"...Back at Z-10, the Tenants' frustrations find song"

Track from forthcoming album, Night Time Transmissions, released on Futura Resistenza on November 1, 2021

Written and recorded by Bergur Anderson
Additional arrangements and production: Gunnar Gunnsteinsson
Tenants choir: Katrina Niebergal, Vera Mennens, Linus Bonduelle, Marloes de Vries, Mylan Hoezen, Manon Verkooyen & Clara J:son Borg
The Janitor: Gunnar Gunnsteinsson
Mix and master: Albert Finnbogason
Drawing: Bergur Anderson

Tenants' Regret (with Janitor's commentary)

The cloud holding space / beneath an ancient face

IG @iv_act

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@thelotradio

Bryce Hackford - Cloud Holding @ The Lot Radio 02 - 22 - 2022

RESLP026
Releases January 22, 2024
futuraresistenza.bandcamp.com

In the early '80s, Dutch band Nadagen carved themselves a niche in Amsterdam's post-punk scene, where nihilism was a call to arms. Their name translates to 'aftermath' or 'twilight years', reflecting their existential outlook: their songs offered prophecies of impending doom, echoing their belief in the imminent end of the world. Nadagen's minimal instrumentation and shouted lyrics convey a sense of rebellion, denouncing the consumerism and so-called decency of the era. Despite a brief existence, they left a legacy that resonates in today's troubled times, making their records a gleeful experience for all the long-standing doomsayers out there.

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Side A: All songs written and recorded at Nite Flite Studios, Amsterdam, 1983 by Marc Josten, Lex van Moorsel, Rob Besjes, Peter Simons, Guus Bauer except ‘Onder 4 Ogen’ by Lex van Moorsel, Peter Simons and Guus Bauer; ‘Buitenwijk’ by Guus Bauer with clarinet by Marleen Vis; ‘Gelijkspel’ lyrics by Marc Josten, music by Guus Bauer and Peter Simons with guest appearance by Diana Ozon.

Side B: All songs written and recorded at Oktopus Studio, Amsterdam, 1982 by Marc Josten, Peter Simons, Rob Besjes and Lex van Moorsel. Lyrics by Marc Josten.

Mastered by Wout de Kruif
Artwork by Hugo Zebra
Layout by Koos Siep
Liner notes by Niek Hilkmann

FUTURA RESISTENZA
Brussels/Rotterdam, 2024

4 Staccato

Broadcasted live at Radio Tempo Não Pára (15.12.2023)

Artist: @katrina-niebergal & @bergurta

Katrina Niebergal & Bergur Anderson @ Radio TNP 15.12.2023

Elena Colombi helps to keep Mondays weird - expect a diverse range of up-and-at-'em records: from techno to post-punk, through EBM, industrial and -wave... 
https://www.nts.live/shows/elena-colombi/episodes/elena-colombi-22nd-january-2024

Elena Colombi 220124

RESMAX001
Releases November 4, 2025
futuraresistenza.bandcamp.com

Stripped-back dub techno, carried by ghostly, voodoo-haunted vocals. From Grand-Popo 2013 to Helsinki 2025, a slow burn across time and space.

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Recorded in Grand-Popo, Benin, 2013
Mixed in Helsinki, 2025
Original Photography by Antti Sundberg
Mastered by Frédéric Alstadt, Ångström Mastering
Artwork by Aukio Sound
Lay-out by Jeroen Wille

RESMAX001
Futura Resistenza
Brussels/Rotterdam, 2025

Pre-order Vinyl

A1 Hode Medio

RESSING002
Releases October 24, 2026
futuraresistenza.bandcamp.com

“Wearing Words,” the title track of Emily Wittbrodt’s forthcoming album (out February 3, 2026), unfolds in line with the album’s concept, as the lyrics flow naturally into the melodic shapes, highlighting the delicate interplay of language, poetry, and music that defines her work.

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lyrics/music/production by Emily Wittbrodt
recorded, produced, partially co-arranged and mixed by Jan Philipp
mastered by Stephan Mathieu / Schwebung Mastering
cover design: Anne Büttner
cover art on the back: Eleni Wittbrodt
cover photo on the front: film still by Janosch Pugnaghi
artist photos: Ludwig Kuffer

musicians on Wearing Words:
Emily Wittbrodt: cello/harpsichord/synths/guitar/theremin/piano
Jan Philipp: drums/synths
Sandro Hähnel: voice
Tizia Zimmermann: accordion
Shabnam Parvaresh: clarinet and bass clarinet
David Helm: Bass/Harpsichord

RESSING002
Futura Resistenza
Brussels/Rotterdam, 2025

Emily Wittbrodt - Wearing Words (RESSING002)

RESAE003 
Releases December 9, 2025
futuraresistenza.bandcamp.com

The experimental double-sided 10-inch vinyl ‘Two Intersecting Loops of Silence’ turns silence into rhythm and time into matter. A work that transforms the familiar vinyl record from a traditional sound carrier into an instrumental sculpture that quite literally puts time into rotation.

Side A features two silent locked grooves, each centred around one of two holes: one central, one off-centre. When played from either hole, the grooves intersect and produce a merely mechanical ticking sound, echoing the passing of seconds. No sound was recorded; but emerges only through the record’s spinning. Over time, as the grooves wear and scratch, the rhythm changes.

