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Vinyl and its sound have always been the love of the Wroclaw artist Aksamit. In her compositions, you can find hypnotic sounds of ambient, deep techno and tribal.

A Wrocław DJ, a resident at Ciało, a founder of Affekt and Velvet Vortex, is definitely rising talent in the polish techno scene. Her love of vinyl led her to the Berlin club Tresor, in which she played during the iconic Klubnacht & All You Need Is Ears.

Currently, she has performed in most Polish clubs and festivals - Wisłoujście, Revive, Instytut, LAS Festival, Kaskada Festival and Audioriver Festival. She has also performed outside of Poland - Germany, Spain, Andorra, Denmark, Ireland and the UK. She recently won the Polish Club Stage award in the Munoludy plebiscite in the Discovery of the Year 2018 category.

Follow Aksamit
SoundCloud: @alicja-aksamit 
Facebook: https://www.facebook.com/aksamit.aff
Instagram: https://www.instagram.com/alicjaaksamit/
Resident Advisor: https://ra.co/dj/aksamit

Follow 6AM Group 
Website: www.6amgroup.com 
Facebook: www.facebook.com/6amgroup 
Twitter: www.twitter.com/6amgroup 
Instagram: www.instagram.com/6amgroup 
SoundCloud: @6amgroup 
YouTube: www.youtube.com/6amgroup

6AM Guest Mix: Aksamit

Recorded by @biocym for ÆNIGMA
https://www.facebook.com/Biocym

Artwork by Bohdan Diev

Æ
www.facebook.com/aenigmakyiv
www.instagram.com/aenigmakyiv
https://www.youtube.com/@aenigmakyiv
t.me/aenigmakyiv

ÆXVIII - Biocym

Every now and then we accidentally encounter musical masters we've never heard of, people who've been in the game, parallell to ours, for years or even decades, without bringing us to attention. And then one day stars just align: right time, right place, a great soundsystem, good people and a good amount of acidic buzz. Such was the moment when we first encountered Obri, a Georgian DJ who had us hypnotized from start to end with flawless selctions and mixing skills up in the Carpathian mountain range in 2023.

With releases on Boshke Beats, Horns & Hoofs and Dragonfly Records, and recent DJ appearances at Berlin institutions HÖR and Sisyphos, Obri has crafted his own, unique take on authentic and timeless lysergic Techno.

https://soundcloud.com/obri_gado
https://www.instagram.com/obritech/

Navigare 046 - Obri

Hypnotic Tango Series w/Prismal // Internet Public Radio Residency (Feb’ 25)

Closing Set @ TRESOR Berlin | 05.03.2025. | Vault

Fyzer | Closing Set @ TRESOR Berlin | 05.03.2025. | Vault

Soundcloud : @initialcode
Instagram : www.instagram.com/initialcode_cd/

Initial Code @ GIMIC - 18 April 2025

A word from TM :

This set was recorded for Arthur, and the Paris-based 
Furia collective, and is rooted in the connection we had during unique rave moments at Basilar Festival. It’s a sonic essay shaped by motion and introspection, echoing those shared memories.

Built like a quiet architecture, the mix unfolds slowly and navigating through shifting textures, subtle tension, and emotional ambiguity. I focused on the in-betweens rather than clear climaxes, moving between ethereal atmospheres and more physical, percussive energy. It tried to don’t make a showcase of tracks, but a fragile, magnetic landscape: a space to wander, to drift, or to reflect. A story of movement and restraint, and a continuation of my dialogue with electronic music beyond convention.

Follow TM here : 

Instagram : https://www.instagram.com/tm.oclock?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==
Soundcloud : https://on.soundcloud.com/LNBSvUmR23hZKrUu7

Beyond the Surface - TM #011

Blacklauren - the techno nom de guerre of Brooklyn’s Lesly Remy Jr. - works far beyond the reach of polite musical resolution. Enormous and pounding, these five tracks revel in what classically-minded listeners would consider dissonance - close intervals and flat fifths are expressed repetitively and hypnotically by whirling, searing synthesizers over undeniably kinetic drum programming. Harmonic ratios that less daring composers or improvisers would only ever use in the approach to resolution - or indeed would historically be considered demonic by early churches - are instead here the entire basis of these works. You are not permitted the safety of a return to a tonic chord, you are not permitted the boneheaded anticipation of a drop on the one, you are instead invited to savor the discomfort, everything progressing at a mechanical, unyielding techno sprint.

The result is a fascinating, disorienting space that ultimately works towards liberating the body. In the throbbing, unfamiliar harmonic churn of these body-rattling tracks something sublime bubbles up. Call it psychedelic, call it mesmerizing, call it mental, call it what you wish - but out amid the chug of the kick, as the unresolved melodies and clusters flutter unflinchingly, this freedom from resolution kicks you out of the airplane: it’s thrilling, it’s terrifying, it’s coming at you fast.

His work on these tracks can be described as devotional - with monastic dedication he makes certain to fire up Ableton and make some kind of sound every single day, hitting the YouTube tutorial dojo often or calling on fellow masters of dissonance Wata Igarashi or Linear System for expert guidance. He has also been a devotional fan of The Bunker New York, regularly attending our parties since 2010, appearing on several lineups and a pair of podcasts since then. Within the infinite universe of the DAW, he’s locked down a very particular set of instruments and presets, making great use of Reaktor’s realistic emulations of classic synthesizers. So his sonic signature is consistent, recognizable from track to track and also lovingly connected to the legacy of techno, plus the recordings are electric and alive. That’s the beautiful thing about going back to the same well again and again - you drink deeper with each dip.

Remy is also the founder of Nyabinghi Electronic Music, a fascinating label that arcwelds together the primal - like the pounding rhythms of Haitian Vodou, familiar to Blacklauren’s ears from his origins in Port-au-Prince - and the future - the various sonic technologies of the last fifty years, deployed precisely. Electrified into artistic ownership by the available time and inspiring swell of summer 2020’s Black Lives Matter actions, Remy makes explicit the label’s efforts to excavate the ceremonial aspects of techno and the futuristic summonings of African diasporic religious and cultural practices. In line with other tremendous futurists like the music and writings of DeForrest Brown, Jr. or the graffiti-as-starship designs of RAMM:ΣLL:ZΣΣ, Blacklauren’s work with the label and on this release sounds like sirens that are ever-approaching, doppler bending as they continually arrive - we’re here in the emergency but still we jubilate.

... full liner notes at thebunkerny.com

Mastered by Tim Xavier at Manmade Mastering
Artwork by Andrew Charles Edman
Liner Notes by Ben Seretan


Buy on Bandcamp

Void

Support

Macho Ingestion Syndrome

"IT'S LATE"
WAREHOUSE VERSION — RAW TECHNO-ACID × emotional melodic house, 
SONGWRITER: KELLY HECTOR 
COMPOSER : KELLY HECTOR 

Watch on YouTube It's Late 

https://youtu.be/jd_s9QmY6qo?si=rxE0DGdbcH-JRrnx


Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

TRANCE & TECHNO ACID PLAYLIST 

https://soundcloud.com/kellytranscend/sets/trance-music-kellytranscend

ITS LATER THAN YOU THINK 
https://soundcloud.com/kellytranscend/its-later-than-you-think


LATE ENOUGH  

https://soundcloud.com/kellytranscend/late-enough

IT'S LATE

Melodic techno like I do.  Dreamy with many melodies.

Beyond the Surface - TM #011

Furia Collective