Rockambo is a bassist from Mount Pleasant, Washington, DC.

Since the pandemic, he's been writing compositions using MIDI instrumentation (and struggling with latency issues on slow computers). He takes equal parts inspiration from Palladium-era Latin jazz (https://www.facebook.com/groups/LFCE893/), vintage 70s jazz-funk (https://www.youtube.com/channel/UCv8l4QR862COAotwH_cw9wQ), 00s electronica (https://somafm.com/spacestation/), contemporary lo-fi (https://open.spotify.com/album/2j4Mjok0KmnQ2ENfWIpUKf?si=MuUDlZW9TAuziw5LLmFjvg), and some ethnic music from the countries where he's lived (https://blog.scuolaleonardo.com/2023/04/25/bella-ciao-one-of-the-most-famous-italian-songs-in-the-world-from-the-resistance-to-money-heist/).

Since he can't find his way around a sequencer, he breaks away from repetitive beat loop patterns and seeks to create more organic pieces. Having said that, he only knows how to use a few DAW platforms which are all primarily loop-based ... it's complicated.

All recordings are original compositions recorded using SoundTrap, (http://www.soundtrap.com), and Audacity (https://www.audacityteam.org). More recently, he's been mastering tracks in Ableton Live Lite (https://www.ableton.com/en/products/live-lite/) and learning how to use MPC Beats (https://www.akaipro.com/mpc-beats) ... he bought some MIDI controllers ... There are no pre-recorded loops. If you are getting into composition, you should grab this (https://www.asio4all.org/).

MIDI is currently being played through an Alesis Vortex Wireless 2 keytar and with a regular ASDF keyboard and a mouse. Rad.

The mixes are low, so turn them up!

Jim Greif says his biggest influence is the Doogie Houser theme song by Mike Post (https://youtu.be/zE4M3hPut7E). 

Rockambo is fluent in neurodiversity and his music is neurodivergent-friendly.

All the appropriate influences are noted where possible. Contact him before using or distributing this material.

Some music-related books worth checking out:
"Analog Days: The Invention and Impact of the Moog Synthesizer" by Frank Trocco, https://www.goodreads.com/book/show/37535.Analog_Days
"How Music Works" by David Byrne, https://www.goodreads.com/book/show/13235689-how-music-works
"Just Kids" by Patti Smith, https://www.goodreads.com/book/show/341879.Just_Kids
"This Is Your Brain on Music: The Science of a Human Obsession"
by Daniel J. Levitin, https://www.goodreads.com/book/show/141565.This_Is_Your_Brain_on_Music
"Under the Big Black Sun: A Personal History of L.A. Punk"
by John Doe, Tom DeSavia
https://www.goodreads.com/book/show/25898106-under-the-big-black-sun

Sun Machines make a splashy return to the pop scene with Supersonic Sons, the follow up to their 2014 EggHunt Records debut, Human Subjects. Multi-instrumentalists J. Forté and Gregory Gendron explore richer textures and deeper soundscapes on this epic synthpop space opera, which continues the interstellar tale first introduced on Human Subjects. As told through the lens of an unnamed protagonist, Supersonic Sons’ ten eclectic songs weave a story of one man’s psychological and technological challenges as he embarks upon a dangerous trip back home. Sounds of the 80s, 90s, 00s, and beyond infiltrate Supersonic Sons, which features a dose of guitar flash, a mixture of innovative live and programmed drums, a bevy of synthesizers, and ample vocal harmonies. Supersonic Sons was produced using a variety of recording mediums (cassette tape, iPad, computer hard drive) in a variety of locations (from Washington, DC, to Tokyo, Japan).

Finley Martin is following