The Thunder Rolls

Published by Megaphonic Publishing

Record label - Megaphonic Records

copyright 2015

for information on use of sync please contact Info@imogenheap.com
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Lyrics

Oh my tiny human

At 05:08 you break me apart again

The space-time continuum

Buckles and bends around your every twist and turn
I can barely remember life before You came crashing in on one day Crazy beautiful you
 Blind me like the dawn
After ashes fell on Pompeii Crazy beautiful you
A miracle, a mystery

And one short stop away

From joy to misery.

When the night becomes day

I give you my every last ounce

You make a pin-cushion out of me

And you can thank me later, babe (if i'm alive)
How long can one live without sleep? Still i can't stand to imagine
 Life without....
You came crashing in on one day Crazy beautiful you
 Blind me like the dawn

After ashes fell on Pompeii
 
Crazy bright beautiful you
Suddenly propelled,

So many light years from bliss
 And completely unprepared,
 How can anyone deserve this?

￼
I've tried, i've tried all the tricks in the book, I’m at my wits end, Now look here what do you want from me!?
I can barely remember life before... You came crashing in on one day Crazy beautiful you
 From the ashes of Pompeii
To fireworks and champagne Crazy beautiful you
You little devil, you

Oh i love you so much

It's the hardest thing i've ever done But you're so worth it
 Yes you are

Yes you are

You little devil, you
Recording Credits
Written, arranged, performed, produced and mixed by Imogen Heap
Imogen Heap – Vocals, programming, synths 
 Stephanie Appelhans - Violin

Diego Romano - Violin

Yasin Gündisch - Viola 

Hoang Nguyen - Violoncello

Simon Minshall - Trombone, Bass Trombone, 
 David Horwich - French Horn

Percussion – Florence “Scout” Heap-Lebor 
 Assistant engineer - Alexis Michallek

Studio Manager - Alexis Michallek
Recorded at The Hideaway, London
Mastering - Simon Heyworth Mastering assistant – Andy Miles String players appear courtesy of the Junge Deutsche Philharmonie
Artwork Credits
Sleeve design – Andy Carne

Streemliner - Andy Carne (File to be added) 
 Photography (stills from music video) – Michael Lebor 
 Image Selection from Music Video - Karen Carne
 
 
 Gear used for Recorded Song
Vocals :
Microphone: Neuman TLM 103 
 Pre-amp: Avalon Vt-737SP
Strings and Brass :
Microphones: Neumann TLM 103 - Sennheiser MK800 
 Pre-amps: Avalon Vt-737SP - Avalon AD2022
Instruments/ sounds:
Teenage Engineering OP1

Ameda Elite Breast Pump

Scout’s Rattles, Rustling cubes and Heimess Baby Gym
Software Instruments and DAW :

Avid Pro-Tools HD + Reaper Rewire

Plugins from Waves Gold Bundle and Focusrite D2/D3
EastWest - Orchestra Gold

Box Of tricks by Sonic Couture : Vocal Choir, Boomwhackers, Glockenspiel
Thanks
Scout Heap-Lebor, Michael Lebor, Alexis Michallek, Mum, Dad, sis and bro, Phil Cummings, Tim Shettatt, Uwe and all at Sennheiser, Ash Dorey, Jason Wapling, Jill Lebor, Giles, Kate, Jamie Bartlett, Paul Pacifico and all at the FAC, Vinay Gupta (and the Ethereum gang), Phil Barry and Russell Verbeeten (Ujo), Rupert Hine and Alan Graham (OCL), Chris Ellis Francesco Canessa (protip.is), Joe Lubin, Zoe Keating, Jennie Fagerstrom, Karen Carne, Andy Carne, Michael Harris (and all at the guardian), Tom Panton (and all at Sonos Studio London), Simon Heyworth and Andy Miles from SuperAudioMastering.com, Chris Vatalaro, Kumar Kamalagharan, Mike Benson, Pod Blumen.

Tiny Human

Mountain

Runaway Brother "New Pocket" LP/CD/Digital out 2/16/18

New Pocket

Runaway Brother - Paws

Enjoy this new track from my forthcoming record, Slings and Arrows... 
Click this link to be my kickstarter angel: https://www.kickstarter.com/projects/michellemalone/michelle-malones-new-studio-record-slings-and-arro
Thank You! 
Michelle

Slings and Arrows

Just Getting Started

Just Getting Started - MIchelle Malone

'7' (release date:  May 11th, 2018)  
 http://smarturl.it/beachhouse7

Spotify: http://spoti.fi/2CVgNfa
Apple Music: https://apple.co/2FibE5Z
 
Beach House: http://www.beachhousebaltimore.com/
Facebook: https://www.facebook.com/beachhouse
Twitter: https://twitter.com/BeaccchHoussse
Instagram: https://instagram.com/beaccchhoussse/

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
Instagram: ttps://www.instagram.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Beach House - Dive

Wild Pink "Yolk In The Fur" out Summer 2018 on Tiny Engines

Yolk In The Fur

Wild Pink - Love Is Better

Nathan Salsburg "Timoney's"

God's Favorite Customer (Release Date: June 1st, 2018) 
https://megamart.subpop.com/releases/father_john_misty/gods_favorite_customer
https://fatherjohnmisty.store/

Father John Misty: https://fatherjohnmisty.com/
Facebook:  https://www.facebook.com/fatherjohnmi...
Store: http://fatherjohnmisty.store
Tour Dates: http://fatherjohnmisty.com/tour

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
Instagram https://www.instagram.com/subpop
MegaMart: https://megamart.subpop.com/

Father John Misty - Disappointing Diamonds Are The Rarest Of Them All

'Sculptor' (Release date: July 13, 2018) 

Spotify: https://spoti.fi/2FUO63q
Apple Music: https://apple.co/2K4JTwE
Sub Pop Mega Mart:
https://megamart.subpop.com/releases/luluc/sculptor

Luluc: http://www.lulucmusic.com/
Facebook: https://www.facebook.com/pages/Luluc/59991830035
Twitter: https://twitter.com/Luluc_Music
Instagram: http://instagram.com/lulucmusic
On Tour: https://www.subpop.com/artists/luluc/tours

Luluc - Heist

"The Lonesomest Sound That Can Sound" is the first full-length album from Clay Parker and Jodi James.

