"...Back at Z-10, the Tenants' frustrations find song"

Track from forthcoming album, Night Time Transmissions, released on Futura Resistenza on November 1, 2021

Written and recorded by Bergur Anderson
Additional arrangements and production: Gunnar Gunnsteinsson
Tenants choir: Katrina Niebergal, Vera Mennens, Linus Bonduelle, Marloes de Vries, Mylan Hoezen, Manon Verkooyen & Clara J:son Borg
The Janitor: Gunnar Gunnsteinsson
Mix and master: Albert Finnbogason
Drawing: Bergur Anderson

Tenants' Regret (with Janitor's commentary)

The cloud holding space / beneath an ancient face

IG @iv_act

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@thelotradio

Bryce Hackford - Cloud Holding @ The Lot Radio 02 - 22 - 2022

RESLP026
Releases January 22, 2024
futuraresistenza.bandcamp.com

In the early '80s, Dutch band Nadagen carved themselves a niche in Amsterdam's post-punk scene, where nihilism was a call to arms. Their name translates to 'aftermath' or 'twilight years', reflecting their existential outlook: their songs offered prophecies of impending doom, echoing their belief in the imminent end of the world. Nadagen's minimal instrumentation and shouted lyrics convey a sense of rebellion, denouncing the consumerism and so-called decency of the era. Despite a brief existence, they left a legacy that resonates in today's troubled times, making their records a gleeful experience for all the long-standing doomsayers out there.

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Side A: All songs written and recorded at Nite Flite Studios, Amsterdam, 1983 by Marc Josten, Lex van Moorsel, Rob Besjes, Peter Simons, Guus Bauer except ‘Onder 4 Ogen’ by Lex van Moorsel, Peter Simons and Guus Bauer; ‘Buitenwijk’ by Guus Bauer with clarinet by Marleen Vis; ‘Gelijkspel’ lyrics by Marc Josten, music by Guus Bauer and Peter Simons with guest appearance by Diana Ozon.

Side B: All songs written and recorded at Oktopus Studio, Amsterdam, 1982 by Marc Josten, Peter Simons, Rob Besjes and Lex van Moorsel. Lyrics by Marc Josten.

Mastered by Wout de Kruif
Artwork by Hugo Zebra
Layout by Koos Siep
Liner notes by Niek Hilkmann

FUTURA RESISTENZA
Brussels/Rotterdam, 2024

4 Staccato

Broadcasted live at Radio Tempo Não Pára (15.12.2023)

Artist: @katrina-niebergal & @bergurta

Katrina Niebergal & Bergur Anderson @ Radio TNP 15.12.2023

Elena Colombi helps to keep Mondays weird - expect a diverse range of up-and-at-'em records: from techno to post-punk, through EBM, industrial and -wave... 
https://www.nts.live/shows/elena-colombi/episodes/elena-colombi-22nd-january-2024

Elena Colombi 220124

FULL ALBUM: https://davidetidoni.bandcamp.com/album/the-best-of-notav-2024

The Best of NoTAV is a songbook that includes lyrics, contextual notes and reinterpretations of 15 songs from the No-TAV struggle. Conceived as an historical documentation of the struggle, narrated through its own songs, the work also functions on a performative level. The ironic and seductive character of the musical rearrangements easily infiltrates the listeners’ attention, inviting them to sing aloud on their own.

The publication of the songbook is accompanied by the music video The Golden Years of San Didero. The video includes footages shot by the political police on Dec. 8, 2011, during a demonstration against the newly installed TAV construction site. Watch the video here: vimeo.com/887000875.

THE BEST OF NO-TAV (2024) - La ruspa del piacere

Performance
Friday, October 20th, 2017

ISSUE Project Room
22 Boerum Place, Brooklyn

Friday, October 20th, ISSUE presents a public performance celebrating the work of pioneering French composer Éliane Radigue (in absentia), presented as a part of The Austrian Cultural Forum’s Moving Sounds Festival. Following her honoring at ISSUE’s 2017 Gala, the evening spans her acoustic and electronic compositions and features the world premiere of OCCAM RIVER XVI, performed by composer and clarinetist Carol Robinson and harpist Rhodri Davies, as well as a performance of Radigue’s 2013 piece OCCAM IX by Laetitia Sonami.