Side B reimagines the record as an image carrier. Instead of audio, Mater etched a drawing directly into the copper layer of a DMM master plate, turning a clock-like image into an analogue tactile imprint. When played, the record’s rotation animates this clock drawing, however not arms, but faces turn.

The making of this record was equally experimental as its concept. Every technical step fell outside conventional vinyl production standards: two centre holes, intersecting and off-center silent grooves, etching on DMM plates and pressing without labels. It took over five years, countless tests and conversations with mastering engineers and pressing plants across Europe before finding partners willing to realise this work.

‘Two Intersecting Loops of Silence’ is a study of time, sound, and perception, combining conceptual philosophy with material experimentation. An inquiry into what it means to “record” time, and how time manifests through physical motion.

The numbered edition of 200 copies is released by Futura Resistenza, a label operating between performance, music, and visual art. Each cover is hand-printed using three different test etching plates, turning every copy into a unique artwork. 

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Released by: Futura Resistenza, Brussels/Rotterdam
Pressing: MonotypePressing, Warsaw
DMM cutting (one side): dubplate.be
Etching (other side): Katja Mater at MASEREEL, Kasterlee
Cover design: Elisabeth Klement & Katja Mater
Printing: AGA Lab, Amsterdam

1st edition of 200
Made with the support of Stimuleringsfonds Creatieve Industrie

Acknowledgements:
Thank you Frédéric van de Velde for your trust,
thank you Lester Michiels for going off the beaten path,
thank you Marta Szewczyk for your patience,
thank you André Avelas for the prototype,
thank you Naomi Kwee for the dental cement,
thank you Sam van Gils for closing the holes,
thank you Nathan Gotlib & Ivan Durt for the experimental etching.
And always, and for the record, thank you Jessica Gysel.
Voor Marius.

RESAE003
Futura Resistenza
Brussels/Rotterdam, 2025

Katja Mater - Two Intersecting Loops of Silence (PREVIEW)

Performance
Friday, October 20th, 2017

ISSUE Project Room
22 Boerum Place, Brooklyn

Friday, October 20th, ISSUE presents a public performance celebrating the work of pioneering French composer Éliane Radigue (in absentia), presented as a part of The Austrian Cultural Forum’s Moving Sounds Festival. Following her honoring at ISSUE’s 2017 Gala, the evening spans her acoustic and electronic compositions and features the world premiere of OCCAM RIVER XVI, performed by composer and clarinetist Carol Robinson and harpist Rhodri Davies, as well as a performance of Radigue’s 2013 piece OCCAM IX by Laetitia Sonami.

The evening also showcases Mila's Song in the Rain from The Songs of Milarepa, a tribute to the Tibetan saint and poet from the eleventh century. Released in 1983 and compiled in 2001 by Mimi Johnson’s Lovely Music, the song cycle is arguably considered the masterpiece of Radigue’s early electronic works. The recording of Mila's Song in the Rain is presented as a focused listening environment, demonstrating the signature organic mysticism of Radigue’s Arp synthesizer work alongside Lama Kunga Rinpoche and Robert Ashley’s respective Tibetan and English readings.

After completing her ground-breaking Naldjorlak trio for two basset horns and cello, Éliane Radigue began a new musical project called OCCAM OCEAN. She initiated the cycle with a solo harp piece written for Rhodri Davies in 2011. Little by little, solos for a wide range of instruments were created, including three for electronic instruments, and then combined into various chamber groupings. The combinations are seemingly infinite, a compositional coincidence that was extremely motivating to Radigue. Her first trio, OCCAM DELTA II, was written for bass clarinet, viola and harp, and premiered by Carol Robinson, Julia Eckhardt and Davies in 2012. It, and other pieces for these performers, will soon be released by shiiin on a double CD.

OCCAM IX, the ninth composition in the OCCAM OCEAN composition cycle, was created with Laetitia Sonami on electronics with her new instrument, the Spring Spyre. Sonami originally studied with Radigue in France in 1976. While her music took on a very different expression through her design of unique controllers and live performance, they both remained very close. In 2011, Sonami requested Eliane to create a piece for her new instrument. Their meetings took place during the winter 2012 in France, after which Radigue gave her permission to premiere the piece in the Fall 2013. Three audio pick-ups on the Spring Spyre are analyzed and trained through neural networks to create subtle real time modulations of digital synthesis. The work mode is based on an individual “image” illustrated and evoked within each solo -- where each musician is guided by his or her personal “image.” This provides the essential sound, letting descriptive words and evocations establish a system of communication as the piece is being elaborated. This intuitive-instinctive process guides the performer to the very essence of the composition. Sonami describes the process as akin to oral transmission of ancient traditional music.

Éliane Radigue: OCCAM IX (Laetitia Sonami)- LIVE at ISSUE / October 20th, 2017

Text: JMH Berckmans - Kaddisj voor een groene rat
Music: Autechre - Eutow
Blend: @jazzneversleeps
Voice: Night S. Yung

Jazz Neversleeps Blends

JMH Berckmans x Autechre (Jazz Neversleeps Blend)

Futura Resistenza is a Brussels-Rotterdam based record label
"Speramus meliora; resurget cineribus"

Katja Mater - Two Intersecting Loops of Silence (PREVIEW)

Futura Resistenza

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