French House/Techno producer and DJ. Also hexagon lover.

Richie Arci was born and raised in New Jersey where he grew up listening to his father sing five part harmonies in different Doo Wop groups.“One of my earliest memories is sitting in a car seat, driving around with my parents and listening to music. One day he (my father) turned down the music in the car, and noticed that I was singing harmony along to the song he was playing. When I was 10 years old I got my first guitar - I taught myself how to play. Soon after that I started writing my own songs, and began educating myself on what it takes to make music.”

It was during high school that he met " The Mavrik " (Producer) the two formed a quick friendship. “We seemed to have a lot in common, especially a love and passion for music so we clicked right off the bat. Not only did we become best friends, but we developed a musical chemistry together that is hard to explain or deny.” The two have been working together ever since and have been growing, learning, and progressing into the sound they achieve today.

For booking informations:
Drop a DM here and I'll connect you with the right person.





It was only back then when Xenia Beliayeva finally kickstarted her career as a club DJ at the opening night of Karlsruhes Centre For Art and Media Technology (ZKM). Opening a night that featured the french Techno pioneer Laurent Garnier and electronic music legends Kraftwerk live on stage after only a few years being around DJ'ing at art events and similar occasions.

Many things have happened since these early days, when she was freelancing for labels like Playhouse, Klang Elektronik or Mute Records and working for the highly acclaimed Ladomat for many of years where she took care of various business issues including the A&R department. Not to forget managing her own label Lone Records in conjunction with Formic Distribution and the Ladomat 2000-offspring Danced Records which is another part of Xenia Beliayeva's journey.

All these things have taken her from the art / exhibition circuits to clubs, raves and festivals allover the world. Continously evolving to the fully established, highly appreciated and award-winning DJ / vocalist Xenia Beliayeva is now, solo and in several collaborational projects that she's taken part in throughout the years.

With 12“ releases under her belt put on the circuit via imprints like Datapunk, Different, Systematic Recordings and others plus a full-length album debut („Ever Since“) on Shitkatapult there's no wondering why Xenia Beliayeva has been caught collecting miles and miles, traveling to places like Spain, France, Italy or paving her way to faraway countries like Ukraine, Australia, Russia or Brazil where she built a firm, enthusiastic fan base and, in the Brazilian district of Mato Grosso, won the Factoide Award for the Best Live Performance two times in a row.

And live means live as Xenia Beliayeva has more to offer than just playing records. Her performance range has evolved from the regular DJ-set to DJ-/live amalgamations in which the Moscow-born artist is voicing special edits of her own productions and now reached the stage of full on live concerts, fronting the stage with a unique vocalist style and pure presence whilst her long-time partner André Winter is taking care of technical aspects.

This ability as such has once again increased the number of fans and followers attending XenBel shows allover the place and tuning in to her Radio Xenbel show which is broadcasted on several stations and in various cities she's playing, giving her an extra slot of air time plus a new and quite innovative way to interact directly with her ever-growing fanbase. And reactions show, that they do feel the meaning of each song even though they might not get the words as hit-singles like „Momentan“ or the more recent „Dumpfe Träume“ are performed and broadcasted worldwide in their orginal form - with lyrics sung in German.

This surely is another important point that singles out Xenia Beliayeva's position as „artiste extraordinaire“. She is a multi-lingual butterfly serving special flavours amongst mostly instrumental or at least monolingual competitors. Plus: her devotees are not only hailing from electronic club land but feeling at home in the darker, kind of Goth-flavored areas as well as in Synth- and Non-Mainstream Pop. Areas Xenia Beliayeva is not afraid of to explore as not only her videos but also different remix works, e.g. for the Techno vs. EBM-flavored Nitzer/McCarthy project, do prove.

SELLO DISCOGRAFICO DIGITAL.
GENEROS: TECHNO - RAW,DEEP,HYPNOTIC - HARDTECHNO - TECHNO MELODIC 
EMAIL: producciones.theotherface@gmail.com

PROMOS PARA LICENCIAR: promos.theotherfacerecords@gmail.com
PROMOS to license this email address:
promos.theotherfacerecords@gmail.com

This is independent Techno and Minimal label.
Directed by: The YellowHeads, please play, listen and enjoy!!

DEMO SUBMISSION:

If you want to send us your demo we ONLY accept LINKS (Soundcloud, mediafire, rapidshare, yousendit, sendspace,etc) of MP3 320 kbps of COMPLETE tracks

Please send your demo links to:
Info@phrenetiktour.com

|| The End Recordings || 
Label Info: 
info@phrenetiktour.com 
Artists & Showcase Booking: 
info@phrenetiktour.com 
 
www.phrenetiktour.com

The Black Moy is the alias for Strasbourg based producer Marc Chapard. With the discovery of electronic music in 1996, his interest quickly grew into a passion for the darker moods of the techno sound. It wasn’t long before the same passion led him on a quest of writing and producing, a quest that commenced in ’99 shows no sign of abating. 

The Black Moy owns the dual distinction of the second ever release on Machine Label, The Abyss EP [MACH002] back in 2011, and the quickest follow up ever with the Bass Syndrome EP [MACH003] also in 2011. Quietly going about his work in the time since, he has become the most prolific artist on Machine Label, with the Parameters EP [MACH012] in 2013, the Natural Process EP [MACH026] in 2015, and now his 5th EP, Galvanised Blain [MACH034] slated for a June 2017 release. The Black Moy stakes a fair claim to being the most influential sound on the label.

The second part of The Black Moy’s quest is the pursuit of something unique to offer a market flooded with the hallmarks of generic beats. To that end individuality is what the Black Moy strives for in his sonic exploration. With a foundation laid upon solid beat structures and mesmerising atmospherics, there is an abundantly clear dancelfoor prerogative, but with an unexpected and alluring artefact; plenty of deep and experimental headroom. The Black Moy’s compositions are characterised by an enormity of space and a density of sound. Together the two make for a spellbinding contradiction sure to

INFLU:
SPEEDY J-ANTONY ROTHER- CHRIS LIEBING-CIREZ D-THE ADVENT- OLIVER HUNTEMANN-DUBFIRE- LEN FAKI- STEPHAN BODZIN-TERENCE FIXMER-JOHANNES HEIL-GREGOR TRESHER-HOLGER FLINSCH-MARC HOULE-LAURENT HO-KYLE GEIGER-BRIAN SANHAJI-ALEX BAU-LITERON-CHRISTIAN VOGEL-MOTOR-NATHAN FAKE-NIELS JENSEN-PHIL KIERAN-RICHIE HAWTIN-THOMAS SCHUMACHER-THE KNIFE-TIGA-7TH PLAIN-PAINDROME-MANU LE MALIN-RADIUM-APHASIA-AL FEROX-TORGULL-DOUBLE FACE-MICROPOINT-LE CERCLE NOIR-HOTREBOR-REVISION-LENNY DEE-PROMO-LES BOUCLES ETRANGES-STUNNY GUYS-MSD-CAROTTE-GUILLAUME LEROUX-CARDIAK-BRIAN BURGER-MAURO PICOTTO-BEN LONG-DAVE CLARK-CARL-BENNY BENASSI-COX-DUSTY KID-ALEX K-DIMA-THE HACKER-MONICA KRUSE-VITALIC-JEAN MICHEL JARRE-KLAUS SHULZE-SPACE DJS-OCTAVE-ADAM BEYER-DJ RUSH-VIRGIL ENZINGER-XAVIER MOREL-UMEK-SO MANY ARTIST....

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