, in “Anastasia,” we hear from a Russian looking for a husband—with all the broken English that entails. With “Collateral,” the mood turns dark, as a war widow contemplates returning to the dating pool. Finally, “Rewind” is a nostalgic anthem by a 35-year-old whose divorce has made her feel like an awkward teen again. Can she learn something from her younger self? Funny and sad yet full of hope, In Real Life is about reality, fantasy and second chances. In Real Life was commissioned by Austin Chamber Ensemble Artistic Director Martha Mortensen Ahern, in honor of its 35th season.

American Modern Ensemble: In Real Life

In Real Life I - III. Anastasia

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Funkle Ace is born in Brussels, Belgium. Son of piano teacher, he was initiated very soon at the keyboard. During a long he played with a friend and made a lot of concerts in Belgium, France and Spain. Now he's following his own way and decided to make appreciate his unique style of music.

Have a good Laugh - KRT Production

Funkle Ace

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