https://chokibikirecords.bandcamp.com/album/toothpick

Toothpick

New Otik EP out on 3024 soon 

https://otik.bandcamp.com/album/cloud-runner

Photonz - Idealize Me
Martyn - Viper ( London Arches Edit) 
DJ T - Dis
Santos - Labyrinths
Lurka - Trip 
Arkajo - Truth
Al Wootton - Hechicera
Atomic Moog - Unlocked groove
PHON.O - Overtake Without Catching Up
Juana Valeria - Numb Reflex
Black Cadmium - Deepwatered ( Danny Daze Remix) 
Vladw - Saya
Polygonia - Shen Wai Shenfa
Pino Pena & samhwo - Jacarandas
Ayesha - Lurk
Distant Echoes - Joints
Rhyw - Sharknado
Luca Durán - Ojos Cerrados ( Laksa's 3rd Eye Rolla Mix)
Hekkla - Nano out on @FlippenDisks
Sun People - Tell Me Something
Jurango - Sleeper Hold
Pugilist, Tamen - Time Becomes A Loop
Vardae - Ecstatic Dance
Mulholland - Tiger Balm
Fixate - Programmed To Fail ft DBridge
Amit - Swastika
Martyn - Get Down
Otik - Theta (out soon on 3024)

liminal space

AVAILABLE DIRECT FROM FT > 
https://futuretimes.bandcamp.com/album/dolo-6

DOLO PERCUSSION is back! DOLO 6 is the first Dolo Percussion drop since 2020, 6 more drum tools for the freaky, gnarly, and psychedelic DJ in U. Fastfreeks and Chuggheads can each get some, with everything from DOLO 27’s frenzied tek to DOLO 29’s SP crank. Direct from Future Times digital for immediate party use. Do Your Beat!
credits
releases April 12, 2024

Produced and mixed by Andrew Field-Pickering at Future Times.
Mastered by Dietrich Schoenemann at Complete
DOLO 26, 27, 30 Mixed with Mezey, DOLO 25 Mixed with Niko Rao
Cover illustration by Andrew Field-Pickering

DOLO PERCUSSION - DOLO 26 (FTDIGI019)

. ∆ . . ∆ . . ∆ . . ∆ . . ∆ . 
hello again
. ∆ . . ∆ . . ∆ . . ∆ . 
Went in a bit too deep with this, spent hours tweaking the loop before finding the power to record it. Cut the jam short and it still came out at 15 minutes. Building a nice catalogue of these live recordings, feels like I'm getting some nice results. Will have to get some of these online soon if I can get a few more of this standard.
. ∆ . . ∆ . . ∆ . 
- Polyend tracker sampling the pro vs and volcafm2 for stabs + background pad-drone
- Hi-res drones from 2 analog synths
- 2600 bassmans 
- fm lead
- ALM coupe drums + filtering
- KP3 + Love Beams + Yamaha FXxX
. ∆ . . ∆ . 
Peace 
. ∆ .

≈inner-worldly . ∆ . outer-worldly≈

Lee Gamble in his ‘Motor System’ moniker bringing you the sound of his forward facing, club ready DJ sets exploring contemporary dance floor-mechanics. Expect futuristic club bangers.. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/motor-system/episodes/motor-system-15th-april-2024

Motor System 150424

Plafond 8 — Ekolali / Tala Drum Corps (LP)

Vinyl/digital: https://bakk.bandcamp.com/album/plafond-8
Vinyl/distribution (Clone): https://clone.nl/item75975.html

A Ekolali — Totem Mollusca (14:45)
B Tala Drum Corps — tokyo subway (16:06)

Plafond continues, taking center stage after the mother label BAKK ceded. Here, two long-time collaborators, Ekolali, originating from Sweden, and Tala Drum Corps, from the Netherlands, await their returns. The former reappears with a characteristic approach earlier heard on 'Doggerland'. The latter did multiple dance releases yet now debuts for this series, expanding on his stylistic spectrum. 

Despite shared tempo, the energies of the track are each of their own. Pulsating with energetic urgency, Ekolali, towards hypnotic movement, Tala Drum Corps. 'Totem Mollusca' shoots for the sun, like a budding landscape, yellow rays, waterdrops – kraut-inspired yet club-like without seeking a climax. 'tokyo subway' has a marimba-ridden, timeless feel – a clock-ticking, crude atmosphere, as a dream long passed, slowly ascending. 

Known for its two-sided, two-songs format, Plafond offers two artists or artist combinations the freeform room for exploration and elongation of their respective sound and practices. This is the eighth in the series.

Music: Mattias Lagerkvist @ekolali / Tijmen Lohmeijer @taladrumcorps
Mastering: Sjoerd Oberman
Design: Mike Kokken and Ruben Verkuylen
Words: Luke Cohlen @lukecohlen

Plafond 8

Pre-order

BAKKPlafond8 | Ekolali / Tala Drum Corps (LP)

Drum wizard Nerve aka Joshua Wells treating us to a 30-minute excerpt from a live performance at the experimental underground venue Ochiai Soup in Tokyo, Japan.

