Name: Break by Funzafunza
Duration: 2 min 48 s
Description: Uploaded with AudioShare app - http://kymatica.com/audioshare

Experimentation with a simple ABA form and flexible grooves, working in waves with plucks and pads. 

This is a response to the weekly "disquiet junto" challenge. This time, the assignment was: "Apply some magic to ABA form".

More on this 489th weekly Disquiet Junto project – The Prestige (Assignment: Apply some magic to ABA form) – at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0489-the-prestige/

disquiet0489 - turningwaves

Uploaded with AudioShare app - http://kymatica.com/audioshare

Break

I Teach Cursed Stones How To Think.wav

Idiosyncratic and infectious – listen to 'Pink Something' by Tom Richards, taken from his upcoming release on nonclassical, 'PINK NOTHING'.

Catch Tom live at the Victoria in Dalston on 31 July. There'll also be dreamlike theremin and musical machinery from Sarah Angliss, and improvised vocal-driven drone poetry from Steph Horak.

THIS EVENT WAS ORIGINALLY SCHEDULED FOR 11 JULY, BUT WAS POSTPONED. ALL PURCHASED TICKETS REMAIN VALID.

More info: http://bit.ly/2K6s7cz
Facebook: http://bit.ly/2LLE485
Tickets: http://bit.ly/2JR7LYc

Tom Richards – Pink Something

Arpeggionome Pro controlling various software synthesizers in Ableton Live via iRigMIDI interface.
itunes.com/apps/arpeggionomepro

Branch 1

This piece is a combination of field recordings and experimentation with semi-automated arpeggios and chords. Different instruments (hand drum, music box, and Cello) are playing the same set of notes but layered (like urban moss)on top of each other. They are treated with tape loop effects and noise, with a Solina added on top for ambiance.

In the background, some treated Fado singing from a concert at a small bar in Luxembourg and some street noise.

All this may be also a response to the ongoing chaos in the world… Lets all hope, it will be over soon - and we can go back to enjoying the coming spring.

Best wishes to everyone!


More on this 428th weekly Disquiet Junto project — The Assignment: What echoes of past concerts are retained within this pole? — at:

https://disquiet.com/0428/

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0428 - midivale

In preparing material for the Sub Rosa album last year dedicated to the work of British writer Anthony Burgess, (Conversations with the Anthony Burgess cassette archives 1964-1993), I made several works that were never released or heard. This is an edit of one of them. The full 21 minute work is free for all subscribers to my new Scanner Fan Club at Bandcamp, plus another unreleased track. More information here https://scanner.bandcamp.com

Morphing Burgess

"Jeres forhold til mig er magisk, også i dag. I stoler på mig, selvom I ikke forstår mig. Hvorfor også betvivle min kraft, når I kan mærke, at den findes? Når jeg hver dag løfter jer til toppen af skyskrabere, som om I var superhelte."

ELEKTRICITETEN TALER

Manuskript: Amalie Smith
Instruktør: Niels Erling
Lydscenograf: Rasmus Juncker
Medvirkende:  Filippa Suenson, Lotte Andersen og Andreas Berg Nielsen
Teknik: Morten Frank Nebelong

Hørespillet er produceret i samarbejde med Busan Biennalen
2020, kurateret af Jacob Fabricius.

live på DOKK1 i februar 2020

ELEKTRICITETEN TALER - live på DOKK1

What can the adult film industry teach us about fighting coronavirus? Does the FDA approve Zoom backgrounds? And is it ethical to fund a study of yourself?

Episode 111: Covid-19 in the White House, a Parkinson’s experiment & public health lessons from porn

Corona Sunday Pt. 1

I got nothing to say
Nothing to be
Nowhere to be
There is nothing here with me
Nothing but the beat

Got someone in my skin
Out for a spin
Turning me in
Will I ever be the same?
Tell me whats your name?

What is this im feeling?
Have you ever felt a thing like this before?

It started out with something
Now it keeps me all controlled and I want more

This is what this space is here for

Its for feeling the soothing techno
Letting electro voices shock you
And for thinking that I should let go
But can I do this without you?

Its for filling your body with blue
Only hallucinations get you
I think I slowly become see through
Feels like im finally starting to get you

Its becoming too loud
Being within
Being without
There is no way i’ll stay sane
Become whole again

Its the way that you move
Got such a groove
Something to prove
But you never let me in
I have been forsaken

What is this im feeling?
Have you ever felt a thing like this before?

It started out with something
Now it keeps me all controlled and I want more

This is what this space is here for

Its for feeling the soothing techno
Letting electro voices shock you
And for thinking that I should let go
But can I do this without you?

Its for filling your body with blue
Only hallucinations get you
I think I slowly become see through
Feels like im finally starting to get you

Have I gone mad?
Will I be that?
What you told me to be

Will I see that?
Through this place I’ve been at
Where you told me to be

Its for feeling the soothing techno
Letting electro voices shock you
And for thinking that I should let go
But can I do this without you?

Its for filling your body with blue
Only hallucinations get you
I think I slowly become see through
Feels like im finally starting to get you

Electro Voices

“I don’t think I’m easy to talk about. I’ve got a very irregular head. And I’m not anything that you think I am anyway.” Q: Syd Barrett

Break

Funzafunza

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