OKVLT https://soundcloud.com/o-k-v-l-t
Officium & Tzii - Inland Chase
WATCHING MYSELF FORGET WITH NO RESISTANCE
OKVLT009
Release date : June 30th 2021
C60 tapes with risoprinted cover
https://okvlt.bandcamp.com/album/watching-myself-forget-with-no-resistance

☽ Mixed and mastered by Tioma Tchoulanov
☽ Artwork by Gaëtan Bizien
☽ Edition of 70 hand-numbered copies
☽ 20 ex. comes with 12ml black magic potion

Listen  "Inland Chase" with no resistance and get into the universe of Officium & Tzii upcoming release on OKVLT. 
Tribal piece so dear to the aesthetics of the label, Officium and Tzii, sublimate a ritual music with industrial aftertaste, in a haunted and altered universe.
__________________
French musicians Alban Mercier (https://soundcloud.com/officiumofficium  https://soundcloud.com/endedforlife) and Eric Desjeux (Tzii) team up after years of friendship for a 9-tracks collaborative album. The duo’s first recording attempt is a highly evocative and melancholic album based on the pair personal archives, techniques and souvenirs. A collection of twisted voices, haunting synths and percussions combining Tzii’s composition skills with Officium’s field recordings, chant and bleak approch of sound.

“WATCHING MYSELF FORGET WITH NO RESISTANCE” is an intimate research on perception, memory and inward visions : sometimes violent, yet poetic and definitely elegiacal.

[PREMIERE] Officium & Tzii - Inland Chase [OKVLT009]

The noise travelled through the empty rooms, one by one rattling the walls with might and power before faintly disappearing onwards into the next. It was a sequential system and as the music echoed and bounced between each space a crowd of wanderers desperately followed trying to keep up and stay within earshot of the magnificent sounds. There was wild drums, racing percussion, a rising tonality and warwhoops which chattered and rattled between the lofty walls. 

Plein Soleil blurs the lines between experimental dub, polyrhythms and beyond on a new mini album for Zèbres, the Lyon based experimental imprint. This release comes highly recommended, sounds built for home listening as much as they'll echo and thunder on a big system.

PREMIERE: Plein Soleil - José [Zèbres]

MAP028 - Cucina Povera "Keruu"

WEB DJ. KICK N BAZE

"While making this album I was inspired by the scientific themes and topics expressed by both 1970s magazine "Radical Software" and 1980s magazine "OMNI" for their influence on the video synthesis and broadcasting culture of our present day. Radical Software arrived in 1969 at a time of major social upheaval. The Viet Nam war was raging and the loss of Martin Luther King exacerbated feelings that a war on race war seemed inevitable. The Nixon presidency amplified feelings of despair but compelled many to imagine alternatives to the soulless, murderous culture in they were existing in. The urge to create new cultural structures, developed revolutionary video hardware that would play a pivotal role in accelerating the social change people desired. Authors of the magazine understood that change would only occur by increasing the level of social pressure. Through their reading of Buckminster Fuller, Gregory Bateson and Marshall McLuhan, they realized what needed to be changed was not the machines, but the instructions used to operate them. The social implications proved radical hardware was fine but what was critically needed was "Radical Software". The magazine became a form of social activism. It would be a forum, a video craft how-to-magazine, a rudimentary marketing and distribution system for the burgeoning community, and a journal of philosophical speculation and political opinion for all who shared their vision. The cover of the album is created by CINEMA.AV using LZX video synthesizers."