The recording features both new productions and revisited works performed and improvised live at 170 bpm. Typically fresh and elaborate rhythmic explorations of bass music, d’n’b, dubstep etc from the powerhouse producer!

Recorded live at Ochiai Soup, Tokyo Japan May 14, 2023. Available now on cassette + digital as separate tracks and the full recording. 

Written & produced by Joshua Wells
Artwork by @msyawish 
Mastered by @coreykikos

Buy Tape or Digi

Nerve - Tiger Mask (BSRC01)

https://csandkreme.bandcamp.com/album/orange

Snoopy is hard to follow up. The same brilliant musicality is lavished on Orange — a combination of unmistakably original, skittering drum programming, startlingly fresh instrumental interjections, creepily invocatory voices, and dubwise treatments — giddily imbued with the dark arts of ritual and seance. But Orange is more gripping, focussed and urgent, more intense and ambitious. Next level.

Its first quarter presents a trio of forays in suspense.
Bassline squares up like an epic psych-funk grinder, with a moody guitar line traversed by ticking drum patterns and faint electric crackle. In no time the guitar is staggering and stammering under the duress of echo and distortion, and over-run with percussive electronics and the first of the voices massing in the music’s head. The mood has quickly become more trepidatious. We're deeper underground; it’s gloomier, wetter.
Shred propulsively ratchets up the tension and menace. Glazily tentative xylophone is played against slashing, nervy cello. The voices are more strangulated and sick now. Flutes and chimes evoke the same kind of beautiful, contaminated efflorescence which is pictured on the LP’s front cover.
Voice Of The Spider makes easier progress across this cavernous, shadowy, dripping terrain, with funky pads and Nasty, eighties, No Wave electric bass; woozy chimes, non-plussed keys, singing-in-tongues.

Pink Mist marks an arrival, or unbottling, with annunciatory church-organ and choral voices from the off, and a newly relaxed, head-nodding kosmische rhythm.

Mandarin is a short, beat-less and voice-free interlude for piano and bass. It's reflective and nostalgic, ambivalent and inconclusive, with a lovely snatch of melody. A bridge half-way.

Would You Like A Vampire is a triumphant, mesmerizing go at New Folk, with strummed acoustic guitar, descant song, and jazzily restless drum programming (including a tasty bass-bin trembler). Amazingly, Conrad Standish is joined at the mic by none other than Bridget St John. Together they sing 'Earth is Paradise’ so repeatedly and tremulously — and the song is cut off so abruptly at the end — it seems as if the verb is teetering on the past tense, and hymn fading into valediction and catastrophe.

Similarly Storm Rips Banana Tree begins idyllically enough, with a CS-&-Kreme-style raga… before something like an immense, obliterative drill starts up. Harpsichord and organ — by James Rushford — and flutes, and clapping, distant chanting and insectile percussion steadily leaven the dread, till finally all that is left is lapping water.
It’s an epic, deeply immersive, compelling, thought-provoking, twenty-minute finale… the coup de grâce. 
credits
released November 4, 2022

Written and produced by CS + Kreme
Bass, drum programming, nylon string guitar, vocals - Conrad Standish
Keyboards, electronics - Sam Karmel
Vocals on Would You Like A Vampire - Bridget St John
Portative organ, Wurlitzer and harpsichord on Storm Rips Banana Tree - James Rushford

Mastered and cut by Noel Summerville

Photography and design by Will Bankhead

Poster photo collage by Kit MacArthur

TTT BANDCAMP

CS + Kreme – Storm Rips Banana Tree

pi/live: phil in a maze for poems @ ohm  03-15-2024

2 hours with FELT label founder Fergus Jones

Felt with Fergus Jones - 28 Avril 2024

@sanguinesanguine
@lostproperties

https://lostproperties.bandcamp.com/album/sliding-doors

With ‘Sliding Doors’, Eora producer, Sanguine, greets Lost Properties with an elegant blend of ambient, dub and downtempo, full of skittering echoes and textural ear candy. 

‘Gone To Taste A Dream’ opens with lush pads and twinkly keys, before giving way to blissed out drums at 100bpm. Picking up the pace, ‘Push Not Pull’ postulates atmospheric breakbeat through tablas and congas, echoing out into the void. ‘Denture Venture’ casts its gaze to the stars, with a wide-eyed bass roller, replete with found sounds and smooth washes of noise. Opening with an eerie tone, ‘Ear Gum’ gives way to crunchy breaks and chirping synths.

Rich in detail and intricate in approach to rhythm, Sanguine delivers a love letter to dub, equally indebted to ambient voyagers like Purelink as it is to Skee Mask.

pi pi pi premiere: Sanguine - Push Not Pull (Lost Properties)

There's more than whats on this site >>>
http://futuretimes.bandcamp.com / http://www.futuretimes.org

Info/DJ Booking:
futuretimesrecords@gmail.com

Twitter: 
@FutureTiming - Max D

DOLO PERCUSSION - DOLO 26 (FTDIGI019)

Future Times

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