T.I.M. - Introspection (Future 16 Gap View) out in April on Etichetta Nera

Some feeds: 

Josh Wink : Like the Future 16 gap view the best on the ep!
Juho Kahilainen : Future 16 Gap View's remix of "Introspection" is my choice. Old school vibes yet modern stuff.
Drumcell : great tracks all around
Paul Boex : Cool stuff from my buddy T.I.M.! Like the original. Future 16 is also cool
Electric Indigo : future 16 gap view is l.o.v.e.l.y.!
Ness : good work , spot on Future16 and Plural.
Attemporal : FUTURE 16!!!!!!! Amazing work. I Will play
Unbalance : Future 16 Gap View and original! thanks!
Kwartz : Very nice release as usual, original and Future 16 for me but all tracks are good, thanks! 
S100 : Future 16 gap view! Downloaded. Thanks
Patrick Krieger : Future 16 is the one for me! thanks!
Thomas Hessler : Plural and Future 16 for me
Benoit TSUGI FR : nice mixes
Samot (NX1) : Good sounds! Future 16 my fav.Thank you!
DVS1 : Future 16 gap view..
Kriss Life Recorder : Great techno here. Future 16 Gap view is for me ! really nice !
Gill : supported & noticed by differentgrooves.com
Angel Molina : the deep 'Future 16 Gap View' for me here at first listening, thanks.
Jorge Savoretti : Future 16 and George Apergis! proper techno :)
Danny Tenaglia : sounds good...thanks!!!
Franco Cangelli : i'm into future 16 gap view, really like the deepness, will def play


T.I.M. - Introspection (Future 16 Gap View) [ENdgt020]

Naples home based producer, Future 16 founds his music concept on a free approach to the creativity, fusing elements of every genre that affect his sound design, from hip hop to industrial and, obviously, the classic mood of the electronic and techno scene.
He started to compose music in 2009 but it's just three years later that he found his vein founding the alias of Future 16; his new music caught the attention of the newest and the evergreen artists in the techno scene, receiving supports from lot of estimated djs and producer.
In 2013 is out his own 12" and dgt label "Rectoversion" (based on the transmigration of the concept of the homonymous painting movement within the music scene), founded with his friend and music partner Alpha Code.
In the season 2014 / 2015 he was part of the underground movement "Manifesto - raw culture", which was active as parties and podcast organizer but also releasing music under the aka of this collective.
Now he's focusing on his new projects, always looking for innovation and experimenting new methods of making music.

-----  Planned Releases  -----

• Cyborg / EP - Postponed
• Cybernetic Organism / Full Album - Postponed


--------   Releases   --------

• Origins EP - 13/01/13


--------  Biography  --------

Duallity is a french producer from France. He started creating electronic music in 2009 after the break of his Metal band Deathpike. His music was first inspired by hard trance and psy trance, but now he mixes complex percussions with dark synths and heavy ambient sounds with a cinematographic feeling.

He is a fan of Infected Mushroom, 2methylbulbe1ol, Niveau Zero, Matta, Hecq, xKore, Lone...

Like my facebook page to stay tuned about the progress of my next EP Cyborg and my upcoming album Cybernetic Organism. I will soon post a presale for the limited Digipack/CD vinyl-like signed and numbered edition of Cyborg EP.

---------  Tags ----------

Duallity , Duall1ty , Duality , Electronica , Music , Epic , Cinematographic , Movie , Video Games , Dark

Deluka, Italian DJ, producer and Owner of No Signal Records
@nosignalbln

The artist Soundsurface was born as Marcus Theil in the fall of 1982. He always had a distinctive interest in music. Even in his youth he listened to music very mindful. Later, in the mid-1990s the desire to produce his own music came up. 1999 marks his "leap year" as he started to discover the world of novel electronic music. Terms like IDM, Ambient, Electro House, Drum & Bass affected his awareness for music extremely. Releases from artists like Aphex Twin, Autechre, Plaid, Squarepusher, Boards of Canada, GusGus, Underworld or Mouse on Mars washed his brain devilishly. Since then he developed a taste for quirky, creative and non-commercial music.

Today, he doesn't favor just one specific musical style, but is interested in an enormous spectrum of music. Basically, Soundsurface has a liking for non-commercial music. Normally he doesn't listen to the radio, only if he has to. For that reason he doesn't know much about current number one hits. It's likely that constant access to his private music collection with a huge spectrum of musical styles, is an explanation for his spread of creativity in relation to his own productions.

He definitely adores a lot of artists, but never wants to copy their ideas or sounds. In fact, he is always trying to find his own path. If Soundsurface creates a track, he won't waste time to think about what musical style his composition is similar to. He is simply doing it. Other people should label the musical genre(s) for him - if they can. It is only important that he likes the track. The composition should give him a fascinating and worthwhile feeling to work on it.

Soundsurface had his first contact with music software in the late 1990s. Most software tools had no suitable performance according to the desired requirements and that also frustrated him. Pulling prefab, perfect samples in the arranger-window of the software gave him a non-creative and bored feeling. He decided to wait for a better program. It was his primary aim to create his own sounds first with a visible script and secondly to have full control, with no limits at best.

The search for an optimal program was aborted in 2002. A recommendation of a friend helped him to find the appropriate software. Soundsurface worked hard to get a feeling and a good understanding of the various features of the software. During these days he thought that almost everything was possible. For example twiddling knobs of software synthesizers, manipulating sample material or just recording notes via midi keyboard were desired procedures for producing creative music. It was a new and scary feeling at the same time to have so much control over sounds. But this was exactly what Soundsurface was looking for in the past. Naturally, he had a lot of problems to understand the layout of the software - but never gave up. It took him a long time to understand the whole program. Soundsurface had an unbroken will to rule the program. He accomplished it and improved his skills a lot over the years. In the end he was able to control everything. There were no thoughts left about how to handle the software. The result was an uninterrupted process to create music and only the mind was the limit to transfer his own ideas.

Finally the improvements in the manner to produce music empowered Soundsurface to get deeper into sound synthesis. This means in large part that the sounds you hear in his tracks really are his own creations.

Soundsurface is always exerted to produce as much as possible by himself. This starts with the creation of self-made sounds, is transferred with a sophisticated arrangement and ends with the development of a suitable artwork for his next release. Having almost no recognition value is a characteristic trademark for his productions.

In this spirit let yourself be surprised at what Soundsurface will release in the future. 

Angela is currently based in Melbourne, 

www.trenchtechno.com
booking:
angelatrench@pm.me

TRENCH (est. 2013)

Tours:

Darko Esser aka Tripeo
Drumcell
Inigo Kennedy
Dino Sabatini
Pfirter
Par Grindvik 
Bas Mooy
Developer
Kangding Ray 
SHXCXCHCXSH
Dasha Rush
Reeko
Nihad Tule

Follow FUTURE 16  http://soundcloud.com/future-16