Purchase Album: https://reservematinee.bandcamp.com/album/liminal-space

Produced by Anderson Chimutu aka Fumbata Phiri
Mastered by Michael Stumpf
Artwork by CINEMA.AV
Released by Reserve Matinee from Chicago IL, US
Release Date : January 17th. 2022
Format - Cassette and Digital

Fumbata Phiri (South Bend, US)
@fumbataphiri
www.facebook.com/fumbataphiri

Reserve Matinee
@reservematinee
https://reservematinee.bandcamp.com/

Support the label

Premiere - Fumbata Phiri - Liminal Space (Reserve Matinee)

HYSTERIA TEMPLE FOUNDATION Ritual EP [HTF002]

Tracklist :
1 // Carpathian Ritual ( Feat @Alina-Pash )
2 // Tundrak
3 // Shyrokyi Lu
4 // Transilvania

Format : Digital
Cat Number : HTF002
Release Date : April 1th 2022 ( 17th March @bandcamp Exclusive )
Copyright : HTFRECORDS

𝙄𝙣 𝙨𝙤𝙡𝙞𝙙𝙖𝙧𝙞𝙩𝙮 & 𝙨𝙪𝙥𝙥𝙤𝙧𝙩 𝙩𝙤 𝙐𝙠𝙧𝙖𝙞𝙣𝙞𝙖𝙣 𝙘𝙞𝙩𝙞𝙯𝙚𝙣𝙨, 𝙬𝙚 𝙙𝙚𝙘𝙞𝙙𝙚𝙙 𝙩𝙤 𝙜𝙞𝙫𝙚 𝙖𝙡𝙡 𝙗𝙚𝙣𝙚𝙛𝙞𝙩𝙨 𝙤𝙛 𝙩𝙝𝙚 𝙧𝙚𝙡𝙚𝙖𝙨𝙚 𝙩𝙤 "𝙡𝙖 𝙘𝙧𝙤𝙞𝙭-𝙧𝙤𝙪𝙜𝙚 𝙛𝙧𝙖𝙣𝙘𝙖𝙞𝙨𝙚" . 𝙩𝙝𝙚𝙮 𝙬𝙞𝙡𝙡 𝙥𝙧𝙤𝙫𝙞𝙙𝙚 𝙝𝙚𝙡𝙥 𝙩𝙤 𝙖𝙡𝙡 𝙥𝙚𝙤𝙥𝙡𝙚 𝙩𝙤𝙪𝙘𝙝𝙚𝙙 𝙗𝙮 𝙩𝙝𝙞𝙨 𝙘𝙧𝙞𝙨𝙞𝙨, 𝙩𝙤 𝙧𝙚𝙗𝙪𝙞𝙡𝙙 .

[𝗛𝗧𝗙𝟬𝟬𝟮] ➡️  https://bit.ly/3u3fEid

Info /
Back to kick of 2022 under the best auspices, Hysteria Temple Foundation return with their sophomore instalment, “Ritual” - a four-track audio trip showcasing the duo’s signature blend of bassy horsepower, tribal anchorage and dubbed-out futurism.
Hijacking your sound system with instant impact, the lead-track “Carpathian Ritual” featuring
Alina Pash is a perfect example of HTF’s hair-raising take on shamanic 4x4 wares. Inspired by ayahuasca-induced visions she had in the Carpathians, “Carpathian Ritual” reels out as a faux- junglistic maelstrom of sense-awakening, ritualistic frenzy and adventurous introspection you’ll have a hard time fnding any equivalent to in today’s landscape.
A more subdued afair, “Tundrak” treats us to an even darker, desert folk music-informed voyage into opaque melodic grounds. Relying on a palette similar to that of dub techno all the while implementing and polishing a distinctive sonic approach, it convulsively threads its way past known beacons and genre-bound limitations to establish its own line of action, half-way surgical BMB oomph, rage-flled drone and Berber traditions.
Cranking the speed levels up a notch, “Shyrokyi Lu” heaves us amidst a fery batucada; horns, chimes and drums blazing to overwhelming efect as we enter a trance-like state of physical dispossession.
Rounding of the package is “Transilvania ” - a zen-like piece of temple music ftting both meditative and subtle after time-friendly use with its slo-evolving layers and lulling drums on a fy, appeasing jazz tip.

