Vol. 3 : https://soundcloud.com/funky_jeff/old-school-breakbeats3

1) The winstons : Amen brother(1131 songs : NWA : Straight Outta Compton)
2 ) Detroit edmeralds : Baby let me take in your arms (De la soul : Say no go)
3) Stereoscope jerk explosion :  interlude Bengali Corporation 
4) Georges Garvarentz :  Nues Dans L'Eau  
5) Unknown track
6) RJD2 : Smoke & Mirrors (Marion Black : Who Knows)
7) Marlena Shaw : California soul (DJ Shadow Midnight in a perfect world / Gang starr : Check)
8 ) Daniel Salinas : Straussmania (Noah Kin Intro/Underground)
9) Chi-lites : Are u my woman ? (Beyoncé Crazy in love)
10) Michel Magné : C'est superchic génial - hommage a JB 
11) Tarantino monolog on Like a Virgin - Reservoir dogs
12) Sly stone : Thank You (Falettinme Be Mice Elf Again) ( Janet Jackson Rhythm Nation)
13) George Clinton : Atomic dog ( Snoop dog : Who Am I (What's My Name/Ice Cube Friday)
14) John Kongos : He's Gonna Step on You Again ( Happy Mondays's Step On)
15) Jean-Jacques Perrey : E.V.A (Gang starr : Just to get a rep / Dr Octagon : 3000)
16) John Carpenter : The End (Beside : Change the beat / Klein & M.B.O. : Dirty talk)
17) Banbarra : Shack up (Thievery corporation : The shining path / Dr Octagon Im destructive)
18) Herman Kelly + Life : Dance to the drummer's beat (Coldcut : Say kids what time is it?)
19) The Temptations : Papa was a rollin stone edit (Doc Gyneco : Tel pere, tel fils)
21) The Flirts : Passion (Felix da Housecat : Silver scene, shower screen)
22) Bobby O : She has a way (Chemical brothers : Out of control )
23) Vernon Burch : Get up (Deee-Lite : Groove is in the heart)
24) Kano : I'm ready ( Tag team : Whoomp! (There It Is)
25) Kraftwerk : Tour de France - original mix 1983 (Timbaland : Bounce / Egyptian lover : Egypt, Egypt )

Old school breakbeats 2

I have always been obsessed with the sound of early 80s dance music.  There's something about the crazy diversity and spaced out funk that just hits me right.  I'm also still obsessed with the art of hunting down some records and crafting a long mix the old school way.  This mix is my all original vinyl ode to the random 80s dance 12".  

I was initially going to call it "Mostly Divas Screaming Over Analogue Basslines and Electronic Drums" or "Synthesizer Cowbell Clap".  Instead, welcome to a world of "Unlimited Touching".  Here you'll find songs about dancing, love, and people touching each other in a much simpler time.  

For fans of 80s funk, club music, dub, boogie, proto house, the garage sound, disco rap, old school rap, and the like.  If you don't enjoy those things, you will probably hate this mix. 

Props to Booka B for crafting the fitting front and back cover art; CD copies coming soon for the physical product heads.  




1.) THANK U INTRO 
2.) CRAIG PEYTON- BE THANKFUL FOR WHAT YOU GOT – PROFILE RECORDS 1983
3.) KERR- BACK AT YA – TRA-SAN RECORDS 1984
4.) FRESH BAND- COME BACK LOVER (REMIX) - ARE ‘N BE RECORDS 1984
5.) UNLIMITED TOUCH- GOOD LOVIN’- PRELUDE RECORDS 1983
6.) LEPRECHAUN- LOC-IT-UP – CITATION RECORD COMPANY 1981
7.) JAZZY DEE- GET ON UP – LAURIE RECORDS 1983
8.) RADIANCE- YOU’RE MY NUMBER ONE (DUB MIX) - ARE ‘N BE RECORDS 1983
9.) DOUBLE VISION- CLOCK ON THE WALL- PROFILE RECORDS 1984
10.) RAVEN FEAT. JOCELYN BROWN- SO IN LOVE- SILVER CLOUD RECORDS 1984
11.) ARMENTA- I WANNA BE WITH YOU (PART 1) – SAVIOR FAIRE RECORDS 1983
12.) STARGAZE- YOU CAN'T HAVE IT/Instrumental – TNT UNLIMITED INC/BROOKTOWN RECORDS 1982
13.) KARISMA FEAT. JOCELYN BROWN- GOT YOU DANCING- SOUND OF THE UNIVERSE RECORD CORP 19??
14.) FUNK DELUXE- THIS TIME (EXTENDED VERSION) - SALSOUL RECORDS 1984
15.) ROCK THE BEAT INTERLUDE    
16.) SOUND TROUPE- CAN YOU REALLY SEE ME- SAM RECORDS 1982
17.) SOMETHIN’ SPECIAL- COME MAKE IT FEEL GOOD (TEE SCOTT MIX) – EMERGENCY RECORDS 1981
18.) NORMA JEAN WRIGHT- LOVE ATTACK – MIRAGE 1983
19.) RAINBOW BROWN- IM THE ONE (REMIX) - VANGUARD DISCO 1981 
20.) SPLASH- WHEN WE TOUCH (DISCONET MIX) - DISCONET PROGRAM SERVICE 1983
21.) CONNIE CASE- GET DOWN- KONDUKO 1982
22.) GET ON DOWN BREAK
23.) CAROL WILLIAMS- CAN’T GET AWAY (FROM YOUR LOVE) (SPECIAL CLUB DUB) - VANGUARD 1983
24.) AFFINITY- DON’T GO AWAY (RUNAWAY DUB) - MANGO 1983
25.) KASSO- ONE MORE ROUND – STARNIGHT RECORDS 1982
26.) OUTRO