The Lonesomest Sound That Can Sound

Every New Sky

The 2nd single from All That Wanting, the full length out June 29th 2018

No Telling

The Chills - Complex

The Spot

For The Sake Of The Rhyme

Beauty Into Clichés

Tourniquet

Let's Run Away

Kristin Hersh
Releases new album ‘Possible Dust Clouds’
Out 5th October 2018 on Fire Records
Pre-order link: http://bit.ly/possibledustclouds

CD/LP/ Ltd Edition ‘Silver’ vinyl

 “Sometimes the most subversive thing I can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes, and sometimes a story is lived a thousand times before we can ride it like a roller coaster. Nothing wholly unfamiliar is gonna make you look twice. When you can describe a record as being “deceptively” anything, you’re hinting at the sociopathic nature of music. Something I love. Imagine truly buying your own sunshine and charm, but also your darkness and violence; the two sides of your psychology showing each other off in relief. Songs can do that...we can’t, really. Darkness we’ve seen. Dark sunshine? Still cool.

I usually play all the instruments on my solo records - essentially the sound of having no friends - but sociopaths can’t realize their potential without people to work out their grievances on and this record is a freakin’ sociopath. So I invited my friends to the party I wanted to hear. Not a live record but an alive record. 

Because a lot of live records don’t sound live, just poorly recorded. And self-conscious musicians can’t let fly. I wanted to recreate the impact of a show. Unpretentious, with a muscular song body running through the room. This entailed seriously messing with both extremes of the sonic spectrum: the fundamentals (basics, rhythm section, roots) but also with the detail (percussion, high end, effects). These two strata asked to sound eccentric: atonal and arhythmic. So when the song body runs through the room, it’s not wholly unfamiliar, just dressed oddly enough to make you look twice. Dark sunshine, still cool. Hopefully, anyway.

My friends helped me make a nice party noise, a goofy sociopath. Everyone who stopped by the studio was asked to make some noise and they pretty much did. A party that lasted for a few years, it’s only now dying down. A friend called this morning asking when the bus was leaving. A rickety, squealy, squeaky bus...none of us want to miss it.”

Kristin Hersh, July 2018

Throwing Muses’ lynchpin, Kristin Hersh’s prolific career has seen her heralded queen of the alternative release. 

Her tenth studio album, ‘Possible Dust Clouds’ is a highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din. 

Enveloping the juxtaposition of the concept of ‘dark sunshine’, a brooding solo record created with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty. 

Feedback and phasing gyrate from simply strummed normality, imagine Dinosaur Jr and My Bloody Valentine cranking up a Dylan couplet.
‘Possible Dust Clouds’ is a glorious return to form for one of alternative rock’s true innovators.

“She's still as powerful a presence as she ever was.” Pitchfork
 
“The prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.” The Quietus

“Throwing Muses became a byword for college-rock feminism in the late 80s, largely because of Hersh’s uncompromising impressionist poetry of emotional anguish, subjugated womanhood and mental illness.” The Guardian

Track list
1.	LAX
2.	No Shade In Shadow
3.	Halfway Home
4.	Fox Point
5.	Lethe
6.	Loudmouth
7.	Gin
8.	Tulum
9.	Breathe In
10.	Lady Godiva

Kristin Hersh - No Shade In Shadow

Liz Cooper & The Stampede - Fondly & Forever

Ohio

Andrew McMahon In The Wilderness - Ohio

Santigold Run the Road
Out now: https://santigold.lnk.to/IDWGFSID

New Music!! Check out my song “Run the Road” from my new project “I Don’t Want: The Gold Fire Sessions”

Lyrics:
Hour past time, and I didn’t want to wake up
Eh eh oh
All that’s fine, are we headin back home
Headin back home
Headin back home
Cross that line and the second we make it
All come round, now they sayin don’t go

I’m tired, still we rockin all days
Racin ‘gainst time, think we’re neck to neck
Got people talking that talk
Copy the rhyme but ain’t in their walk 
From outside looks like a circle
From on this side it seems like a wall
Rough ride, get me through it some way
Another long flight, make me earn the pay

We’re gone to run the road now
Gone, we’re gone now, we’re gone now
We’re gone to run the road now
Gone, gone now, we’re gone now

Face don’t lie, so I put on my make-up
Eh eh oh
Awake all night, can’t make my mind go slow
Mind wont slow
Mind wont slow

Flash that smile, it’s an industry of service
Don’t let ‘em  in when your humor’s too low
Never too low
Never too low

Hang tight, there’s a monkey on me
There’s A deal I made gonna set me free
Got people lost in their thoughts
A glory sometimes, so I pay the cost
And I call it out when I go
One town down, tryin kill ‘em all
It all rolls by like a highway
Take it all in cuz it’s gone today

We’re gone to run the road now
Gone, we’re gone now, we’re gone now
We’re gone to run the road now
Gone, gone now, we’re gone now
I don’t believe its for all of us
Tell you when I’m in
It’s a bit much
But I believe in what I’m here for
I believe in the rhthym of the road
I don’t got a need for so much more
That kind of free, kind of freedom is all I want

Santigold - Run The Road

I have more CDs than I need but less than I want

The Thunder Rolls

funoka