Written & Produced by Hysteria Temple Foundation
Artwork designed by @Haedre
Mastered by @pushuptheaudio

#hysteriatemplefoundation #bassmusic  #alinapash  #haedreart  #pushuptheaudio #kudosrecords  #downcreative #deepbassmusic #bitangablood #ukrainiansinger #carpathian #ukrainiangirl #croixrougefrancaise #croixrouge #bandcamp #ritual #ethnic  #ukrainianmusic #folklore

Ritual EP [HTF002]

BANDCAMP

03_Hysteria Temple Foundation - Shyrokyi Lu - Ritual EP [HTF002]

Matteo Coffetti - Floating Memory

out on @audiovisualsatmosphere "First Rays & A Lasting Echo Compilation"

download: https://audiovisualsatmosphere.bandcamp.com/album/first-rays-a-lasting-echo

First Rays & A Lasting Echo

the ones that sailed now pile up like sediments over a saltmarsh (lanterne des morts loop / to G.)

Performance
Friday, October 20th, 2017

ISSUE Project Room
22 Boerum Place, Brooklyn

Friday, October 20th, ISSUE presents a public performance celebrating the work of pioneering French composer Éliane Radigue (in absentia), presented as a part of The Austrian Cultural Forum’s Moving Sounds Festival. Following her honoring at ISSUE’s 2017 Gala, the evening spans her acoustic and electronic compositions and features the world premiere of OCCAM RIVER XVI, performed by composer and clarinetist Carol Robinson and harpist Rhodri Davies, as well as a performance of Radigue’s 2013 piece OCCAM IX by Laetitia Sonami.

The evening also showcases Mila's Song in the Rain from The Songs of Milarepa, a tribute to the Tibetan saint and poet from the eleventh century. Released in 1983 and compiled in 2001 by Mimi Johnson’s Lovely Music, the song cycle is arguably considered the masterpiece of Radigue’s early electronic works. The recording of Mila's Song in the Rain is presented as a focused listening environment, demonstrating the signature organic mysticism of Radigue’s Arp synthesizer work alongside Lama Kunga Rinpoche and Robert Ashley’s respective Tibetan and English readings.

After completing her ground-breaking Naldjorlak trio for two basset horns and cello, Éliane Radigue began a new musical project called OCCAM OCEAN. She initiated the cycle with a solo harp piece written for Rhodri Davies in 2011. Little by little, solos for a wide range of instruments were created, including three for electronic instruments, and then combined into various chamber groupings. The combinations are seemingly infinite, a compositional coincidence that was extremely motivating to Radigue. Her first trio, OCCAM DELTA II, was written for bass clarinet, viola and harp, and premiered by Carol Robinson, Julia Eckhardt and Davies in 2012. It, and other pieces for these performers, will soon be released by shiiin on a double CD.

OCCAM IX, the ninth composition in the OCCAM OCEAN composition cycle, was created with Laetitia Sonami on electronics with her new instrument, the Spring Spyre. Sonami originally studied with Radigue in France in 1976. While her music took on a very different expression through her design of unique controllers and live performance, they both remained very close. In 2011, Sonami requested Eliane to create a piece for her new instrument. Their meetings took place during the winter 2012 in France, after which Radigue gave her permission to premiere the piece in the Fall 2013. Three audio pick-ups on the Spring Spyre are analyzed and trained through neural networks to create subtle real time modulations of digital synthesis. The work mode is based on an individual “image” illustrated and evoked within each solo -- where each musician is guided by his or her personal “image.” This provides the essential sound, letting descriptive words and evocations establish a system of communication as the piece is being elaborated. This intuitive-instinctive process guides the performer to the very essence of the composition. Sonami describes the process as akin to oral transmission of ancient traditional music.

Éliane Radigue: OCCAM IX (Laetitia Sonami)- LIVE at ISSUE / October 20th, 2017

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Archive & Tracklist here:

https://www.dublab.com/archive/georgia-j-tripp-dwell-time-w-guest-nina-v-i-s-05-12-20

Special Guest @nina (https://soundcloud.com/internetnina)

DWELL TIME w/ J.TRIPP/GEORGIA & NINA (V I S) 05.12.20 on DUBLAB RADIO

ISSUE Project Room is a non-profit center for innovation, discovery, development, and presentation of new music, sound, dance, performance, literature, video, and film.

Éliane Radigue: OCCAM IX (Laetitia Sonami)- LIVE at ISSUE / October 20th, 2017

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