NEW SINGLE 'MISS YOU' OUT ON 
SPOTIFY http://smarturl.it/streamxibe

XIBE is a 24-year-old german DJ and producer from Munich.

Thanks for listening. If you like my music, please show your support by following me

grown up between psychadelic hippie music, jumped to more trippier hop beats, ended up in the minimalistic section of electronic dance music. 
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.rzr. 
.sweetmountainfestival.
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/upcmn:_/
/101025_kiosk_klub_(lu)/
/291125_isletenbeachbar w/ rzr(ur)/
/..../
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/ previos:_/
/ rummelsbucht (ber)/
/ crack bellmer (ber)/
/ module (cph)/
/ klub kegelbahn (lu)/
/ kiosk klub (lu)/
/ tanz am wasser (ur)/
/ zwyerhaus (ur)/
/ box (ur)/
/..../
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/bookin_requests/
/ yannik.furger@hotmail.com /
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1 <3
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See me on Spotify: https://open.spotify.com/artist/5GSFvlo5MRFDtWDjj4wsaC

perkele

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F A V S - Spotify - P l a y l i s t 
https://spoti.fi/2QOG2rk

B o o k i n g 
Australia I New Zealand I Bali
dom@audiopaxx.com
bassia@audiopaxx.com

Worldwide (excl. AU/NZ/BALI)
edouard@unitygroup.fr

M a n a g e m e n t 
edouard@unitygroup.fr

P e r s o n a l    e n q u i r i e s 
music (at) ferdinandweber.com

James Yancey (1974-2006)
http://www.j-dilla.com/biography/

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Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

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