The evening also showcases Mila's Song in the Rain from The Songs of Milarepa, a tribute to the Tibetan saint and poet from the eleventh century. Released in 1983 and compiled in 2001 by Mimi Johnson’s Lovely Music, the song cycle is arguably considered the masterpiece of Radigue’s early electronic works. The recording of Mila's Song in the Rain is presented as a focused listening environment, demonstrating the signature organic mysticism of Radigue’s Arp synthesizer work alongside Lama Kunga Rinpoche and Robert Ashley’s respective Tibetan and English readings.

After completing her ground-breaking Naldjorlak trio for two basset horns and cello, Éliane Radigue began a new musical project called OCCAM OCEAN. She initiated the cycle with a solo harp piece written for Rhodri Davies in 2011. Little by little, solos for a wide range of instruments were created, including three for electronic instruments, and then combined into various chamber groupings. The combinations are seemingly infinite, a compositional coincidence that was extremely motivating to Radigue. Her first trio, OCCAM DELTA II, was written for bass clarinet, viola and harp, and premiered by Carol Robinson, Julia Eckhardt and Davies in 2012. It, and other pieces for these performers, will soon be released by shiiin on a double CD.

OCCAM IX, the ninth composition in the OCCAM OCEAN composition cycle, was created with Laetitia Sonami on electronics with her new instrument, the Spring Spyre. Sonami originally studied with Radigue in France in 1976. While her music took on a very different expression through her design of unique controllers and live performance, they both remained very close. In 2011, Sonami requested Eliane to create a piece for her new instrument. Their meetings took place during the winter 2012 in France, after which Radigue gave her permission to premiere the piece in the Fall 2013. Three audio pick-ups on the Spring Spyre are analyzed and trained through neural networks to create subtle real time modulations of digital synthesis. The work mode is based on an individual “image” illustrated and evoked within each solo -- where each musician is guided by his or her personal “image.” This provides the essential sound, letting descriptive words and evocations establish a system of communication as the piece is being elaborated. This intuitive-instinctive process guides the performer to the very essence of the composition. Sonami describes the process as akin to oral transmission of ancient traditional music.

Éliane Radigue: OCCAM IX (Laetitia Sonami)- LIVE at ISSUE / October 20th, 2017

Text: JMH Berckmans - Kaddisj voor een groene rat
Music: Autechre - Eutow
Blend: @jazzneversleeps
Voice: Night S. Yung

Jazz Neversleeps Blends

JMH Berckmans x Autechre (Jazz Neversleeps Blend)

Kleingeld, our favourite new DJ from Rotterdam, made the first Nous’klaer Radio of 2020. We had the pleasure of seeing her play a couple of times in a small open air venue here called Keilecafe. Her selections are wild, not bound to any genre, blending kraut with DnB, hip hop, an occasional house track and lots of otherworldly electronica. Big thanks to @kleingeldkleingeld for the mix.

Kleingeld and Oberman play together in The Hague’s @HetMagazijn club coming friday: https://www.facebook.com/events/580932379377403/

More Nous'klaer Radio

Nous'klaer Radio #25 - Kleingeld

Fergus Clark (5/12/20)

A1 First of May

B1 I Hear Your Voice Is Dead
B2 I Hear Your Voice Is Dead (Other Version)

—

RES7001

All tracks written and performed by Nele Möller in Helsinki-Finland and Rotterdam-Netherlands, 2019.
Production & recording by Nele Möller.
Mastered by Felix-Florian Tödtloff.
Artwork by Nele Möller. Photography by Elena Pérez-Ardá López.
Design by Koos Siep.
Text by Sini Silveri.

Futura Resistenza, Rotterdam-Netherlands, 2021.

B1 I Hear Your Voice Is Dead

Futura Resistenza is a Brussels-Rotterdam based record label
"Speramus meliora; resurget cineribus"

B1 I Hear Your Voice Is Dead

Futura Resistenza

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