Link to Full CD Zip with Art (tracked out 192kbps): https://drive.google.com/file/d/0ByDEKabHXo-IUkNERkFqM0dONFE/edit?usp=sharing


Link to Single 192kbps MP3 file with Art:  https://drive.google.com/file/d/0ByDEKabHXo-ILUJnajB3Q2tGMG8/edit?usp=sharing

Unlimited Touching (All Vinyl 80s Funk, Club & Boogie Mix)

01    Can I Help You? - Amnesty
02	Just Kissed My Baby - The Meters
03	No Name Bar - Isaac Hayes/The Madness Subsides - Pekka Pohjola
04	I Can’t Stand The Rain - Ann Peebles
05	Les Fleur - Ramsey Lewis
06	Easin’ In - Edwin Starr/Summer In The City - Quincy Jones
07	Chicago, Damn - Bobbi Humphrey
08	Hercules - Aaron Neville
09	School Boy Crush - Average White Band
10	I Don’t Know What It Is But It Sure Is Funky - Ripple
11	The Message - Cymande
12	Hydra - Grover Washington Jr
13	I Got The Blues - Labi Saffre
14	Papa Was Too - Joe Tex/Buzzsaw - The Turtles/All Your Goodies Are Gone - Parliament/The Edge - DavidAxelrod &amp; David McCallum
15	Superman Lover - Johnny “Guitar” Watson
16	Nothing Is The Same - Grand Funk Railroad/Woman to Woman - Joe Cocker
17	Impeach The President - The Honey Drippers
18	I’m Your Puppet - James and Bobby Purify
19	Ashley’s Roachclip - Chuck Brown &amp; The Soul Searchers
20	Express Yourself - Charles Wright
21	Ripple – Funky Song
22	Rising To The Top - Keni Burke
23	Get Out Of My Life, Woman - Solomon Burke
24	It's A New Day - Skull Snaps
25	Otis Redding – Hard To Handle
26	Be Thankful For What You Got (Part 2) - William DeVaughn
27	Right Place Wrong Time - Dr John
28	Funky Drummer (Bonus Beat Reprise) - James Brown/Today - Tom Scott
29	I Get Lifted - George McCrae
30	Blind Man Can See It (Extended) - James Brown
31	Private Number - Judy Clay &amp; William Bell
32	Dominoes - Donald Byrd
33	Blind Alley - The Emotions
34	Think (About It) - Lyn Collins
35	Rock Creek Park - The Blackbyrds
36	Sunny - Booker T &amp; The MGs
37	Fight Against Drug Abuse PSA - James Brown


Easin' In

Soul And 70's Mixes (By DJ Shark)

It's Donna Summer....  What more can I say but SHE was an amazing singer/performer

Love To Love Donna Summer

Compiled by The Jazz Circus Collective..
Mixed by Ronny Hammond
https://soundcloud.com/ronny-hammond

* * * * * * * * * * * * * * * * * * * * * * *

Jazz Circus Mixtape Vol. 1 - "All That Jazz" by the JC DJ's

Tracklisting.
1/  « The  Beautiful Experience » (Mustang Mix)
2/  « Get Wild » (Money Maker Funky Jazz Mix)
3/ « If I Was your Girlfriend «  (DJ Dlux edit)
4/ « Sign ‘O’ The Times «  (C-G’s See The Dawn Edit)
5/ « Alphabet Street »
6/  « Bob George »
7/  « Feel U Up »
8/  « Sex »
9/ « Head »
10/  « La la la He He Heee » (Highly Explosive)
11/  « Raspberry Beret » (Shield Your Eyes re-edit)
12/  « Erotic City » (Special Dance mix)
13/ « Chelsea Rodgers » (Rascale Mixable Edit)
14/« I wanna be Your Lover » (Dimitri From Paris re-edit)
15/   « Little Red Corvette » (Dance mix)
16/  « Creep » (Live at Coachella 2008)
17/  « God »

My Name Is Prince by Mme Gaultier

the love unlimited orchestra

Marc Mac is one of a rare breed of producers who moves smoothly between different genres flitting between pseudonyms while leaving a trail of quintessential releases. Straight Outta Dollis Hill London Marc Mac is one half of the legendary outfit 4hero and also founder member of Reinforced Records a label positioned at the cornerstone of early electronic music in the UK. In the late 90‘s Marc signed to Gilles Peterson’s Talkin Loud Records with his group 4hero. 4hero went on to produce 2 great award winning albums with Talkin Loud “Two Pages” & “Creating Patterns”. 4hero then went on to set up a new label where they released the critically acclaimed “Play With The Changes” and most recent “Extensions”. Somewhere in this timeline, between producing music for Jill Scott to Roy Ayers, Phonte to Terry Callier, Marc started another project called Visioneers releasing a set of limited 7” singles getting the attention from top eclectic DJ’s including Jazzy Jeff, Kenny Dope, Gilles Peterson & Norman Jay. Visioneers was then picked up by BBE records who released the debut album “Dirty Old Hip Hop”.

Following on from the success of “Dirty Old Hip Hop” Marc returns with a new Visioneers record HIPOLOGY. “Hipology is a collage of some of my personal influences as a DJ/Producer growing up listening to Hip Hop; it’s a real eclectic mix of Breaks, Beats, Soul, Jazz, and freaky squeaks and not a sampler in sight. Visioneers is about revisiting my love for Hip Hop; What it was and what it is; the musical influences and the culture...”. Hipology will be released on BBE records late spring and features guest spots from John Robinson, TRAC & Baron, Notes to Self, Luke Parkhouse, The Support Brass & Ariya Horns.

“I can’t paint a picture with one color I need to play with them all. Music is the same for me, how can I produce or DJ one style of music? I got to play with them all.” Marc Mac (4 Hero, Visioneers, BBE).

Visit http://hipology.org for more info on Marc Mac's "Hipology" project

Hipology

101 Apparel Presents Marc Mac "Hipology"

SOUL OF SYDNEY RADIO: 

Soul of Sydney resident chiropractor bringing the HEAT on NYD 2020 doing it live on our wobbly turntables.

PHIL TOKE live at SOUL OF SYDNEY NYD JAM 2020 | SOS RADIO #378

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


JEAN CARN - WAS THAT ALL [SNIPPIT]

Music curator and a selector. Avid record collector (cd's and vinyls) and a mixologist since the late 1990's. Radio show host from 2000 to 2009. Resident DJ from 2002 to 2012. I spend a lot of time listening to new and older music, curation is my passion.

------------------------------------------------

Music I like : ambient, techno, dub-tech, deep house, Detroit Techno, IDM, downtempo, trip-hop and hip-hop, funk, electro, italo-disco, synth pop, new wave, krautrock, jazz, OST & dub. 

Infuences :  Kraftwerk, Brian Eno, Biosphere, Can, Vangelis, Global communication, Autechre, FSOL, Photek, Aphex Twin, David Toop, Laurent Garnier, Plastikman, Underworld, Speedy J, Gescom, Beyond records, Waveform, Rising High, DJ Shadow, Monolake, Bandulu, UR, Basic Channel & Chain Reaction, Rhythm & Sound, Rockers Hi-Fi, Burial and lately : EEE edits, Kuniyuki, Dialog, Music From Memory (label) and Sound migration.

I am mostly interested in mingling with record collectors, art lovers & music connoisseurs alike. Real DJ's who play live and collectors of physical medias. Birds of a feather flock together!

Old school breakbeats 2

Jeff Chill

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